women-in-peril golden age classics 

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damsel in distress or persecuted maiden is a classic theme in world literature,art,film and video games. The trope involves a beautiful or innocent woman placed in danger by a villain or monster that requires a knight or hero to rescue her. In movies it has become common trope in storytelling. The golden age of movies turned this trope into a different light by turning it into women-in-peril sub genre of movies that started out in 1940’s as they were a sub genre for horror and thrillers that follows a female protagonist who is subjected to prolonged physical and emotional torture. These tortures are aimed at womanhood or what it means to be a woman. Women portrayed as victims is fertile ground for movies today I talk about movies of this sub genre that are a classics of the golden age of cinema as I talk about these Gothic melodramas or thrillers of the golden age of movies So let’s begin this talk about it.

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So I begin with a review of gaslight(1944) which is a mystery thriller based upon a play that tells a story about a woman whose husband slowly manipulates her into believing she is insane.

Patrick Hamilton’s Angel Street an American stage classic was turned into a classic Gothic melodrama on the screen in 1944 as gaslight. This Gothic melodrama about a woman being driven out of her mind was directed by George Cukor. This film is beloved by film fans all over the world because it holds the viewer interested in watching the psychological drama with echoes of Gothic overtone unfold on the screen. 

Ingrid Bergman plays a wonderful role as  Paula as she  born to play this troubled woman as she truly captures the raw depths of this person perfectly. The movie starts with her as a young girl at the begining of the flim to a blooming woman that is affaid of her own shadow. One look at Ingrid Bergman  you get sense what is in her mind each moment of the movie as she truly gives us one amazing performance. Charles Boyer also makes a great Gregory Anton as he plays the perfect villain as he truly is sly and  duplicitous with a hidden agenda to get whatever he can out of poor Paula. Gregory Anton is an evil man that will go to any lengths to get what he wants.  Its truly a wonderful role. The supporting cast all give out such amazing performances as young  Angela Lansbury stands out among them as a maid. Joseph Cotten gives a good performance.  Dame May Witty truly is a good actress giving us an amazing performance. Gaslight is an excellent Gothic melodrama that you should see today.

House of wax review

Wax sculptor Henry (Vincent Price) is horrified to learn that his business partner, Matthew (Roy Roberts), plans on torching their wax museum to collect on the insurance policy. Henry miraculously survives a fiery confrontation with Matthew and re-emerges some years hence with a museum of his own. But when the appearance of Henry’s new wax sculptures occurs at the same time that a number of corpses vanish from the city morgue, art student Sue Allen (Phyllis Kirk) begins suspecting wrongdoing.
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Vincent Price was a known caracter actor by time he played Wax sculptor Henry. House of wax. House of Wax was one of the few films made in 3D which was a huge success. It really is likely because of the movies strong acting by its cast.  Vincent Price plays one of his finest villain roles that he gives all his charm as as an actor to the role of  Henry Jarrod, a sweet and dedicated artist who creates lifelike mannequins for a wax museum. He crates wax figures of many people whom he loves like his kids. is partner sets the museum on fire, hoping to collect a tidy sum in insurance money. Henry supposedly perishes in the flames, trying in vain to rescue his beloved wax friends in a scene which is truly heartbreaking as you see him try to save them to be almost burned alive.
Henry reappears, wheelchair bound and just a tad bitter. He has opened a new wax museum which features realistic scenes of murder and horror, many of them taken from current headlines. Unfortunately, some of them are just a little TOO realistic: one looks like Henry’s ex-partner, who was found hanging in an elevator shaft. It really is a very great shift in his persona as this guy now is a wicked villain of charm. Vincent Price played up this role as he really gives out charm in this role.
This is a wonderful, creepy scare-fest with great sets, beautiful colors and strong performances. Vincent Price as Henry Jarrod really is lovable and and horrifying as the kind man driven mad. Charles Bronson, in a very early role, is super freaky as Henry’s mute and morbid assistant. Carolyn Jones. it is really price that steals the show as many scenes he plays up to the camera which was used the 3d effect such as him playing ping pong to the camera that scene you see price’s great charm as an actor come out. Phyllis Kirk is the sensible Sue a slightly uptight but genuinely believable victim that has such charm in her role too.  Vincent Price seems to enjoy playing the villain as he seems to just make it seem like such a joy as he plays it with glee like a school boy. He really loved to play villains he often said as he could have such fun in playing evil. I would love talk about how the wax figures he creates of horror really can creep you out. House of wax is a horror gem that you must see today.

 Black cat reviewca75bfe0b446b1c7e75b4f3208772409Edgar G. Ulmer’s The Black Cat was released in 1934; it was the first feature film to famed Universal horror actors Bella Lugosi (“Dracula”) and Boris Karloff (“Frankenstein”) in the same film together which may explain why it is one of the beloved cult classics.

Bella Lugosi plays the good guy in this movie.  The role of Dr. Vitus Werdegast is among the finest ever played by Bella Lugosi. it is so much of a departure from many of his other roles it does stand out among his roles.Boris Karloff plays Hjalmar Poelzig, a Satanic architect whom is among one of his finest roles on the screen as he plays a wonderfully creepy role. He plays a devil worshiper that holds black masses and a penchant for the ladies only when they are put to the  devil’s business. He plays it so dark and twisted as this evil devil worshiping priest. He was once friends to Dr. Vitus Werdegast whom he betrayed during the war which led to a long imprisonment.  This bond really plays off well in parts you see shades of the friendship yet you know truth that both men don’t like each other. They play both together in a horror classic in a fine manner as both of the duo really lights up the screen.

Peter Alison (David Manners), a pulp mystery writer, and his newlywed bride, Joan (Julie Bishop,) both plays both roles finely i may add as both really are good at playing off this couple stuck in middle of this game between both men. Julie Bishop of course plays Joan the victim in the middle of it all.She is used as a pawn in Hjalmar Poelzig’s rituals. Both of the couple really stands out as both give out wonderful performances. The Black Cat contains some of the most unsettling scenes of any classic Universal horror film. It is the darkest of them all. I just wonder how it was viewed by audiences in 1934. Two scenes that immediately come to mind are the black mass performed by Karloff and the torture scene at the end of the film. These scenes are not typical of the Universal classics as this is darker than normal universal horror movies.  I adore the darker elements that make this movie really stand out among horror movies of that era. The setting of this movie is different than other universal horror movies as its futuristic house really stands out among universal horror movie movies.  It’s wonderful set design and cinematography and lighting really shines that makes it stand out along with its wonderful acting and makeup work and direction makes this universal classic stand out. This is one classic movie you should see today.

The Canterville Ghost review

The Canterville Ghost is loosely based upon the  a short story by Oscar Wilde starring  Robert Young and  Margaret O’Brien with Charles Laughton as the ghost whom he plays with a delightful charm to the role. It’s a very charming little gem that will make you smile as it’s a very delightful and charming ghost story for the whole family that you will laugh and adore. It’s a classic charming ghost story that is timeless as ever that you should see today.

Gothic Melodrama is a very special brand of the ever popular Melodrama style that emerged in the late 30’s and that featured not only old Gothic mansions, dozens of burning candles, foggy streets illuminated by gaslight, mysteries and haunting family secrets, Victorian ladies walking through dark corridors, Byronic heroes like Orson Welles or James Mason, tall dark villains like Vincent Price and tragic ghost stories. I showed some of these stories today that present as many classics exist in this area you can enjoy many times over and over again i hope you enjoyed my look upon this area today.

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baby driver:classic connections

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So today I talk about baby driver in a rare modern day review and look upon its many references to the past of movies.I adore so many classic movies as baby driver stands among classic heist movies all time as its truly a wonderful movie that is gonna be a lasting classic for the ages.  

baby driver:classic connections

How The Umbrellas of Cherbourg connects to baby driver?the musical beats(beat one)

The Umbrellas of Cherbourg is truly a musical in every sense of the word as every frame of the movie is a musical as every line of dialogue is sung as that seems very novel its a very stylish movie invention for its time as filmed in lovely color of the 1950’s and 1960’s. The actors are not singers as they do seem more real and grounded as There is none of the showboating of the big Hollywood musicals of the era as they speak it like you would every day each lyric of the movie. The Umbrellas of Cherbourg is fully of beautiful melodies and musical lines but there is no delineation between separate songs. Instead it is one continuous musical experience as Demy and composer Michel LeGrand sat at a piano writing the screenplay out page by page as each line has written notes added to the line. In an interview, LeGrand admitted to struggling through the process as a key a bit of inspiration when they translated the natural timbre of the spoken line for a scene, keeping the same rhythmic melody. It’s a classic tale about young love, loss, and the path that life leads you down which can take you off that love. It’s a classic tale as old as time itself. You loved baby driver you will adore this movie so much.

How Larceny, Inc connects to baby driver?Its a heist comedy classic with mobsters(Beat two)

A gangster comedy starring Edward G. Robinson’s as its playing on his image of a gangster as it’s a spoof of the 1930’s gangster comedies. The humor marries physical gags to some cute word play which makes it even more fun to watch it. It all sparkles due to the talents of an all-star cast of character actors that give us such wonderful acting as they all shine in their roles as they bring to life this collection of fast talking con-artists. This is a truly fun classic gem that you will adore if you love baby driver.

How does gun crazy connect to baby driver?well its a classic crime movie.  (Beat Three)

Peggy Cummins is The epitome of the bad dame as she truly gives us something truly special as she is perfectly cast in the role as this British legend really shines in gun crazy. John Dall truly is amazing in his role. It’s one interesting pairing as both truly embody a perfect pairing in acting. This movie has many great things such as its wonderful cinematography and its wonderful camera work as it feels just as wonderful and up there with many great noir classics. It’s truly a gem you should watch today if you loved baby driver.

How does  Criss cross connect to baby driver?well its a classic crime movie.  (Beat Four)

This is a vividly emotional heist thriller that the betrayals of the heart rarely feel this raw and real as its scarring and the sexual tension is off the charts. We sympathize with Burt Lancaster falling hard for Yvonne DeCarlo as we can get why he loves her so much and unable move on without her as she is a conflicted femme fatale. Noir is at its best when making it painfully clear that there is no future for the doomed couples in these films as this classic shows us the best of noir you will enjoy it anytime even if you loved baby driver.

How does How to Steal a Million connect to baby driver?well its a romantic heist comedy(Beat Five)

Directed by William Wyler, How to Steal a Million presents a terrific opportunity to watch Peter O’Toole and Audrey Hepburn spar in a romantic heist comedy that sparkles with their wit off each other as its truly fun movie with a very wonderful acting by everyone in its cast. In the climactic heist sequence, Wyler has a lot of fun. How to Steal a Million truly may be one very funny movie that sparkles that you should see today if even loved baby driver.

How does the ladykillers connect to baby driver?well its a crime comedy classic. (Beat Six)

The Ladykillers is a brilliant crime comedy from the 50s. The ladykillers, a band of criminals, all with distinct appearances and personalities, and an old lady make this movie much more fun as each truly has a wit and charm unlike anything else with such wonderful acting by everyone. You will adore this movie if you love baby driver.

How does The Asphalt Jungle (1950) connect to baby driver?its a crime drama. (Beat seven)

A John Huston film disguised as a heist film when its true strength is its character driven plot with such very good dramatic moments with good acting. It’s a very fun classic movie that instantly you will adore if you love baby driver.

How does The Lavender Hill Mob (1951) connect to baby driver? It’s a crime caper(Beat eight)

An Ealing crime comedy that sparkles with such wonderful acting and charm that is Eighty minutes of cinematic perfection as it’s so very wonderfully acted with such good wit and charm it’s a classic you will adore if you love baby driver.

How does the driver connect to baby driver? Well it is a classic heist movie.(Beat nine)

This is a classic car chase movie with similarities between this and Nicolas Winding-Refn’s Drive shine through in the depiction of their central characters. Both place men of few words as the central figure it’s very low on talk yet very much a very fun car chase flim that you will adore if you love baby driver.

How does Le Samourai (1967) connect to baby driver? It’s a classic Mystery/Crime film. (Beat Ten)

Jean-Pierre Melville’s Le Samourai is the cinematic embodiment of cool. This film is unlike any Hollywood action treatment of a hitman in that it every single movement is treated like a precious gemstone. Alain Delon plays a double crossed assassin who stays one step ahead of the law in what becomes a very smart cat and mouse plot. Melville’s exact direction is a joy to behold, never wasting a line of dialogue nor a single frame. This is film-making at its leanest, trimming off any hint of excess with such fine acting makes this a gem you will simply adore if you love baby driver.

How does True romance connect to baby driver? It is a classic love story(Beat eleven)

True Romance is one of those few movies with everything you need in a movie: Action, romance, drama and brilliant acting that is a throwback to the old ‘lovers on the run’ formula yet it is so good and wonderful with such rich wit and charm that you will simply adore it if you loved baby driver.

How does The French connection connect to baby driver? It is a classic heist movie(Beat twelve)

The French Connection is an excellent movie in every way. Gene Hackman stars in this wonderful movie. The French Connection is an intense character-study that you if you adore baby driver you will love this wonderful movie.

How does baby driver connect to Rififi? It is a crime film. (Beat thirteen)

Rififi is a terrific heist movie, and one from which subsequent heist films have drawn ever since its debut upon the screen. The  famous 20-minute silent jewel heist sequence of this flim is simply marvelous to watch unfold on the screen. If you are serious about heist films or film noir this is an absolute must see as its truly a marvelous flim by Jules Dassin that you will love so much if you love baby driver.

Baby driver review(Beat fourteen:last note as  would be the ending of story)

Baby Driver is the best mix-tape ever assembled for a movie. It’s simply a marvelous movie that simply is one of best movies of the year. Edgar Wright would have never fit the 70s new wave: he belongs at Warner’s in the 30s. Baby Driver colors inside the lines. Baby driver is a stark contrast to many movies now from other recent Hollywood films praised being different enough. He wants the image on screen to matter more than the cultural conversation that occurs afterwards.

The film stars Ansel Elgort as the titular character whom truly shines in this marvelous role that shines with very emotion driven acting as he barely speaks as he feels like buster kreaton in a modern sense but so good here. Jon Hamm, Jamie Foxx, Kevin Spacey, and Eiza González did their parts well and portrayed convincing mentally unstable killers that have such wonderful wit to them all as the actors played well off of each other, especially in scenes involving comedy where they nailed the punch-lines each time.

Many of the heist films of recent years have been rather disappointing when it comes to both story and technical achievement this movie is simply marvelous as it comes. The casting in Baby Driver was absolutely divine.

I cannot think of one character or actor who was misplaced or a weak link within the film as they give such wonderful performances. Writer-Director Edgar Wright delivers the sharpest dialogue and story of his illustrious career as he simply brings home his best film ever here which is a tall order coming from this amazing talented director crafting out such amazing and clever heist scenes with wonderful acting and a wonderful screenplay with wonderful direction and acting makes this movie a must see for anyone that loves classic movies.

The Ruth Rating:

 

happy birthday Charles Laughton

happy birthday Charles Laughton

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Charles Laughton was born July 1, 1899. The Oscar-winning star of “Witness for the Prosecution and Mutiny on the Bounty among many other classic flims.   A talented and diverse actor  Charles Laughton was a character actor who portrayed a wide variety of roles throughout his career. He also worked as a director, producer and screenwriter. He turns 101 today so  i am honoring this wonderful legend whom was one of best actors ever to grace the screen. 

The Night of the Hunter review
It is a shame that  Charle Laughton, the distinguished actor, didn’t direct more films. As he clearly indicates with The Night of the Hunter”, he had a rare gift for guiding a production into achieving greatness as this flim didnt get the love it deserved when it came out now has turned out to be a classic. Its a children’s fairy-tale story with the horrors of a good fairy-tale with its light touches too of a fairy-tale.
Lillian Gish plays the saintly Ms. Cooper, guardian of unwanted children whom are now in dreamlike place compared to the nightmare of their home before. Charles Laughton’s small town America is a stylized and dreamlike as it would exist in a fairy-tale. Robert Mitchum is the evil Harry Powell. It’s without a doubt, one of Mr. Mitchum’s best screen work ever as he plays one wicked role. This classic is one truly amazing classic with wonderful acting and a wonderful story and direction and wonderful music makes it a very wonderful classic you should see anytime.

The Paradine Case review

It is often considered one of Hitchcock’s lesser movies. Many people dislike it and many people love it and praise it. Its acting is good that is not issue. It has such layers to this movie that it works for some and others it does not work right. The talents of Gregory Peck and Ann Todd and Charles Laughton and Ethel Barrymore and Louis Jourdan and other great talents all make up the cast of this movie. Its moody love story that centers on many of the leads of this movie really does bring some of its layer. One thing this movie misses is the Hitchcock humor does not seem to be in this movie. The acting of everyone is very good. Its Hitchcock’s noir classic in a way. It captures the soul of noir as you have a moody love story mixed with poisoning. It really is a fun noir gem to watch that really is such a fun case of it being a classic that is a mixed bag for many. Watch it today if you want a very good classic gem to delight you.

The Canterville Ghost review

The Canterville Ghost is loosely based upon the  a short story by Oscar Wilde starring  Robert Young and  Margaret O’Brien with Charles Laughton as the ghost whom he plays with a delightful charm to the role. It’s a very charming little gem that will make you smile as it’s a very delightful and charming ghost story for the whole family that you will laugh and adore. It’s a classic charming ghost story that is timeless as ever that you should see today.

The Hunchback of Notre Dame review

This version of The Hunchback of Notre-Dame is the finest film version that I’ve ever seen and the critics normally agree that it’s the best screen adaptation of the classic novel. Charles Laughton is simply amazing in his role as Quasimodo as he plays it to the finest level i seen this character played as he truly gives us one wonderful performance. Maureen O’Hara’s  as Esmerelda truly also gives one of her most charming roles as it made her also an icon too as this is one great role for this wonderful legend. Every one of the actors gives us such wonderful performances. It’s a wonderful classic for the ages you should see today.

Island of Lost Souls review

This controversial adaptation of H.G. Wells’ short novel was outlawed in many nations around the globe due to the unpalatable ethical and religious issues it raised at time of release. This version of this classic tale remains to be the finest version of this classic tale ever on the screen. Charles Laughton delivers one of the best performances in the history of horror as the mad Dr. Moreau as he truly gives one amazing performance as one of truly mad man.  Bela Lugosi stands out in his small role which is one of his finest on the screen ever as the sayer of the law. This timeless movie has been neglected for far too long and the time as it’s the best version of this tale as simply few tales of human horror compare to this classic horror gem. It remains one of finest classics that you should see today.

The wonderful Charles Laughton whom was a Tortured but brilliant British actor Charles Laughton’s unique performances made him a compelling performer both on stage and in film as he also was married to Elsa Lanchester whom was one of the finest character actresses of the golden age.  He would star in many classics that remain timeless today such as Witness for the Prosecution and the big clock and Captain Kidd and The Hunchback of Notre Dame as each displayed a small part of this amazing talented man of acting that was one of our finest ever on the screen. I hope you enjoyed my tribute to this wonderful legend.

Island of Lost Souls review

This controversial adaptation of H.G. Wells’ short novel was outlawed in many nations around the globe due to the unpalatable ethical and religious issues it raised at time of release. This version of this classic tale remains to be the finest version of this classic tale ever on the screen. Charles Laughton delivers one of the best performances in the history of horror as the mad Dr. Moreau as he truly gives one amazing performance as one of truly mad man.  Bela Lugosi stands out in his small role which is one of his finest on the screen ever as the sayer of the law. This timeless movie has been neglected for far too long and the time as it’s the best version of this tale as simply few tales of human horror compare to this classic horror gem. It remains one of finest classics that you should see today.

The wonderful Charles Laughton whom was a Tortured but brilliant British actor Charles Laughton’s unique performances made him a compelling performer both on stage and in film as he also was married to Elsa Lanchester whom was one of the finest character actresses of the golden age.  He would star in many classics that remain timeless today such as Witness for the Prosecution and the big clock and Captain Kidd and The Hunchback of Notre Dame among many other classics as each displayed a small part of this amazing talented man of acting that was one of our finest ever on the screen. I hope you enjoyed my tribute to this wonderful legend.

The black cat review

Today’s review of The black cat is done for this year’s great villain Great Villain blogathon. This post is part of the Great Villain blogathon, hosted by Speakeasy, Silver Screenings and Shadows and Satin. Be sure to check out other entries form this event. Thanks to the wonderful hosts for this wonderful event. so to review this classic gem now.

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ca75bfe0b446b1c7e75b4f3208772409Edgar G. Ulmer’s The Black Cat was released in 1934; it was the first feature film to famed Universal horror actors Bella Lugosi (“Dracula”) and Boris Karloff (“Frankenstein”) in the same film together which may explain why it is one of the beloved cult classics.

Bella Lugosi plays the good guy in this movie.  The role of Dr. Vitus Werdegast is among the finest ever played by Bella Lugosi. it is so much of a departure from many of his other roles it does stand out among his roles.Boris Karloff plays Hjalmar Poelzig, a Satanic architect whom is among one of his finest roles on the screen as he plays a wonderfully creepy role. He plays a devil worshiper that holds black masses and a penchant for the ladies only when they are put to the  devil’s business. He plays it so dark and twisted as this evil devil worshiping priest. He was once friends to Dr. Vitus Werdegast whom he betrayed during the war which led to a long imprisonment.  This bond really plays off well in parts you see shades of the friendship yet you know truth that both men don’t like each other. They play both together in a horror classic in a fine manner as both of the duo really lights up the screen.

Peter Alison (David Manners), a pulp mystery writer, and his newlywed bride, Joan (Julie Bishop,) both plays both roles finely i may add as both really are good at playing off this couple stuck in middle of this game between both men. Julie Bishop of course plays Joan the victim in the middle of it all.She is used as a pawn in Hjalmar Poelzig’s rituals. Both of the couple really stands out as both give out wonderful performances. The Black Cat contains some of the most unsettling scenes of any classic Universal horror film. It is the darkest of them all. I just wonder how it was viewed by audiences in 1934. Two scenes that immediately come to mind are the black mass performed by Karloff and the torture scene at the end of the film. These scenes are not typical of the Universal classics as this is darker than normal universal horror movies.  I adore the darker elements that make this movie really stand out among horror movies of that era. The setting of this movie is different than other universal horror movies as its futuristic house really stands out among universal horror movie movies.  It’s wonderful set design and cinematography and lighting really shines that makes it stand out along with its wonderful acting and makeup work and direction makes this universal classic stand out. This is one classic movie you should see today.

The Ruth Rating:

Cinematography of the third man

Cinematography of the third man

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TODAY i talk about The Cinematography of the third man with an in-depth review that breaks down this classic gem for 31 Days of Oscar Blogathon as today for the crafts part of 31 Days of Oscar Blogathon as Its Oscars talk time again. Today as part of 31 Days of Oscar Blogathon which is hosted by Once Upon a Screen,Outspoken and Freckled and Paula’s Cinema Club. Thanks to the wonderful hosts for today’s event and check out others form this event.

The Third Man (1949) Opening shots. 

Similar to other international noir genres, British film noir hardly fits the rigid categorical definition of noir based on Hollywood films. It does, however, contain many of the conventions and traits of Hollywood film noir such as a focus on the underworld of society, base emotions, and melodramatic events that portray an unjust and often cruel world. Carol Reed’s The Third Man (1949) may be stand among the greatest movies ever made and it does rank almost among top British films ever made.

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The third man follows  an idealistic American writer of Westerns as he arrives in the corrupted, disparaged city of post-WWII Vienna, Austria, which has been divvied into four sections: French, Russian, British, and American.  Holly Martins (Joseph Cotten) is an innocent, in some ways a clod, as he blindly follows a mystery, however dangerous, until its ultimate conclusion at the end. 

The third man has many key layers that it shares with american noir that may be a common thread of both ends of the great pond as its use of shadows and lighting really does also play a huge role into the movie.  A focus on the underworld of society of  Vienna, Austria. The base emotions, and melodramatic events that portray an unjust and often cruel world of post war  Vienna, Austria which is divided after the second world war into four zones French, Russian, British, and American.  Plot:Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime.

The third man is probably the greatest British thriller of the postwar by director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna which is far removed from the image of the rollicking erotic’s of Ernst Lubitsch or the wistful elegance and melancholy beauty of Max Ophüls. This Vienna is a movie milieu that really is vastly different form Curtiz’s Casablanca or Sternberg’s Morocco as it is unlike them, it is primarily the real Vienna, It is the real raw streets of the rubble and look of the bleak city after the second world war. The third man is shot by Reed and cameraman Robert Krasker in such a striking style which captures the city of Vienna. The camera work of Robert Krasker shot the movie in off-angle compositions and wide-angle lens distortions along that really does give some shots that really does feel striking to see unfold on the screen.

As you see in this scene above you see One of the many great Dutch-angled shots in The Third Man (1949) as truly it is giving you an oddball look at the city in a striking style.These striking camera shots really work to capture the raw city. The macabre landscape with the outstanding camerawork captures the city with  Anton Karas’ legendary zither score as the tale unwinds on the screen.

Two symbolic settings of the movie is a Ferris wheel towering above the city, and the shadowy chaos of the sewers. Holly comes face to face with the supreme evil, the supreme betrayal: both Harry’s and his own. The two settings play key part into that ultimate end. This is one element of the third man that vastly does tell you about how the raw core of the depths that harry faces into what some call his trip down a rabbit hole. Its two settings tell the viewer this idea as key part of its shots. This what the symbolic settings tell us all about the journey of the movie to its end.

Which ends as Anna walks down road as he looks upon her as farewell to her as he knows she is still in love with a killer and he must follow her down into that place as her love is misplaced and misguided. It’s her way as she must find her back to the light. The symbolic nature of the ending and the movie really does bring to light the nature of what we feel as descend into our chaotic worlds often.

Don’t be so gloomy. After all it’s not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? The cuckoo clock. So long Holly.

 

Harry Lime: Nobody thinks in terms of human beings. Governments don’t. Why should we? They talk about the people and the proletariat, I talk about the suckers and the mugs – it’s the same thing. They have their five-year plans, so have I.
Martins: You used to believe in God. Harry Lime: Oh, I still do believe in God, old man. I believe in God and Mercy and all that. But the dead are happier dead. They don’t miss much here, poor devils.

Both these great quotes by Orson Welles really address the nature of our world in a collective darkness about how we think about governments in truth and how we believe in a god. It’s a collective reflection that really does feel at home in the third man as the city of Vienna afterwards of world war II. As quoted often noir is a reflection of how America and the world felt afterward of the second world war. So we see this collective expressions of its scenes and many quotes in this wonderful gem of a movie.

Joseph Cotten was not  carol Reed’s first choice for Martins; the director preferred Cary Grant, or even Jimmy Stewart but he ended up with Joseph Cotten. Joseph Cotten really gives us one fine performance as we see him really play wonderfully as he gives Martins the necessary dumfounded ignorance toward Vienna the role requires to really give us a caracter that is taking into this wild trip down a rabbit hole. He truly nails home this performance.

Orson Welles plays the elusive Harry Lime whom is one of the best villains ever put to the screen even for his limited time on screen as he plays one very convincing villain. Orson Welles was considered to be overshadowing the production of the third man. He kinda does even overshadow the director in many ways as many more recall him then carol reed. Its truly one amazing performance.

Alida Valli gives us a very convincing performance as Anna Schmidt. Its her very subtitle performance as the girlfriend. She really has a very key role into comforting holly Martin but she ends up in the twisted web herself as she has many secrets hidden away about herself. She wonderfully plays the role in a very wonderful performance that really nails home another outstanding role for this movie.

Trevor Howard wonderfully plays the role of Maj. Calloway. He leads down the chase as we see him and the other cops chasing down holly martin in one of the most infamous scenes of the movie.  We truly see him give such an amazing performance in this wonderfully crafted role.

Bernard Lee as Sgt. Paine really gives us one wonderfully outstanding role as we see him really play this role wonderfully as this wonderful actor of range gives us such a good role on the screen. Everyone else in the cast gives us such outstanding role even the smaller and lesser role as each give us such raw depth to their performances making them really all work to bring to life this world  on the screen. 

Carol Reed and his Academy Award-winning cinematographer, Robert Kraske devised an outstanding cinematography. It shows a world out of joint in chaos that creates unforgettable visual style.   fantastic oblique angles. Wide-angle lenses distort faces and locations. And the bizarre lighting makes the city into an expressionist nightmare. During a stakeout for Lime, a little balloon man wanders onto the scene, and his shadow is a monster as he towers over others as we really believe he is towering and overshadowing everyone. Vienna in “The Third Man is unforgettable as they come as its striking and contrasted form the lovely image we normally see of cities in movies.  This is a striking and wonderfully crafted movie form reel one to its end.

Carol Reed’s tight direction really does come to life with Academy Award-winning cinematographer, Robert Kraske as both of them craft out such a layered expressionist nightmare with such wonderful writing by Graham Greene with each cast member bringing home the lines of the screenplay in its depth and raw and giving more to each performance. We have a very wonderful performance by orison Welles whom overshadows the cast in light. We have a wonderfully rich acting job by Joseph Cotten whom gives us one amazing performance. We have a wonderful roles by Alida Valli and Bernard Lee and Trevor Howard each of whom give us first class acting. Its acting as directed by the wonderfully pitch director carol reed really brings out such rich and complex roles for the cast as we see them all nailing home such wonderful performances with wonderful music by Anton Karas as who can forget the theme of the third man. Its truly an artwork of direction and craft by carol reed.

Of the many movies this one most completely embodies the romance of going to the movies. I saw first form a Blu-ray copy at home as it really captured me truly form the first moment of the movie to its end.  It told a story of existential loss and betrayal. It was weary and knowing, and its glorious style was an act of defiance against the corrupt world it pictured. The Third Man remains one of the finest movies ever crafted to the screen form its wonderful direction to its very wonderful screenplay to its rich and striking  cinematography to its wonderful acting. It’s truly a milestone of movies that hails among the best movies ever made for the screen. It ranks among top British films all time and among the best lists of movies by many lovers of movies worldwide. This is one outstanding classic you should see today.

The Ruth rating:five bette's

Mysterious Gems

Mysterious gems

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The 1930’s had many classic mystery movies that had such a wonderful depth to them. So today i am talking about them. Many of them had the traits of noir to come in the future in a slight way. So what movies do are the mystery gems that captured the decade of the 1930’s.

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Ginger Rogers whom later would be headlines one of the mystery classics of the 1930’s as she starred in The Thirteenth Guest which was a very early role for her as she wasn’t yet the key name of Hollywood. The Thirteenth Guest was directed by y Albert Ray, from the novel by Armitage Trail. It’s a very fun little mystery gem that was a poverty row thriller that had many of the traits of the The Cat and the Canary an earlier film. It was pre-code as many scenes are very much pre-code era in its tone. It is A good mystery movie with a good supporting cast of James Eagles as Bud Morgan, Marie’s brother; Erville Alderson as Uncle John Adams; Frances Rich as Marjorie Thornton; Ethel Wales as Joan Thornton; William B. Davidson as Captain Browne; Eddie Phillips as Thor Jensen; and Phillips Smalley as Dick Thornton and an early ginger Rogers. It’s very much a fun little gem you can enjoy anytime.

Its the stuff that dreams are made of. This is not the famous version of the movie. Its the early pre-code crime flim which is based on the novel by Dashiell Hammett. This is a fascinating version of the story definitively filmed ten years later by John Huston, because of the ways in which it comes close to capturing the Hammett novel but doesnt come close to the the classic version we hold dear. It stars Bebe Daniels in likely one of her very wonderful roles as she really does bring home this role. Ricardo Cortez gives us a very good role. Thelma Todd is another fine actress that does give a good job in her role. Dwight Frye gives us a good role that isn’t universal horror as he does a good job here. Una Merkel really gives such a good role. Its acting is very good. Both the 1931 and 1941 films lifted great chunks of dialogue from Hammett’s novel, and very often the dialogue is line-for-line the same. But two more completely different films could scarcely be imagined. Where the 1931 film strives for an urbane quality which the 1941 inspires to be gritty. Its the orginal version of the tale which really is a good mystery classic of the 1930’s

In the 1920s and 1930s Philo Vance became a household name with publication of the wildly popular S.S. Van Dine (alias for Willard Huntington Wright) novels featuring the patrician amateur detective. This movie based upon one of the novels of this series stars William Powell and mary astor. I would say this is one of the better movies based upon the novels. William Powell really gives us a fine role as the lead directive in which he really gives us one charming role which would later shape his thin man role to come. It is fine acting by mary astor.  I would point out rest of cast give us good roles. As far as murder mystery films go, it just doesn’t get any better than this one. Populated with suspicious characters, all connected to a dog show and all having very good reason to murder the apparent suicide victim Archer Coe as this mystery is one juicy movie that really does give us a tale that really is among the classics of the 1930’s. Its a fun little gem that you can enjoy to watch sometimes.

“The Thin Man a deliciously superb mix that keeps getting better with every single viewing. The first time I missed a bit of the murder plot, but repeated viewings just enhance the movie as very few movies can i just repeat on same day and yet still love it dearly as this movie. W.S. Van Dyke’s 1934 film “The Thin Man stars Myrna Loy and William Powell as Nora and Nick Charles, upper class sleuths who unwittingly become caught up in the case of a missing friend and former client. William Powell may be one very amazing actor in this movie as he really is not bogat level cool but he really embodies the family man. He gives likely one of his finest roles on the screen here which would later mark a series of thin man movies which each movie is very charming in their own way.  Myrna Loy Really shines in her break out role in my eyes of that era as really embodies the housewife that gets caught up in a mystery to only play part in one. She truly is one amazing actress that i adore highly this is likely among this movie and her later movies that really made me adore this actress highly.  “The Thin Man is a great detective story that is enhanced by its humor and wit in which William Powell may be the funniest man of the pair. They both bring class and wit and humor to the mix. All of the characters are made believable by the wonderful actors and its direction is just amazing as ever. Its a true classic of the golden age of movies.

As I wrap up my talk today i choose one last gem to talk about which is The Hound of the Baskervilles made in the great year of 1939. Its stars thee the duo of Basil Rathbone and Nigel Bruce as Sherlock and Holmes. 1939 was a great year for Basil Rathbone. Not only did he star in Son of Frankenstein, but he began his string of Sherlock Holmes flicks that even now are as popular as ever. This version of the classic The Hound of the Baskervilles stands among the classics. Sidney Lanfield directs a fine mystery tale that really does a great job of bringing the moors to the screen. Basil Rathbone shines as Sherlock Holmes in a fine role that may be among his finest roles. Nigel Bruce shines in his role as Holmes. Richard Greene plays a very amazing role as another hero of the picture. The rest of the cast is also wonderful as they give such wonderful supporting roles. The Hound of the Baskervilles may be among one of the classics of the era of the 1930’s and also among the classics. It’s a fine gem that one can watch anytime. So today i talked about some of the notable mystery classics of the 1930’s i would suggest look into the era deeper you may find many other gems i did not talk about as this era is one of the defining eras of movies. So enjoy movie magic each day.

 

dial m for murder

So today I honor Grace Kelly for the 2nd Wonderful Grace Kelly Blogathon hosted by my good friend  Virginie Pronovost form  the wonderful world of cinema  Thanks to the wonderful host for this wonderful event as I would also suggest you check out others form this wonderful event. So i honor Grace Kelly with a birthday tribute review of dial m for murder.

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In London, wealthy Margot Mary Wendice had a brief love affair with the American writer Mark Halliday while her husband and professional tennis player Tony Wendice was on a tennis tour. Tony quits playing to dedicate to his wife and finds a regular job. She decides to give him a second chance for their marriage. When Mark arrives from America to visit the couple, Margot tells him that she had destroyed all his letters but one that was stolen. Subsequently she was blackmailed, but she had never retrieved the stolen letter. Tony arrives home, claims that he needs to work and asks Margot to go with Mark to the theater. Meanwhile Tony calls Captain Lesgate (aka Charles Alexander Swann who studied with him at college) and blackmails him to murder his wife, so that he can inherit her fortune. But there is no perfect crime, and things do not work as planned(story of movie off imdb.)

Dial M for Murder succeeds on many levels as it is a return to Hitchcock’s murder theme of movies. It stars grace Kelly fresh off her Oscar nominated role in John Ford’s 1953 tale of romance and adventure Mogambo. Ray Milland plays a wonderful role. Grace Kelly plays the Hitchcock role of the ideal Hitchcock woman as this movie brings her to the world in a way unlike her past film before it. She plays a wonderful role in this movie. It’s truly wonderful acting for everyone in the cast.

Dial M for Murder is an adaptation a popular play by Frederick Knott. Frederick Knott writes most of the screenplay, the movie remains extremely faithful to the play as he crafts out a wonderfully screenplay with such captivating twists and many twists and turns that spiced up makes it truly interesting and one of a kind.

It was Hitchcock who finally could allow Kelly’s talent to shine beyond her physical beauty. Grace Kelly makes her character shine with her subtle and restrained performance that makes her really come out of her shell in this movie. Its wonderfully directed by Hitchcock whom crafted out such a wonderful movie. Alfred Hitchcock truly crafts out one overlooked gem that is one is one truly wonderful classic.

The Ruth rating:five bette's

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Happy birthday to grace Kelly.In the storied history of the American cinema few stars shine so brightly as Grace Kelly whom only starred in such a limited number of films yet she truly was one of a kind that managed to be the defined Hitchcock woman. Its amazing she eleven flims in her day. she is the princess of the sliver screen. She also captured the heart of many men in her day. She became European royalty by marrying into it. It’s truly magical as she became a true princess.  She truly was so a very happy birthday to the ever wonderful legend and princess of the sliver screen.

overlooked Halloween gems

overlooked Halloween gems

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Many people have beloved horror classics they love such as nightmare on elm street and the many universal horror movies and the very well loved horror classics as Its a vastly wide wide world of horror classics you are overlooking by watching them often. So i begin with a classic movie that really does kinda make this list of vastly overlooked as a horror movies go.

Many people have beloved horror classics they love such as nightmare on elm street and the many universal horror movies and the very well loved horror classics as Its a vastly wide wide world of horror classics you are overlooking by watching them often. So i begin with a classic movie that really does kinda make this list of vastly overlooked as a horror movies go.

Diabolique quick review. 

Hitchcock must have forever wondered how he managed to allow this story to slip out of his hands as this horror classic was really one of Hitchcock’s lost stories he wanted to direct. If he did it there wouldn’t be a vertigo at all. I often watch this every Halloween time if I can. It’s one of those classics that i feel i can watch. It’s truly one of the tightest pure suspense movies ever crafted. It starts out really slow but once it kicks into high gear it becomes so thrilling to watch. The plot revolves around two women, Christina (Vera Clouzot) and Nicole (Simone Signoret) who conspire to murder the brutish man who is Christina’s husband and Nicole’s lover Michel, played by the delightfully sullen Paul Meurisse. He is the principal of a boarding school for boys who relies on Vera’s money to support his excesses, and the two women are both teachers at the school. Its acting is one of those wonders too as Simone Signoret gives us one of her finest roles on the screen. The wonderful dialogues and the acting of its cast. I would say something truly is special about this classic movie as its just one of those overlooked classics.

Les Diaboliques is a classic murder mystery that has earned a well-deserved reputation for setting the standard for cinematic suspense in thrillers as it’s what set the bar even Hitchcock adored it in the end. It’s one of those wonderful classics. you should watch today.

Eyes without a face quick review

Georges Franju’s horror classic has inspired so many movies and artists. It had even inspired the song eyes without a face by Billy idol.  Without a Face is a tale is a compelling tale of sadism that has an astute tenderness at same time.  Georges Franju took many cues from classic horror movies such as Frankenstein’ and constructed a dream like surrealistic fantasy that has inspired legions of filmmakers and artists since it came out.  Its a wonder so many overlook this classic horror movie. I would say its villain is one of the finest horror villains all time as he truly is a real man that Unlike many mad scientists since, the doctor here is firmly placed within reality which makes his motivations easy to believe and therefore the horror all the more fascinating as he truly believes in all these experiments to save her face. It makes him somewhat more interesting to watch on screen. He is supported by his assistant, Louise; a fellow web of intrigue. Louise is likely very dark as assistants go as she is a predator that finds the prey for her good doctor.  The real masterpiece of all characters of this movie goes to the central character; the disfigured tragedy herself, Christiane as she truly always wears that mask. , Christiane represents both life and death as she is doll-like and lifeless but she does make you feel for her plight as you feel like this girl is trying to find her place in the world. She is no monster at all but a tragic figure of horror. This film is a rare treat in that it’s actually frightening. Eyes Without a Face taps into the viewer’s fears by presenting us with a situation that is terrifying because it involves a central character living with horror. Eugen Shuftan’s magnificent cinematography and the wonderful acting. Georges Franju’s direction keeps the horror in focus as its truly a surreal classic that should not be overlooked at all. so watch this horror classic today.

Suspiria (1977) quick review

Dario Argento’s horror classic is  the most beautiful horror film ever made. . Every single frame of this film is expertly lit and colorful. With this technique Argento manages to create an almost unbearable amount of tension and the extremely brutal and bloody murder sequences look so good one can only admire their beauty. It’s one of those few horror classics that is so lovely to look upon. This horror classic inspired so many horror classics today and horror filmmakers such as wes craven and many other horror directors to come. The acting is good but its horror makes it a must see as its truly one of those wonderful horror classics. definitely earns its place as one the finest horror movies ever so watch it today.

Black Christmas (1974) quick review  Released and ignored in 1973, “Black Christmas” became a forgotten classic by so many people. Its shameful so many do not watch this horror classic. It was also called silent night. The original and maybe even the best, ‘Black Christmas’ set the ball rolling for the slasher genre as it inspired Halloween and so many slasher movies to come. What set this apart from Halloween is that the killer is less human than Michael Myers as he truly is a monster that just seems to kill and laugh without no care. Its a simple tale but very fun to watch. Black Christmas is one of the most shamefully over-looked films in the slasher film genre, it’s also been one of the most inspiring films of the genre. So watch this horror classic today.

Kuroneko quick review

Shindo’s Kuroneko’s classic ghost story.  Very much in the style of Kwaidan and other Japanese supernatural films of the 1960’s. where ghosts and evil spirits inhabit a world of logic alien to the real world. Western ghosts stories usually have the spirits think as living people do. Japanese spirits behave in bizarre ways that are much more disturbing.  The stylized nature of the film creates the feeling of haunting that few films match this movie.  It is at times reminiscent of Mario Bava’s excellent Gothic horror films. It’s truly a horror classic that one should watch today.

Blood and Black Lace (1964) quick review

One of the most chillingly sadistic gialli of all times, this 1964 masterpiece has lost none of its power. Director Mario Bava, the king of Italian horror. It’s truly one of those horror classics that I would say makes him the king of horror in some ways. Blood & Black Lace(1964) offered audiences in early 1960s a candy coding spectacle of death and violence which mixes some elements that would inspire slasher movies to come.  A positive is the lack of a moral preaching which is a major weakness of the American Slasher film. Adult orientated horror film which thankfully lacks the basic elements of a Teenage Slasher film. Mario Bava paints many scenes in gorgeous Technicolor process some chilling horror that is some of the best ever put to flim. Luciano Pigozzi earns the title of Italian Peter Lorre with Lorrish and sinister presence. It’s very good acting by its cast. The movie belongs to Italian Giallo genre of horror classics. It’s truly a horror classic that really is so lovely and chilling at the same time. There are interesting allusions to Billy Wilder’s Double Indemnity(1944) during second half of the movie which is very odd for a horror movie but it’s so very noir like in some ways. It’s a tightly directed horror classic with a jazzy score by Carlos Rustichelli. It’s one of those very horror classics one should watch today.

So today i talked about some overlooked horror classics. Its a shame that so many of them are so vastly overlooked today.  So do yourself a favor and watch some wonderful horror classics today.

Vertigo:A tale of obsession

Vertigo:A tale of obsession                                  https://www.facebook.com/Wolffianclassicmoviesdigestvertigo-alfred-hitchcock-865414_1024_768Alfred Hitchcock’s VERTIGO is a movie that a film which functions on multiple levels simultaneously. One of the many movies that Hitchcock did in his lifetime was vertigo. It was not considered much of a masterpiece at the time. Vertigo is often considered Hitchcock’s most personal and emotional and complex of his movies. It is a tale of obsession that is Hitchcock’s best movie to my eyes.

The opening shot of vertigo has a woman’s lips then an eye as it’s a close up of a human eye as its A spinning hypnotic shape emerges from the eye with hypnotic music tells people they are about to be transported into another world. Scottie(James Stewart) is chasing down someone on a rooftop as it results in death of a policeman which leads to his retirement form the police force. detective John “Scottie” Ferguson retires. Scottie tries to conquer his fear, but his friend and ex-fiancée Midge Wood says that another severe emotional shock may be the only cure as he is trying to overcome his fear of vertigo form his last time as a detective. Its starts off this classic movie of obsession Scottie is asked to follow Madeleine(Kim Novak). This starts off the classic tale of vertigo.

Vertigo is a tale of two halves. It starts out as a ghost story as Once the prologue has introduced us to Ferguson’s fear of heights we start to enter into a dreamlike begining as we have Scottie tailing down Madeleine whom is convinced she is a reincarnation of Carlotta Valdes her grandmother. He follows her to a florist then to the the Mission San Francisco de Asís and the grave of Carlotta Valdes, and to an art museum where she gazes at the Portrait of Carlotta. He watches her enter the McKittrick Hotel, but on investigation she does not seem to be there as she is staring into space as she seems out of it. She truly does seem like she is in a daze. The next day we learn that it is believed she is possessed by Carlotta Valdes whom tragically committed suicide.

She is saved by Scottie at far point. It’s when they kiss at his apartment then the next day we see him and her hang out falling to her death. It then begins a tale of obsession as the film shifts into darker territory. As Scottie really does seem obsessed with her as he is visiting spots she visited as one day he meets he One day, he notices a woman who reminds him of Madeleine, despite her different appearance.

Scottie follows her and she identifies herself as Judy Barton, from Salina, Kansas. A flashback reveals her as Madeleine Elster as part of a murder plot. Gavin had deliberately taken advantage of Scottie’s acrophobia to substitute his wife’s freshly killed body in the apparent “suicide jump”. But Judy rips up the letter and continues the charade, because she loves Scottie. Scottie remains obsessed with Madeleine often having her dress as Madeleine to change clothes to please Scottie and his obsession. Hoping they find happiness together. She then wears the necklace as he insists she recreates the events at the mission as she is pushed off to her death again in a repeat of events. Its a tale of obsession that has nods to Dante’s inferno and feverish dreams take control with many different notions of color being played upon in its feverish dreamlike manner. It is a tale of obsession with an spine tingling ending. It’s a wonderful journey that Hitchcock and its crew took us upon in this classic gem.

Vertigo is a magnificent form the opening credits to its ending. Saul Bass’s title prepares us brilliantly for the movie which is about to unfold upon us. Bernard Herrmann’s musical score as the music is probably more important here than in most films, let alone most Hitchcock films. Because for most of the first half of the film and a great deal of the second half, it is without dialogue. In fact Kim Novak does not have a spoken line until about 48 minutes into the little more than 2 hour feature. She’s under James Stewart’s surveillance and the whole story of his growing obsession with her is told through his facial expressions and through Bernard Herrmann’s music. Bernard Herrmann’s score perfectly captures each mood of the movie as it elements of each part of this movie is captured wonderfully by Bernard Herman’s score if u turn off voice channel and watch it silent you will be amazed at how much it tells the story alone. The scene where the music helps with the flashes of green to reveal a girl of the past truly captures such a moment that reveals a truth. The musical score of Bernard Herrmann may be among his finest ever crafted.

The Cinematography by Robert Burks is one of the finest ever crafted to film as it captures San Francisco as it richly captures the city in such richness and depth. There is color filters that does many tricks such the changing of colors on many scenes in a feverish way is part of this movie. Its richly deep and dreamlike cinematography which richly captures the city in all its glory and beauty as the city by the bay never looked more lovely then it’s being shot in this movie. The famous zooming-in, dollying-out technique and an animated dream sequence. The dazzling imagery could be seen as prefiguring the influence of psychedelia a decade later, although really it is perhaps only the logical extension of the German Expressionist style. It’s only really an updated version of the superimposing of images and casting of shadows in films by Fritz Lang and FW Murnau and many noir classics before this movie coming into a modern feel. or this reason Hitchcock could be called one of the truest heirs of the German Expressionist movement, and not just for the psychological angle. It’s one of the best psychological thrillers ever crafted out on screen.

Jimmy Stewart gives a terrific performance in the role of Scottie a man recognizing his own limits, suffering by his acrophobia as When he is given the chance to pursue this enigmatic woman it give his life a new meaning. It’s such wonderful role that really does nail home an an accurate portrait of an annoyed human being searching for the unattainable. He is a pragmatic man dealing with events in the light of his intuition. I would say this performance is such a fine performance by such a wonderful actor. Kim Novak is so delicate as Madeleine as she gives us a fine perfomance as the defining Hitchcock blonde. This is truly a wonderful performance. The acting is top notch by everyone in the cast as they give such fine performances.

The direction by Hitchcock is truly a wonder. He crafted out one of the finest thrillers all time with such a tale that has so many layers and depths to it. It is Hitchcock’s finest directed and crafted out movie as he truly made this one of his most personal ever crafted out for screen with wonderful actors to match his wonderful direction. This to me is hitch’s finest movie he ever directed on the screen.

Jimmy Stewart plays the biggest anti-hero of his career and Kim Novak whose stunning beauty and exceptional personalities shine through this dark film. Barbara Bel Geddes provides great support as well. Everything about this film truly is marvelous form its cinematography, the story, the depth,acting,music all coming together to make this wonderfully crafted out marvel of a movie that stands among the best movies of all time. Vertigo is a masterpiece.

The Ruth Rating:five bette's

 

House of wax

A great villain blogathon review.

Today’s review of House of wax is done for this year’s great villain    Great Villain blogathon. This post is part of the Great Villain blogathon, hosted by Speakeasy, Silver Screenings and Shadows and Satin. Be sure to check out other entries form this event.

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Wax sculptor Henry (Vincent Price) is horrified to learn that his business partner, Matthew (Roy Roberts), plans on torching their wax museum to collect on the insurance policy. Henry miraculously survives a fiery confrontation with Matthew and re-emerges some years hence with a museum of his own. But when the appearance of Henry’s new wax sculptures occurs at the same time that a number of corpses vanish from the city morgue, art student Sue Allen (Phyllis Kirk) begins suspecting wrongdoing.
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Vincent Price was a known caracter actor by time he played Wax sculptor Henry. House of wax. House of Wax was one of the few films made in 3D which was a huge success. It really is likely because of the movies strong acting by its cast.  Vincent Price plays one of his finest villain roles that he gives all his charm as as an actor to the role of  Henry Jarrod, a sweet and dedicated artist who creates lifelike mannequins for a wax museum. He crates wax figures of many people whom he loves like his kids. is partner sets the museum on fire, hoping to collect a tidy sum in insurance money. Henry supposedly perishes in the flames, trying in vain to rescue his beloved wax friends in a scene which is truly heartbreaking as you see him try to save them to be almost burned alive.
Henry reappears, wheelchair bound and just a tad bitter. He has opened a new wax museum which features realistic scenes of murder and horror, many of them taken from current headlines. Unfortunately, some of them are just a little TOO realistic: one looks like Henry’s ex-partner, who was found hanging in an elevator shaft. It really is a very great shift in his persona as this guy now is a wicked villain of charm. Vincent Price played up this role as he really gives out charm in this role.
This is a wonderful, creepy scare-fest with great sets, beautiful colors and strong performances. Vincent Price as Henry Jarrod really is loveable and and horrifying as the kind man driven mad. Charles Bronson, in a very early role, is super freaky as Henry’s mute and morbid assistant. Carolyn Jones. it is really price that steals the show as many scenes he plays up to the camera which was used the 3d effect such as him playing ping pong to the camera that scene you see price’s great charm as an actor come out. Phyllis Kirk is the sensible Sue a slightly uptight but genuinely believable victim that has such charm in her role too.  Vincent Price seems to enjoy playing the villain as he seems to just make it seem like such a joy as he plays it with glee like a school boy. He really loved to play villains he often said as he could have such fun in playing evil. I would love talk about how the wax figures he creates of horror really can creep you out. House of wax is a horror gem that you must see today.
The ruth rating:five bette's