why the twlight zone is timeless.

why the twlight zone is timeless.

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It was back to the original twilight zone. When Rod Serling wrote “The Time Element” in 1958, he was frustrated by the way network executives as the way network executives, driven almost solely by sponsor needs, were controlling his visions. Despite being an Emmy winner, and already well-recognized voice in television, “The Time Element,” about a man trying to stop Pearl Harbor that never got picked up as sold cheaply to Desi Arnaz’s company and aired as a part of “Desilu Playhouse show” It was a hit, allowing the production of “The Twilight Zone” to commence with one of the most resonant pilots to this day, the phenomenal “Where is everybody? About a man who wakes to find himself alone in the world. How the stories told about the human condition and the monsters inside us all. It’s our fears and what injustices and racism and other issues. It was a bold show ahead of its time in story-telling. What would rod stirring do? is asked now by everyone that does shows like it. I feel today talk about the classic power of this wonderful show.

why the twlight zone is timeless.

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Rod Serling wasn’t just the narrator, he was the creator and head writer. Other writers of note included Charles Beaumont, and the late sci-fi novelist Richard Matheson among other great writers. Having dealt with TV censorship early in his career, he decided he could sneak in social commentary through sci-fi and fantasy. Racism, conformity, the folly of war, all were explored, but not in such an overt away as to reach public outcry as he managed make stories to address such isuses that was smart and clever and enraging. While the short story with a twist ending has always been a staple of storytelling, it was Rod Serling’s The Twilight Zone that refined it to an art-form that was able tell us stories that was such classics.

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Watching The Twilight Zone today, it’s striking how complex, satirical and thought-provoking it all is. You can watch the twilight zone now you would be shocked to see how these tales have not aged at all.

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Watching The Twilight Zone today it’s striking how complex satirical and thought-provoking it all is. While the tales include such fantastical imagery as a stopwatch that can stop time, department store mannequins coming to life, or a child whose dreams take corporeal form, you can clearly see that they’re really about the early-60s as its addressing the issues of its time period as it was an era of race riots, assassinations, crooked politicians and the Vietnam war, when communism and nuclear bombs were palpable fears. People were confused, scared and paranoid yet so little of the TV of its time reflected that mood.  Sponsors, executives, salesmen and producers were in charge of the networks and they didn’t want viewers distracted by big issues when they should have been thinking about what products to buy. It was in this climate that 34-year-old writer-producer Rod Serling devised The Twilight Zone. It was noticeable at time that this show was bold and enraging. Our world is just as chaotic as the 1960s with the rise again of hate crimes and other things as the times are ready for a modern day twilight zone which is why the remake is working so dam good and a dam good show in own regard. The Twilight zone is always prime for any era of time as you can watch it anytime.

The best stories of twlight zone. 

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“Eye of the Beholder”

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“Eye of the Beholder” contains a poignant commentary on the cruel, ineffective methods utilized by the state when dealing with “undesirables” who, having been arbitrarily classified as such, are often relocated to artificially erected communities to avoid interfering with the lives of so-called ordinary people its The quintessential episode of The Twilight Zone, “Eye of the Beholder” suggests that the value of a human being can never be assessed by superficial measures alone. Also commendable is Janet’s reveal in the final sequence which is one of the greatest reveals in tv show history. which, though somewhat predictable in retrospect, demonstrates a meticulous attention to detail that will appeal to both casual viewers and diehard Serling fans that you will always make you think.
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The Monsters Are Due on Maple Street
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The Monsters Are Due on Maple Street,” Rod Serling wrote a suburban Lord of the Flies, a parable about the fragility of civilization, paranoia and the susceptibility of nice folks to manipulation as we can be played upon fears of the other as we always fear that fear even now. a moral object lesson that plays as freshly today as it did during its post-McCarthy Era debut. The “twist” that aliens have been lazily tinkering with the lights and cars, and that they’ve concluded that the easiest way to destroy mankind is to let us destroy ourselves by our own fears. Its simply an amazing story.
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 A Game of Pool

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A tour-de-force of acting prowess as comedian Jonathan Winters spreads his dramatic chops alongside Jack Klugman in an episode that both rewards and questions dedicating your life to perfectionism as no man can be perfect it’s a powerful story that shows you why such things can be not very useful in the end as you miss out on the finer things in life.

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“The Invaders”

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An absolutely gorgeous in every aspect, this episode is a near-wordless masterwork of fear about tiny intruders who terrorize an elderly wife (Agnes Moorehead). Despite being the size of mice, they torment and injure her until she fights back, killing one and following the other to the flying saucer that landed on her roof. Since we never hear her speak, it’s a shock when we hear the tiny alien as its twist is simply amazing work. It’s simply a powerful story that plays upon our fears.

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This Dachau-set episode aired after the Adolf Eichmann trial started and a month before the guilty verdict was delivered, proclaiming that the SS leaders weren’t merely just following orders.” Serling’s searing story really shows you the horrors of what they did to people. A former SS captain who visits Dachau in 1961 only to find one of his victims is now caretaker of the prison camp. Realizing he’d murdered the man years before, the Nazi loses his mind in series of delusions wherein he’s placed on trial and deemed guilty. Serling closes the episode proclaiming that Dachau and other concentration camps must stay standing as monuments to horror so that it may never happen again as simply something we should never forget. I hope you enjoyed some of the best stories as so many stories i choose four that showed its range of story-telling powerful nature form powerful acting stories to the enraging social stories it always made you think.

Rod Serling did it with 156 episodes of the ground-breaking anthology series The Twilight Zone, thanks to his commitment to enhancing the twists by showing humanity in both its angelic and monstrous forms that was such bold commentaries upon our world. It always was about talking our world and its raw nature i hope you enjoyed my talk today on it.

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 Val Lewton:Shadows And Suspense

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Today I talk about In the early 1940’s rko was suffering a big failure following citizen Kane and other movies leaving the studio in ruins. it turned to its low budget b pictures . Val Lewton was the man put in charge of producing these flims with titles given to him by the studio. He found ways to make these movies into horror classics. Cat people was a huge hit so he was given free rein to do whatever he felt about for his movies. He came up idea of i walked with a zombie. Its his third The Leopard Man where he finally hit his mark fully in his ideas.  Val Lewton was a man that was able created many classic movies that do not follow the trends of its genre as his horror films are different then many horror films of its time. Val Lewton crafted out a group of movies that i call the Val Lewton touched classics that truly shine in their own right as they show ideas that was different and takes the movies to a different level. So today i talk about these classic movies now.

Cat-People-2 Val Lewton:Shadows And Suspense(https://www.facebook.com/Wolffianclassicmoviesdigest/)Cat People (1942) reviewImage result for Cat People (1942)Cat People is a movie less about real horror but subjective horrors such as fear of what you don’t see unfolding around you. Our male lead fears that he is losing his wife before he even really got her in the first place. Our female lead fears that her husband is falling in love with someone else. She fears a history that she can’t seem to escape it’s all really subjective as you don’t see any of these horrors unfold on the screen which by its nature is even scarier as it’s playing with your mind which is something truly real and true to life. You often hear noises at night but you don’t see anything unfold as you wonder what the noise was you heard unfold at night. Image result for Cat People (1942)

Simone Simon has the perfect mix of coiled power and haunted vulnerability to lodge us completely in her corner, Tourneur’s mise-en-scene is bursting with clever detail and Nicholas Musuraca’s shadowy cinematography that brings us into the story unfolding upon the screen.

Its use of footsteps as sounds to scare you and shadows makes you feel chills for things you dont see on the screen as is the horror real or its all in our minds it plays a trick upon you to bring fear into your life. I would say the human nature of fearing what we dont see is more scary then what we see unfold upon the screen.

Image result for Cat People (1942)Cat People is the strongest example of atmospheric film-making from the Golden Age of horror cinema that didn’t have the names James Whale or Tod Browning attached to it as a it’s such a wonderfully layered film that uses your real fears of what you don’t see to scare you. The black-and-white cinematography is wonderful. I would simply suggest you watch Cat People today.

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I Walked with a Zombie review
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I Walked With A Zombie is Based somewhat on the classic story of “Jane Eyre. It takes to Caribbean island mansion to explore the traditions of zombie culture of the Caribbean which is an interesting subject to apply his subjective horror ideals to it as he takes us upon one of the best takes of zombies on the screen.
 I Walked with a Zombie has the feel of a b movie its so much richer then its subject matter of island voodoo. The narrative weaves in some intense social issues, including the legacy of suffering left in the wake of slavery upon the islands.  A township marked by colonialism and a culture struggling to survive beneath it. It plays more like Gothic literature then anything else.the Canadian nurse’s (Frances Dee) visions of tropical enchantment are curtly dismissed by the death-scented plantation owner (Tom Conway) whom both lead this movie as i would say its acting is very good but its much more richer to watch what unfolds on the screen.
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 Jacques Tourneur helms the picture with a style that i truly adore even more in this movie then i do for cat people as its use of the subjective horror of what you dont see unfold upon the screen as the fears of what unfolds really does make you fear what is happening upon the screen. The black-and-white cinematography  of  I Walked with a Zombie makes use of shadows in a rich way that feels richer then many noir classics.
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I am sure some overlook I Walked with a Zombie because it seems like a low rent b movie at first glace but you shouldn’t do that at all as its a rich movie that really is something truly amazing to watch unfold on the screen.
The Ruth rating:
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The Seventh Victim review
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The Seventh Victim illustrates better than any other film the amount of creative freedom Val Lewton’s B-picture department was given by the bosses at RKO. The Seventh Victim has a good cast of talents all giving out good performances. I adore all of Val Lewton’s B-picture’s my favorite would be curse of cat people.
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It’s a very effective thriller that deals with themes of the occult and Satanism as the movie explores these themes in very detail with its plot that really is very dark for its time. The film also appeared to influence Rosemary’s Baby, in that the cultists are not depicted as ghouls in hooded robes, but as normal people, old and slightly shabby. Screenwriter Charles O’Neil said he researched the story by visiting a cult headquarters in New York. The people, he said, were surprisingly normal. Some of the older ladies knitted as they chanted to cast a spell on Adolph Hitler. It’s one of those weird stories where the writers find more then hoped in the story to find out about their movie.

It was shot on a studio back-lot. The Greenwich Village created for The Seventh Victim feels realistic. It’s a bleak nightscape of failed poets, Italian restaurants, beauty salons and dark alleys, shady private eyes, psychiatrists who harbor secrets, theatrical troops, lesbians, and devil cults. It was into this odd world that Jacqueline disappeared really feels like the real place.

A number of scenes stand out in this classic movie that you will love to see happen upon the screen. The Seventh Victim also boasts one of the best ‘Lewton walks.’ When Jacqueline tries to walk home alone after being allowed to leave the Palladists’ meeting, she is stalked by a hit man who emerges from the darkness of a doorway she passes on an eerily deserted street. This scene echoes earlier Lewton walks such as when Irena stalks Alice through Central Park in Cat People or the some of the scenes of I walked with a zombie. It really stands out as it shows up on the screen.

The Seventh Victim is a very wonderfully acted thriller that inspired later classics that will stay with you for years to come that you should see today.
The Ruth rating:
The Curse of the Cat People review 
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The Curse of the Cat People remains among the strangest Hollywood sequels ever made. Following Cat People, RKO’s 1942 horror masterwork of shadow and atmosphere that also helped delay the studio’s financial ruin, the sequel resolves to occupy another genre entirely. I would call it one of my favorite movies all time as its story is quite lovely. Director Robert Wise, winner of Oscars for the musicals West Side Story and The Sound of Music among several other classic films directs this classic gem that I adore so much.

The Curse of the Cat People is rather a fairy tale in a way its very much a movie that feels more dreamlike like the classic fairy-tale classics. The magical tone of the movie is reminiscent of Rene Clair or similar fantastic directors of the era that feels so much more fun to watch unfold on the screen as it captures the childhood feel so great.

Ann Carter is astounding in the role of Amy, taking another otherworldly turn after playing Veronica Lake’s enchantress daughter in I Married a Witch as she gives out such a wonderful performance in her role. Simone Simon who literally plays the role of a good fairy/fairy princess as Irena She’s an angelic presence that, again, could be perceived as evil because she is so ethereal.

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By the nature of the movie’s story you are really in a fairy-tale that feels dreamlike and echoes many other childhood fairy-tale classics with its even Gothic touches that feel right out of a fairy-tale. I used adore to read old fairy-tales as a boy as had book collecting them this movie really captures that feeling of those classic tales upon the screen.
The Curse of the Cat People is hardly a horror story at all as its more a Gothic fairy-tale which really makes it one of a kind for movies of its time. This is a lovely, haunting film that you will simply enjoy to watch anytime.
The Ruth rating:
 Val Lewton:Shadows And Suspense thoughts
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The early 1940’s rko was suffering a big failure following citizen Kane and other movies leaving the studio in ruins. It turned to its low budget b pictures. Val Lewton was the man put in charge of producing these films with titles given to him by the studio that each of them stands out in their own as today i talked about some of his movies that really stands out that you will adore to see as each of them are different types of movies that all offer different types of tales. I hope you enjoyed my talk today about his movies i hope you join me again for another in the future