Cocktails, wisecracks, and murder:the charm of the thin man

Cocktails, wisecracks, and murder:the charm of the thin man

The Thin Man movies are always charming and fun little gems you can sit down and watch again and again. The magical charm of those movies is the duo of William Powell and Myrna Loy as the effervescent husband and wife team of Nick and Nora Charles. I am a huge fan of the thin man movies as much of it comes from their wonderful Chemistry and banter between Nick and Nora as they feel like a perfect couple so today talks about them.

Cocktails, wisecracks, and murder:the charm of the thin man

After The Thin Man 1936 William Powell Myrna LoyThe thin man series review

The thin man wasn’t considered a classic when released in 1934 as it wasn’t an a picture as considered an A picture as they didnt expect it to be a huge hit but it did n spawned six movies as that is a rarity. Each of them are fun classics in their own right as all six movies are wonderful classic movies.

The real power-play of The movie series is the wonderful acting by the duo of William Powell and Myrna Loy as the effervescent husband and wife team of Nick and Nora Charle are the main stars as simply their powerful performances make the movies click together perfectly. The thin man was released in 1934. It was a huge hit to the surprise of the studio.In this film. The movies main plot-line:Edward Ellis plays a mean-spirited inventor. The recently-divorced Ellis discovers that his new girlfriend has stolen $50,000 and is carrying on with other men. Not long afterward, he disappears. Anxious to locate her father, Ellis’ daughter Maureen O’Sullivan goes to private detective Nick Charles for help.  Maureen O’Sullivan and Nat Pendleton and Minna Gombell and Porter Hall all give out wonderful performances. Its Maureen O’Sullivan that really shines in her role as the daughter. Minna Gombel plays the greedy ex wife Mimi Jorgenson as she simply gives out a wonderful performance. Cesar Romero as Chris Jorgenson is another fun character in this movie. This film is simply magnificent. Powell and Loy have fabulous chemistry and their dialogue is so smooth that there are many moments when you forget you’re watching a film. Script is really sharp with wonderful acting its a wonderful start to the series of thin man movies.

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In this sequel to 1934’s hit “The Thin Man, called after the thin man. Director W.S. Van Dyke moves the action to San Francisco, where he unleashes the investigative power couple Nick and Nora Charles (William Powell and Myrna Loy) on a missing-person case that soon involves murder. This is a perfect example of a film where plot is really secondary and it’s all about the lead characters and the witty banter as each character shines in this movie as they all give out wonderful performances. James Stewart is playing a wonderful role that is a wonderful performance for an early debut of a legend to come. The supporting casts of talented character actors all give out such wonderful performances. It’s a rare follow up I feel that is so much better then first movie in many ways as simply it’s a marvelous classic that you should see today.

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The Third Thin Man, aka Another Thin Man (1939 really shows you how it’s one of the best movies of 1939. This third entry features William Powell and Myrna Loy in top form as the stylish Nick and Nora Charles as they give out such wonderful performances on the screen. The film is well-paced with wonderful acting by everyone as it’s another wonderful charming movie in this charming series. William Powell and Myrna Loy prove them once again to be the Fred and Ginger of detective movies as simply third movie is a classic you should see today.

Shadow of the Thin Man is another addition to the Thin Man” series starring that wonderful couple, Nick and Nora Charles, played to perfection by William Powell and Myrna Loy. In this film, they have a son, Nicky who keeps daddy on his toes. Donna Reed is beautiful in an early role as she gives such a wonderful performance. It’s another marvelous classic in this classic thin man series that showcases such marvelous new talents as it’s a wonderful must see movie. The last two movies in thin man series called thin man goes home and Song of the Thin Man both are wonderful classics that are enjoyable but i will warn you they are not same level of magic as frist four movies so i feel they are lesser even at that you can still enjoy them all.

The charm of Nick and Nora Charles and  Asta. 

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My favorite detective/private eye of all time, Nick Charles (William Powell…love him!) and his hilarious, feminist, “take no stuff” better half Nora (Myrna Loy). I love this series for its mix of murder, mystery, intrigue, suspense and comedy and really marvelous acting by its wonderful talented actors in the movies. Asta, you can’t forget about their dog sidekick who often steals the scene. The real power-play of The movie series is the wonderful acting by the duo of William Powell and Myrna Loy as the effervescent husband and wife team of Nick and Nora Charles are the main stars as simply their powerful performances make the movies click together perfectly as also with their stealing dog named Asta as all three of them are the real stars of series as you simply can’t take eyes off them.  I love everything about this series…the witty dialogue…the scenery…the cinematography and use of shadows as everything seems to work in this series. It’s a series that you should check out today. I hope you liked my tribute to the thin man series.

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King Kong

Today I talk about king Kong, Escape is the most crucial function of Hollywood cinema. An audience supplied with hearty diversion forgets their daily troubles and returns for more, in turn supporting the entire industry; the relationship is one of mutual symbiosis of movies that was pure escapism started in the 1930’s as its the era that began the trend we see today of movies being escape from their troubles as at time of it was the great depression. I am happy to talk about one of my favorite movies all time which is King Kong.

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Cooper and Schoedsack sought to combine the awe of discovery with full-fledged drama, and then elevate their concept with irresistible Hollywood spectacle. Few forerunners to their eventual film King Kong exist, which further underlines their pioneering of filmic adventures. King Kong was the filmmaker’s challenge is to unite universal entertainment value with artistic vision, engaging both the audience’s emotions and intellect to make Hollywood spectacle that was unlike anything done before on the big screen before it

Cooper and Schoedsack’s King Kong was born. Conceived by Cooper and Edgar Wallace, and written by James Creelman and Ruth Rose, their yarn was about the very nature of escapism that was something diffrent form many movies of its age as its roots was to give viewers something they never seen before in a movie. It would take viewers to  an impossible world filled with wondrous things. In the end, their film would return to familiar territory, unleashing the unknown onto the everyday, smashing the illusion of escapism and confronting the audience head-on with this new idea of movies being an escape.

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Designing the Kong puppet was Marcel Delgado but it required more than than simple puppetry by way of stop-motion animation to create King Kong.  Employing every trick in the book to assemble a believable environment form back projection, matte and glass paintings, miniatures, and models, each disappearing into one another to create an incomparable magic show where the impossible lives and breathes. Pieced together with a metal skeleton frame, foam, and animal fur, the Kong puppet was made into an unlikely source of audience sympathy through O’Brien’s animation that was such a slow process like many works of this stop motion to bring to life king Kong‘s world.

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Modern day viewers might balk at the stop-motion effects having seen more convincing, photorealistic, computer-generated sensations in Jackson’s remake. From the perspective of today’s cinema but if you look upon the marvel of this work you would see how magical it is simply watch this movie upon the screen.I would say its acting is very good for everyone in its cast.Kong was one of the first movie monsters to receive credit as a main character. For the time, this speaks to the marvel of the film’s effects working in harmony with the power of the narrative, as the filmmakers relied on pure invention to render Skull Island, Kong, and the beast’s distinct personality onscreen.

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King Kong’s love for Ann Darrow fully described, his death painfully sad. There are moments where Kong’s behavior is best defined as idiosyncratic but strikingly true, such as when he verifies his Tyrannosaurus Rex kill by flapping its lifeless jaw, or when he smells his fingers after touching Ann. These moments grow throughout the film until the creature is no longer just a beast, but the story’s protagonist, elevating the B-grade monster movie into a moving tragedy when Kong falls to his death.

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Depression-era moviegoers found King Kong delivered them from their poverty and financial distress into the hands of a beast, but it was important to return them to the safety of the world when the adventure was over. ing Kong provides the underlying ambition of all Hollywood cinema. The film brings the movies to a colossal idea to the big screen which changed the face of Hollywood forever as the creators led the bold way to other flim-makers make groundbreaking changes that led to today’s Hollywood box office movie.

The lost art of screwball comedy

 Today I talk about The lost art of screwball comedy as i will give more in depth talk about the classic genre of screwball comedy which i consider a lost art by today’s time with its funny slapstick humor to its witty and charming lines to its wonderful love stories that have couples matching wits with each other. The screwball comedy was a genre that defined 1930’s and 1940’s in many ways as its what defined the comedies of its period. So lets begin this talk about them.

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In the 1930’s and 1940’s,We had movies had movies that began with  a fanciful message printed on screen, beginning “Once upon a time A hangover from the silent era but also an invitation to view a modern urban setting as somewhere romantic and faraway. The device was especially common in screwball comedy.

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Screwball comedy (the term was coined by a publicist in the mid-1930s) is one of those genres, like film noir that remains hard to define as what exactly is a screwball comedy or a comedy drama or comedy?  Originally, screwball films were those in which glamorous stars were persuaded to behave like clowns like in bringing up baby.

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A full-fledged screwball comedy is always a romance: the story of a man and a woman who remains at arm’s length yet manage to take the utmost delight in each other’s cleverness or foolery to try outwitting the other person. I would point out man of the genre many consider screwball do have these kinds of stories or slapstick humor which is another form of screwball comedy.  I would point out another fine example of the screwball is the battle of sexes comedies where both sexes battled wits with each other. I would say comedy of that would be better refined if we went back to that system of comedy which we be the movies that starred Kate Hepburn in the 1940’s which were comedies.

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The screwball also could be very risky subject matters such as the Lubitsch touch comedies which are Trouble in Paradise and Design for Living among other Ernst Lubitsch comedies which were broadly about sex and things you didn’t discuss in society at the time. It’s such a taboo yet a very fun outline that still defines comedy to our date now.

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Movies with most of the essential screwball ingredients started to show up on the screen in 1932, notably Trouble in Paradise which led to movies such as bombshell starring jean Harlow in the same year the thin man had another sub-genre of comedy show up the mystery comedy of the 1930’s which has some very delightful classics you should see today.

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Myrna Loy and William Powell, went on to make five more movies about Nick and Nora Charles as well as several very good non-mystery comedies, including I Love You Again and Libeled Lady as the duo would be one of the most iconic duos of comedy of any era. I simply adore the thin man movies as they are such classic gems. The powerful nature of the fast talking screwball comedy genre is such a charming one to watch on the screen anytime. You have such wonderful wit and humor and sharp writing and such great humor with wonderful acting to match them upon the screen. It’s time for some examples of this genre now.

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 screwball comedy reviews

His girl Friday review

His girl Friday is a classic comedy classic that is directed by Howard hawks. His girl Friday is one of my favorite movies all time to watch again and again. . Cary Grant plays a wonderful performance in his girl Friday. Rosalind Russell gives out an amazing performance in his girl Friday. Cart Grant and Rosalind Russell who make a great team together on the screen. Howard hawks compositions are layered with fore and background action and depth to each of its scenes. His girl Friday is about its dialogue more than its visuals elements on the screen. It comes so fast and sharp on the screen. This is a comedy classic that you will simply adore watching unfold as it’s just so much fun to watch it unfold on the screen.

My Girl Friday successfully combines screwball romantic comedy with biting satire that truly makes it the true comedy classic that you should see today.

The Ruth rating:five bette's

Trouble in Paradise (1932) review

This pre-code sophisticated comedy epitomizes the European attitude toward sex. It is more open in sex. It is pre-code in that nature toward how it plays sex. It is based on Laszlo Aladar’s play The Honest Finder which was the springboard for the movie. The sexual undertones are very frank. I would not call it as sexually open as Design for Living which is far more sexual in nature. This was a taste of what was to come for his works. Trouble in Paradise is a comedic counterpart to a melodrama.

Lubitsch was best known for what we call the Lubitsch touch is a subtitle way of referencing sexual shenanigans that his characters do upon the screen. Lubitsch’s Magnum Opus faced controversy three years after its initial release because of the conservatism of the Production Code. This pre-code sophisticated comedy epitomizes the European attitude toward sex which is more open in sex that feels modern. . The movie is tamer than his other film design for a living for its sexual tone on the screen. It’s a spellbinding comedy classic about a a suave jewel thief (Herbert Marshall) falling in love with his intended victim (luminous Kay Francis) much to the displeasure of his girlfriend (Miriam Hopkins) whom all give out wonderful performances in their respective roles for the screen. . Kay Francis steals this film as she truly shines in her wonderful role that is hard to do with Miriam Hopkins. She is exquisite and enchanting and absolutely charming. Miriam Hopkins gets the better comedic lines and the guy even if lesser then Kay she still gives out a marvelous performance. Herbert Marshall shows an unexpected flair for light comedy while Charlie Ruggles and the ubiquitous Edward Everett Horton provide their usual first class supporting roles that that truly shine in their performances on the screen. Ernst Lubitsch crafts out a masterpiece of early comedy that truly shines in every manner making it a must see comedy classic for all time.

The Ruth Rating:five bette's

Ball of fire review

Howard Hawks Ball of Fire is an urban update of the Snow-White fairy-tale with an urban twist. Ball of fire was written by Billy Wilder with Howard hawks directing this movie. It remains one of the finest screwball comedies ever put to the screen.

Ball of fire remains one of my favorite screwball comedies all time. This movie has such wonderful acting by Barbara Stanwyck and Gary Cooper. The ever wonderful Barbara Stanwyck really leads the show as Sugarpuss O’Shea who hides with them for her gangster boyfriend whom she becomes best friends to them in the end. She plays the role in a very wonderful way that really charms you to watch on the screen. Barbara Stanwyck is warming up in this movie for her acting skills are truly growing as it goes along to its ending. . Gary Cooper gives us one amazing performance for the screen.

The groups of professors are all very good supporting actors as Oskar Homolka and Henry Travers and S.Z. Sakall and Tully Marshall and Leonid Kinskey and Richard Haydn and Aubrey Mather whom I would say all give out such wonderful performances on the screen. I would say Henry Travers is among cast of the stand out character actors as he played the angel its Wonderful Life as he plays such an amazing role for this movie. I would say each of these professors are played by very wonderful character actors that each give out wonderful performances. Allen Jenkins is a garbage man seeking knowledge for pecuniary gain as he gives a very good acting   performance. The movie has very wonderful acting by everyone in its cast of talents.

Dana Andrews plays against type as a gangster in one very good performance for this amazing actor of the screen as he as the gangster boyfriend of Sugarpuss O’Shea for this movie. Mary Field as Miss Totten, the daughter of the wealthy inventor who created the foundation really gives a good performance in her role. The whole of supporting cast of many great acting legends all give such wonderful performances.

Ball of Fire is one amazing classic that you should see today.

The Lady Eve (1941)

It’s no accident when wealthy Charles (Henry Fonda) falls for Jean (Barbara Stanwyck). Jean is a con artist with her sights set on Charles’ fortune. Matters complicate when Jean starts falling for her mark. Jean is fixated on revenge and still pining for the millionaire, devises a plan to get back in Charles’ life. With love and payback on her mind, she reintroduces herself to Charles, this time as an aristocrat named Lady Eve Sidwich.

The Lady Eve is one of my favorite movies of the 1940’s. It is one of the best movies that Barbara Stanwyck ever on the screen. This comedy treat truly always delights me anytime I watch it on the screen. Henry Fonda and Barbara Stanwyck truly shine together as a duo as both acting legends give us their finest performances all time on the screen. It has brilliant writing and direction provided by Preston Sturge whom crafts a wonderful comedy classic.

Screwball lost art closing thoughts.

I absolutely love the classic screwball comedies of the 30’s and 40’s. They are indeed fascinating… funny, frenzied and full of crazy antics, witty dialogue and numerous quirks and mishaps. Also starring some of the finest comedy actors and actresses of the era or any era of the screen as such wonderful legends.

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I talked about the lost art of screwball comedies today in some depth as i talked about many movies that dealt with this marvelous genre that had such broad and diffrent ranges in the 1930’s and 1940’s. Its such a fun genre that died out by end of 1940’s which should return to our screens today. I hope you enjoyed today’s talk about it and join me again for another talk in the future.

Flash Gordon

Today I talk about Flash Gordon for the Outer Space on Film blogathon today. I am paying tribute to Flash Gordon which is one of my favorite serials all time to watch and re-watch often as its inspired many movies including star wars. I really adore classic Science Fiction serials and classic movies of that genre that all shine so brightly on the screen.

I hope you enjoy this tribute to flash Gordon for the Flash Gordon for the Outer Space on Film blogathon as always do check out other posts form the event today. Let’s begin our adventure into space now.

Flash Gordon serials introduction talk 

Flash Gordon is often called one of the cheesiest shows all time by so many people that often dismiss the amazing levels of depth beyond this series. It is cheesy at times the series but the series is embracing pulp Science Fiction tales that shaped the genre of Science Fiction. Flash Gordon serials were based upon the Flash Gordon comic strip which was created to compete with the already established Buck Rogers adventure strip which happens to be another serial that inspired star wars. Flash Gordon is directly inspired by John Carter of Mars which was what they wanted originally to make the strip based upon but ended up with Flash Gordon. The Flash Gordon comic strip has been translated into a wide variety of media, including motion pictures, television and animated series as today I am talking about the serials it’s such a joy to talk the classic serial flash gordon today.

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Flash Gordon serials review

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Flash Gordon begins with the strange planet Mongo hurtling towards Earth on a collision course. People across the world, from London to darkest Africa, are panicking as their seemingly certain doom draws near. One of the doomed Earthlings, polo player and all-around athlete Flash Gordon as it begins its story(plot intro form web)

Flash Gordon is probably the most popular and certainly the best known of all movie serials all time. Flash Gordon has wonderful sets and performances and creatures and unabashedly emotional moments to make it one of the most enduring serials of all time.

The cinematography of Flash Gordon further augments the serial’s atmosphere with some strikingly stylish camera angles that capture the action as one example is  flash’s fight with the “monkey-men” in the first chapter. The cinematography of this serial really captures such marvelous moments of action upon the screen.  I would say some moments it captures is so much fun to watch unfold on the screen and wonderfully captured on the screen by Frederick Stephani whom crafted out remarkable moments upon the screen.

One should not forget that The director Stephani and the more experienced Basil Dickey, George Plympton, and Ella O’Neill all really deserves credit for the wonderful things in the serials dialogue. Its cheesy at times some of the lines for our time today but you can always enjoy them if taking in context of time period.

Many serials divide the villainy between a brain and villains and action heavy it features a heroic team that one could say the main hero that does most of the action of the series which i feel unfolds upon the screen with such marvelous action upon the screen.

Jean Rogers’ Dale Arden is a pleasure to watch; her stunning beauty has never been seen to better advantage as her acting is also excellent, particularly in her reactions to the bizarre terrors of Mongo; critics have always seemed compelled to make silly comments about her propensity to scream and faint in times of danger or emotional stress but she is marvelous to watch upon the screen. Priscilla Lawson is also very good as Ming’s daughter that gives out such a marvelous job upon the screen. Richard Alexander has one of the most unusual roles of his career as Prince Barin, the rightful heir to the throne of Mongo who allies with Flash against the usurping Ming handles his archetype so well. He is simply marvelous in his performances on the screen. I would say its acting is Flash Gordon’s strongest suit along with its action and other wonderful elements to make this classic serial really come to life upon the screen.

Flash Gordon represents a near-perfect convergence of superior production values, imaginative scripting, and strong acting make this serial one truly classic serial series that one should see today.

The Ruth rating:five bette's

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I would love to express my great joy today that I got to talk about Flash Gordon today. I am happy I got to talk about these marvelous serial classics. I felt such joy to talk this serial classic today for the Outer Space on Film blogathon.  I would love to thank everyone i hope you return next time for another magical review soon.

Ruby Keeler:A broadway baby

Ruby Keeler:A broadway baby

Today I talk about RUBY KEELER for The Busby Berkeley Blogathon! I pay tribute to RUBY KEELER today as I pay tribute to RUBY KEELER’s work with Busby Berkeley for this event today. I talk about RUBY KEELER a true legend of the stage and the screen that was a true Broadway baby in every sense of the word. I never have talked this legend before on my blog before this article today

The Busby Berkeley Blogathon

I am happy today to talk her today for this Blogathon today. I hope you check out other works form this wonderful event today.

42nd Street review

42nd Street (Warner Brothers, 1933)  was directed by Lloyd Bacon.  42nd Street  is  simply a a marvelous musical. I adore to watch 42nd Street  again and again often on the screen.  Busby Berkeley choreographed many enjoyable numbers. The brutal and endless rehearsals along with the wise cracks and the backstage intrigues are part of this movies charm as it presents the backstage drama of making a big show on the stage. Its famous numbers such as shuffle off to buffalo and “(I’m) Young and Healthy”, and “42nd Street in the last 30 minutes of the show all really are such magical numbers. Ruby Keeler  gives out a marvelous performance on the screen.as Peggy Sawyer as it is such a marvelous performance on the screen.  This movie has marvelous performances by everyone in its cast.  The supporting cast is full of familiar faces from the ’30’s that give out marvelous performances.

Busby Berkeley’s groundbreaking choreography bursts on to the screen late in the film in a couple of dazzling production numbers in the end that all really stand out as they unfold on the screen.  42nd Street’s backstage drama is my favorite part of this marvelous movie to watch all drama unfold on screen. 42nd Street is a marvelous classic you should see today.

gold diggers of 1933 review

gold diggers of 1933 directed by Mervyn LeRoy brings the viewer back to the simple style of dance with Busby Berkeley directed and choreographed the dance scenes that all feel such fun to watch unfold on the screen. This enjoyable pre-code classic may be one of those classics that always feels so good to watch unfold on the screen. 

The marvelous cast of talents in gold diggers of 1933  such as Ruby Keeler,Joan Blondell, Aline MacMahon, Dick Powell, Guy Kibbee, Warren William, Ginger Rogers all star in this movie giving out wonderful performances  on the screen.  We’re In The Money’ (really titled ‘The Gold Digger’s Song’) can stand alone from the film’s score.  Warren and Dubin’s other efforts of this movie  all work perfectly with Berkeley’s inspired production numbers that all really are wonderful joys to watch unfold on the screen.. I adore all of the musical numbers of this movie so much.

Shadow Waltz is elegant and beautiful to watch unfold on the screen.  It’s visual poetry that really shines on screen.  Its lovely and enchanting to watch unfold on screen. It is a such a marvelous gem of a scene to watch unfold on the screen.

Remember My Forgotten Man is another musical number that really is something of a special musical number that  really shines to watch unfold on the screen. The number climaxes with an enormous arch of soldiers looming over the mass of homeless men and their desperate women that showcases the hardships of that era.

It’s a rousing finale is one of the greatest combinations of cinematography, music, singing, choreography in one musical number that showcases the magic of musicals. This is a marvelous classic you should see today.

Footlight Parade review

James Cagney stars as a fledgling producer who finds himself at odds with his workers, financiers and his greedy ex-wife when he tries to produce live musicals for movie-going audiences. This movie Co-stars Joan Blondell and Dick Powell with spectacular Busby Berkeley dance sequences. (Plot off net)

By a Waterfall is a marvelous musical number that I think may be one of the films stand out numbers. The entire number gives of a heavy Garden of Eden vibe with Dick Powell sits by a brook and daydreams of his sweetheart, Ruby Keeler. The waterfall becomes more and more elaborate, becoming an art deco swimming pool and eventually a spiral fountain of women as the scene really shines to show off the marvelous wonders that Busby Berkeley creates on the screen is so marvelous to watch unfold on the screen.

Honeymoon Hotel is another musical number that is risque with an upbeat piece of music about a couple who are desperately trying to fornicate. They make an appointment to wed at the Honeymoon Hotel. It is a marvelous scene I adore to watch unfold on the screen.

The third and last number of this movie finally sees James Cagney getting to try out his dancing chops in a normal number by compassion to the other numbers. The man’s ability to tame the legendary Shanghai Lil certainly helps him regain his own masculinity. The idea of a man’s own sense of himself being determined by the woman he’s with is a theme that plays a lot into romantic comedies as it’s truly something fun to watch this scene unfold on the screen. This magical number is truly a wonder to watch on the screen.

Footlight Parade is a delightful musical gem you should see today.

Dames review

Dames bites back at the Hays Code right as it was starting to get enforced in such a fun musical gem with choreography by Busby Berkeley that really is fun to watch unfold on the screen.  Dames” is extremely entertaining at virtually every moment as it a delightful musical gem with tons of comic wit and charm that will you enjoy to watch anytime.

The first strong point is the excellent comedic plot, better than that in 42nd Street, about the same as Footlght Parade.Guy Kibbe gives out a wonderful performance. Hugh Herbert and Zasu Pitts are great in their respective roles on the screen. I would say Joan Blondell really shines in her role too as she has such wonderful wit and humor. Its musical numbers all are fun little numbers that you will enjoy watching unfold on the screen.

 Only Have Eyes for You has a handful of my favorite shots to watch unfold on the screen as it’s simply marvelous to watch Ruby Keeler come out of the eye as she comes out of the glance of obsession in a way. All three of the big production numbers in the film share several traits and meanings that all feel such connections to each other as reflective of a whole fun little musical as the numbers all feel such reflective joy to them. I simply love them all as each musical scene is marvelous to watch on screen.

Try to See It My Way, Baby completely breaks out, never traipsing into one of Berkeley’s signature visual extravaganzas. But that doesn’t make it any less significant as this is last number it does stand out.  Busby Berkeley’s choreography Incredible, imaginative and thoroughly astounding. Berkeley always stands out such as he does in dames as. His choreography is among the greatest things ever committed to a cinema screen as this trait really does show in this wonderful musical classic with so many ranging numbers that all show off his wonderful work on the screen.

The movie Dames is extremely entertaining at virtually every moment with such marvelous musical numbers with wonderful acting and classical choreography that all sync together to make such a marvelous classic.  Busby Berkeley/Warner Bros. musicals all are such fun to watch as I often find self re-watching this classic movie often. Dames is a marvelous classic that is simply marvelous to watch unfold on the screen as simply to watch on the screen.

RUBY KEELER and Busby Berkeley always manages to make such enjoyable movies together as they did four movies together as she went from Broadway to the big screen in standout musical numbers that all are such fun to watch unfold on the screen. Busby Berkeley/Warner Bros. musicals all are such fun to watch as I often find self re-watching this classic movie often so today I enjoyed to talk these movies so much today for The Busby Berkeley Blogathon today as I feel so much joy to talk them so much as always check out other posts form the event as I hope you enjoyed my talk about RUBY KEELER and Busby Berkeley today as I do hope you join me next time for another review.

Camille

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So today I talk about Camille which I review for my friend Crystal’s blog for THE Greta Garbo Blogathon today.    Greta grabo gives out amazing performances on the screen in her many roles on the screen. I review Camille a classic drama that showcases the amazing talents of Greta Garbo for the screen for this this BLOGATHON today. I would advise you to check out other posts form this event today. I will begin my review now of this classic gem.

Camille review 

Camille of all love stories ever put to the screen few are done as good as this movie is done for the screen. It is a movie about unquestionable love from a lady that has played many men and that has been played many times over when she meets a younger man she finds love to be the happiest girl on earth as she gets sick in the end. It is truly very sad to watch her lose her love on the screen.

Greta Garbo channels the soul of this damaged soul so perfectly in her performance. She pulls at your heart strings by her acting skills for the screen. This movie shows you why Garbo was such an amazing legend that acted on the screen..Robert Taylor plays one wonderful role in the movie. The supporting performances of the cast of this movie are all wonderful to watch unfold on the screen. George Cukor crafted out one of his finest classics all time. The costumes are gorgeous as an example of French extravagance despite the fact that Camille was made in the 30s. Greta Garbo earned an Academy Award nomination and the New York Film Critics Best Actress Award for her memorable work in which you can see why in this movie as it is truly an amazing performance  to watch unfold on the screen.

Camille is a film that will live on forever in our hearts. This movie is a wonderful gem that you should see today.

The Ruth rating:five bette's

I hope you enjoyed my talk about Camille today which stars Greta Garbo in what may be one of her finest hours on the screen for THE GRETA GARBO BLOGATHON as i truly enjoyed talking about one of my favorite movies all time that really is one of the finest hours you can watch off movies. I hope you enjoyed it as much I enjoyed talking it today to you. See you next time for another classic review soon.

Trouble in Paradise

Screwball gems INTRODUCTION 

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I am a very huge fan of screwball comedies. I often review more screwball comedies on my blog often also I review many noir classics and talk about Hitchcock often. I would say they are my three favorite movie areas to talk about. I love fondly screwball comedies. Films definitive of the genre usually feature farcical situations, a combination of slapstick with fast-paced repartee and show the struggle between economic classes. Films definitive of the genre usually feature farcical situations, a combination of slapstick with fast-paced repartee and show the struggle between economic classes. They also generally feature a self-confident and often stubborn central female protagonist and a plot involving courtship and marriage or remarriage or cross-dressing. Some comic plays are screwball in nature. It was a genre that was made in movies until 1942. Many films of the 1950’s also have traits of screwball comedies. Its time to talk these classics for my new theme for this month of the month called screwball gems. Today I review Trouble in Paradise (1932) for the start of my themed month of reviews.

Trouble in Paradise (1932) review

This pre-code sophisticated comedy epitomizes the European attitude toward sex. It is more open in sex. It is pre-code in that nature toward how it plays sex. It is based on Laszlo Aladar’s play The Honest Finder which was the springboard for the movie. The sexual undertones are very frank. I would not call it as sexually open as Design for Living which is far more sexual in nature. This was a taste of what was to come for his works. Trouble in Paradise is a comedic counterpart to a melodrama.

Lubitsch was best known for what we call the Lubitsch touch is a subtitle way of referencing sexual shenanigans that his characters do upon the screen. Lubitsch’s Magnum Opus faced controversy three years after its initial release because of the conservatism of the Production Code. This pre-code sophisticated comedy epitomizes the European attitude toward sex which is more open in sex that feels modern. . The movie is tamer than his other film design for a living for its sexual tone on the screen. It’s a spellbinding comedy classic about a a suave jewel thief (Herbert Marshall) falling in love with his intended victim (luminous Kay Francis) much to the displeasure of his girlfriend (Miriam Hopkins) whom all give out wonderful performances in their respective roles for the screen. . Kay Francis steals this film as she truly shines in her wonderful role that is hard to do with Miriam Hopkins. She is exquisite and enchanting and absolutely charming. Miriam Hopkins gets the better comedic lines and the guy even if lesser then Kay she still gives out a marvelous performance. Herbert Marshall shows an unexpected flair for light comedy while Charlie Ruggles and the ubiquitous Edward Everett Horton provide their usual first class supporting roles that that truly shine in their performances on the screen. Ernst Lubitsch crafts out a masterpiece of early comedy that truly shines in every manner making it a must see comedy classic for all time.

The Ruth Rating:five bette's