The Shop Around the Corner

The Shop Around the Corner(https://www.facebook.com/Wolffianclassicmoviesdigest)

So today I talk about the The Shop Around the Corner which is directed by Ernst Lubitsch whom is such a wonderful director with many wonderful classics i adore to watch often. Lubitsch’s charming masterpiece, so often imitated and re-adapted since it appeared in 1940 as its so charming and enduring to watch on screen as today i talk about why i adore this classic so much.

The Shop Around the Corner review

Ernst Lubitsch’s charming masterpiece  is often imitated and re-adapted since it appeared in 1940, is one of the very few films that can be called perfect. Margaret Sullavan and James Stewart worked in several films together as this flim shows them at their collective best performances.  Jimmy Stewart and Margaret Sullavan play off each other well as they are a perfect pair.  Frank Morgan is truly wonderful in his performance as one of the leads as the owner of shop he truly is at his best of performances.  It has such wonderful acting by everyone in its cast.

The Shop Around the Corner is a charming comedy gem in Ernst Lubitsch had another quiet triumph added to his credit with this lovely film as this charming little shop could be set anywhere in the world. The shop is a life microcosm with its little quiet joys and its bitter disappointments it feels very close to frank Capra in its charms. It is one of the sweetest and most charming of comedies as this delightful classic is one of a kind. Everything works out perfectly in this perfect film which was often remade but never matched to same level as this wonderful classic comedy that will delight you for ages to come.

The Ruth rating:five bette's

I hope you enjoyed my talk about The Shop Around the Corner which frankly is one amazing classic gem that I simply adored to talk about today. See you next time for another classic review soon.

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His girl Friday

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So today I talk about his girl Friday which is a remake of the front page. His girl Friday is directed by Howard hawks. This comedy classic is one of the truly best screwball comedies all time as i talk about this fast and witty comic gem which I truly adore to death.  I hope you enjoy my review of this comedy classic.

His girl Friday review

This classic comedy done by Howard hawks is one truly classic comedy gem that is one of my favorite movies all time. I truly adore this screwball classic. Cary Grant stars in this classic movie as he truly makes one of his fine performances on the screen.  Its truly one of his finest roles as he is truly a fun actor to watch on the screen as this movie shows you why as he truly is wonderful in the role. Rosalind Russell stars in this classic movie as he truly makes one of his fine performances on the screen as it is truly one of her finest roles as she is truly wonderful in this role giving us one of the finest performances she ever gave on screen.  Ralph Bellamy as Bruce Baldwin is truly wonderful in his role on screen. The film’s supporting cast is no less impressive, with every single role cast to perfection as all of them truly shine in their respective roles on the screen. It is truly fine acting by everyone in this wonderful cast of talented people all giving out wonderful performances.

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Cart Grant and Rosalind Russell who make a great team together on the screen as one of finest duos all time together.  It’s truly fine acting by both of the duo as they have great comic timing and wit that brings both their roles to the screen in such a wonderful way. Hawks’ compositions are layered with fore and background action and depth, but the film is about its dialogue more than its visual elements as its fast and sharp but it comes at you fast as a machine gun.  This is a comedy of rhythm and words that truly is something special with such great charm to each word that is truly wonderful on screen.

Howard hawks was truly a wonderful director that crafts out such a wonderful tale with such wonderful wit and timing that is comedy gold to watch unfold on the screen. My Girl Friday successfully combines screwball romantic comedy with biting satire that truly makes it the true comedy classic.

The Ruth rating:five bette's

I hope you enjoyed my talk about His girl Friday today which frankly is one amazing classic gem that I simply adored to talk about today. See you next time for another classic review soon.

 

ball of fire

I am a very huge fan of screwball comedies. I often review more screwball comedies on my blog often also i review many noir classics and talk about Hitchcock often. I would say they are my three favorite movie areas to talk about. I love fondly screwball comedies.  Films definitive of the genre usually feature farcical situations, a combination of slapstick with fast-paced repartee and show the struggle between economic classes. Films definitive of the genre usually feature farcical situations, a combination of slapstick with fast-paced repartee and show the struggle between economic classes. They also generally feature a self-confident and often stubborn central female protagonist and a plot involving courtship and marriage or remarriage or cross-dressing. Some comic plays are screwball in nature. It was a genre that was made in movies until 1942. Many flims of the 1950’s also have traits of screwball comedies.  Its time to talk these classics again for this month’s theme as my next review is the screwball classic ball of fire which is a reverse snow white type tale that is very much one of the most funny comedy classics ever. Its time to review this classic comedy classic.

Ball of fire review

Howard Hawks Ball of Fire is an urban update of the Snow-White fairy tale as as well as an effervescent look at the fertile potential of clashing cultures. It was written by Billy Wilder with Howard hawks directing ball of fire which remains one of finest screwball comedies ever crafted for the screen.

Ball of fire remains one of my favorite screwball comedies all time with such wonderful acting by Barbara Stanwyck and Gary Cooper. The ever wonderful Barbara Stanwyck really leads the show as Sugarpuss O’Shea who hides with them for her gangster boyfriend. She plays the role in a very wonderful way as she is so witty and charming in this role yet she makes this wonderful performance a warm up to her later roles as you see how amazing her skill as an A warm up for Stanwyck’s most sensual performance on film in Double Indemnity(1944). Gary Cooper gives us one amazing performance as he plays Bertram Potts with such amazing charm and skill of acting.

The group of professors are all very good supporting actors as Oskar Homolka and Henry Travers and S.Z. Sakall and Tully Marshall and Leonid Kinskey and Richard Haydn and Aubrey Mather. I would say Henry Travers is among cast of the stand out character actors as he played the angel It’s Wonderful Life this may be one of his finest roles. I would say each of these professors are played by very wonderful character actors that each give out wonderful performances that stand out. Allen Jenkins is a garbage man seeking knowledge for pecuniary gain as he gives a very good performance in his role.

Dana Andrews plays against type as a gangster in one very good role for him as the gangster boyfriend of Sugarpuss O’Shea.   Mary Field as Miss Totten, the daughter of the wealthy inventor who created the foundation really gives a good performance in her role. The whole of supporting cast of many great acting legends all give such wonderful performances.

Ball of Fire (1941) comprises of some fine cinematography by Gregg Toland. Ball of Fire (1941) is directed by Howard Hawks. It’s such a wonderfully charming comedy classic that truly may be one of finest screwball comedies ever made for the screen. It’s a classic you should see today.

The Ruth rating:

Trouble in Paradise

Screwball gems INTRODUCTION 

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I am a very huge fan of screwball comedies. I often review more screwball comedies on my blog often also i review many noir classics and talk about Hitchcock often. I would say they are my three favorite movie areas to talk about. I love fondly screwball comedies.  Films definitive of the genre usually feature farcical situations, a combination of slapstick with fast-paced repartee and show the struggle between economic classes. Films definitive of the genre usually feature farcical situations, a combination of slapstick with fast-paced repartee and show the struggle between economic classes. They also generally feature a self-confident and often stubborn central female protagonist and a plot involving courtship and marriage or remarriage or cross-dressing. Some comic plays are screwball in nature. It was a genre that was made in movies until 1942. Many flims of the 1950’s also have traits of screwball comedies.  Its time to talk these classics for my new theme for this month of the month called screwball gems. today i review  Trouble in Paradise (1932) for the start of my themed month of reviews.

Trouble in Paradise (1932) review

This pre-code sophisticated comedy epitomizes the European attitude toward sex. It is more open in sex. It is pre-code in that nature toward how it plays sex. It is based on Laszlo Aladar’s play The Honest Finder which was the springboard for the movie. The sexual undertones is very frank. I would not call it as sexually open as Design for Living which is far more sexual in nature. This was a taste of what was to come for his works.  Trouble in Paradise is a comedic counterpart to a melodrama.

Lubitsch was best known for what we call the Lubitsch touch is a subtitle way of referencing sexual shenanigans that his characters do upon the screen. Lubitsch’s Magnum Opus faced controversy three years after its initial release because of the conservatism of the Production Code. This pre-code sophisticated comedy epitomizes the European attitude toward sex as we see this movie them more open in sex in a more modern sense of the word. The movie is tamer than his other film design for a living.  Its a spellbinding comedy classic about  a a suave jewel thief (Herbert Marshall) falling in love with his intended victim (luminous Kay Francis) much to the displeasure of his girlfriend (Miriam Hopkins) as this movie truly shines in their acting performances in this movie. The acting is very wonderful as each of the cast give out wonderful performances.  Kay Francis steals this film as she truly shines in her wonderful role that is hard to do with Miriam Hopkins. She is exquisite and enchanting and absolutely charming. Miriam Hopkins gets the better comedic lines and the guy even if lesser then Kay she still gives out a marvelous performance. Herbert Marshall shows an unexpected flair for light comedy while Charlie Ruggles and the ubiquitous Edward Everett Horton provide their usual first class supporting roles that that truly shine in their performances on the screen. Ernst Lubitsch crafts out a masterpiece of early comedy that truly shines in every manner as this is one true classic you should see today.

The Ruth Rating:five bette's

baby driver:classic connections

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So today I talk about baby driver in a rare modern day review and look upon its many references to the past of movies.I adore so many classic movies as baby driver stands among classic heist movies all time as its truly a wonderful movie that is gonna be a lasting classic for the ages.  

baby driver:classic connections

How The Umbrellas of Cherbourg connects to baby driver?the musical beats(beat one)

The Umbrellas of Cherbourg is truly a musical in every sense of the word as every frame of the movie is a musical as every line of dialogue is sung as that seems very novel its a very stylish movie invention for its time as filmed in lovely color of the 1950’s and 1960’s. The actors are not singers as they do seem more real and grounded as There is none of the showboating of the big Hollywood musicals of the era as they speak it like you would every day each lyric of the movie. The Umbrellas of Cherbourg is fully of beautiful melodies and musical lines but there is no delineation between separate songs. Instead it is one continuous musical experience as Demy and composer Michel LeGrand sat at a piano writing the screenplay out page by page as each line has written notes added to the line. In an interview, LeGrand admitted to struggling through the process as a key a bit of inspiration when they translated the natural timbre of the spoken line for a scene, keeping the same rhythmic melody. It’s a classic tale about young love, loss, and the path that life leads you down which can take you off that love. It’s a classic tale as old as time itself. You loved baby driver you will adore this movie so much.

How Larceny, Inc connects to baby driver?Its a heist comedy classic with mobsters(Beat two)

A gangster comedy starring Edward G. Robinson’s as its playing on his image of a gangster as it’s a spoof of the 1930’s gangster comedies. The humor marries physical gags to some cute word play which makes it even more fun to watch it. It all sparkles due to the talents of an all-star cast of character actors that give us such wonderful acting as they all shine in their roles as they bring to life this collection of fast talking con-artists. This is a truly fun classic gem that you will adore if you love baby driver.

How does gun crazy connect to baby driver?well its a classic crime movie.  (Beat Three)

Peggy Cummins is The epitome of the bad dame as she truly gives us something truly special as she is perfectly cast in the role as this British legend really shines in gun crazy. John Dall truly is amazing in his role. It’s one interesting pairing as both truly embody a perfect pairing in acting. This movie has many great things such as its wonderful cinematography and its wonderful camera work as it feels just as wonderful and up there with many great noir classics. It’s truly a gem you should watch today if you loved baby driver.

How does  Criss cross connect to baby driver?well its a classic crime movie.  (Beat Four)

This is a vividly emotional heist thriller that the betrayals of the heart rarely feel this raw and real as its scarring and the sexual tension is off the charts. We sympathize with Burt Lancaster falling hard for Yvonne DeCarlo as we can get why he loves her so much and unable move on without her as she is a conflicted femme fatale. Noir is at its best when making it painfully clear that there is no future for the doomed couples in these films as this classic shows us the best of noir you will enjoy it anytime even if you loved baby driver.

How does How to Steal a Million connect to baby driver?well its a romantic heist comedy(Beat Five)

Directed by William Wyler, How to Steal a Million presents a terrific opportunity to watch Peter O’Toole and Audrey Hepburn spar in a romantic heist comedy that sparkles with their wit off each other as its truly fun movie with a very wonderful acting by everyone in its cast. In the climactic heist sequence, Wyler has a lot of fun. How to Steal a Million truly may be one very funny movie that sparkles that you should see today if even loved baby driver.

How does the ladykillers connect to baby driver?well its a crime comedy classic. (Beat Six)

The Ladykillers is a brilliant crime comedy from the 50s. The ladykillers, a band of criminals, all with distinct appearances and personalities, and an old lady make this movie much more fun as each truly has a wit and charm unlike anything else with such wonderful acting by everyone. You will adore this movie if you love baby driver.

How does The Asphalt Jungle (1950) connect to baby driver?its a crime drama. (Beat seven)

A John Huston film disguised as a heist film when its true strength is its character driven plot with such very good dramatic moments with good acting. It’s a very fun classic movie that instantly you will adore if you love baby driver.

How does The Lavender Hill Mob (1951) connect to baby driver? It’s a crime caper(Beat eight)

An Ealing crime comedy that sparkles with such wonderful acting and charm that is Eighty minutes of cinematic perfection as it’s so very wonderfully acted with such good wit and charm it’s a classic you will adore if you love baby driver.

How does the driver connect to baby driver? Well it is a classic heist movie.(Beat nine)

This is a classic car chase movie with similarities between this and Nicolas Winding-Refn’s Drive shine through in the depiction of their central characters. Both place men of few words as the central figure it’s very low on talk yet very much a very fun car chase flim that you will adore if you love baby driver.

How does Le Samourai (1967) connect to baby driver? It’s a classic Mystery/Crime film. (Beat Ten)

Jean-Pierre Melville’s Le Samourai is the cinematic embodiment of cool. This film is unlike any Hollywood action treatment of a hitman in that it every single movement is treated like a precious gemstone. Alain Delon plays a double crossed assassin who stays one step ahead of the law in what becomes a very smart cat and mouse plot. Melville’s exact direction is a joy to behold, never wasting a line of dialogue nor a single frame. This is film-making at its leanest, trimming off any hint of excess with such fine acting makes this a gem you will simply adore if you love baby driver.

How does True romance connect to baby driver? It is a classic love story(Beat eleven)

True Romance is one of those few movies with everything you need in a movie: Action, romance, drama and brilliant acting that is a throwback to the old ‘lovers on the run’ formula yet it is so good and wonderful with such rich wit and charm that you will simply adore it if you loved baby driver.

How does The French connection connect to baby driver? It is a classic heist movie(Beat twelve)

The French Connection is an excellent movie in every way. Gene Hackman stars in this wonderful movie. The French Connection is an intense character-study that you if you adore baby driver you will love this wonderful movie.

How does baby driver connect to Rififi? It is a crime film. (Beat thirteen)

Rififi is a terrific heist movie, and one from which subsequent heist films have drawn ever since its debut upon the screen. The  famous 20-minute silent jewel heist sequence of this flim is simply marvelous to watch unfold on the screen. If you are serious about heist films or film noir this is an absolute must see as its truly a marvelous flim by Jules Dassin that you will love so much if you love baby driver.

Baby driver review(Beat fourteen:last note as  would be the ending of story)

Baby Driver is the best mix-tape ever assembled for a movie. It’s simply a marvelous movie that simply is one of best movies of the year. Edgar Wright would have never fit the 70s new wave: he belongs at Warner’s in the 30s. Baby Driver colors inside the lines. Baby driver is a stark contrast to many movies now from other recent Hollywood films praised being different enough. He wants the image on screen to matter more than the cultural conversation that occurs afterwards.

The film stars Ansel Elgort as the titular character whom truly shines in this marvelous role that shines with very emotion driven acting as he barely speaks as he feels like buster kreaton in a modern sense but so good here. Jon Hamm, Jamie Foxx, Kevin Spacey, and Eiza González did their parts well and portrayed convincing mentally unstable killers that have such wonderful wit to them all as the actors played well off of each other, especially in scenes involving comedy where they nailed the punch-lines each time.

Many of the heist films of recent years have been rather disappointing when it comes to both story and technical achievement this movie is simply marvelous as it comes. The casting in Baby Driver was absolutely divine.

I cannot think of one character or actor who was misplaced or a weak link within the film as they give such wonderful performances. Writer-Director Edgar Wright delivers the sharpest dialogue and story of his illustrious career as he simply brings home his best film ever here which is a tall order coming from this amazing talented director crafting out such amazing and clever heist scenes with wonderful acting and a wonderful screenplay with wonderful direction and acting makes this movie a must see for anyone that loves classic movies.

The Ruth Rating:

 

Dance, Girl, Dance

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So today I talk about Dance, Girl, Dance for the :En Pointe: The Ballet Blogathon as today’s Dorothy Arzner’s classic Dance, Girl, Dance form 1940 which happens to be one of those very classic gems that many today can say tackles a very good issue later tackled by many other films as this issue is the serious dancer struggling for identity in a cheap, commercialized world as its truly a wonderful story crafted by two women beyond the camera that was rarity in the 1940’s. I hope you check out other posts form the: En Pointe: The Ballet Blogathon thank as now to the review of this classic movie.

Dance, Girl, Dance review

Judy O’Brien is an aspiring ballerina in a dance troupe. Also in the company is Bubbles, a brash mantrap who leaves the struggling troupe for a career in burlesque. When the company disbands, Bubbles gives Judy a thankless job as her stooge. The two eventually clash when both fall for the same man.(http://www.imdb.com)

Dance, Girl, Dance is a classic tale of a struggling dancer dreaming of hitting it big.  I cannot speak objectively with movies about dance. There is no greater sense of joy than the intersection of music, plus cinema, plus movement as dance is normally one thing that makes many movies golden.  When this movie begins with eight lithe, graceful women in top hats, all moving symbiotically in frame to a jaunty tune I knew this offered so much more than just dance. It’s the drama of the dream the feelings of them as they struggle to find their place. It’s ironic that a movie “dance” in its title wouldn’t be a traditional musical, but instead a comedic drama that captures the drama beyond the dance just as much the dance. . Arzner’s blocking is incredible throughout and becomes especially significant whenever she is shooting the dancing sequences as defined by the shifting of legs, arms and hips when song begins. The action is completely linked to how they get around the room.  The shadows fill out the picture, and the windows, chairs and mirrors give layering to how the dance takes up space. It’s truly marvelous to see as its all it needs to show the dance in such a dramatic light.  The wonderful acting of Lucille Ball and Maureen O’Hara and Louis Hayward make this movie a classic. The acting of Maureen O’Hara truly shines as she takes the lead as you see her struggle is the core of the story. This movie is one of her finest performances on the screen. Lucille Ball plays a brash person that truly is giving us one of her finest hours as she is unlike the screwball we later see her become on TV. Lucille Ball truly gives us one fine dramatic role that is another highlight of this movie. Ms. Arzner has achieved a unique and decidedly pro-woman tour-de-force within this little forgotten RKO classic that remains one of her finest movies she crafted.  While closer in spirit of imagery to STAGE DOOR than any other film that I can think of, it creates its own small symbolic world full of not-quite-real characters telling a fable-like structure. It’s one classic that is forgotten by so many today  that stands among many other great dramas of dance that you should see today.

The Ruth Rating:

Ella Cinders

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The theme for august is silents are golden as i begin to explore the many facets of what makes silent movies magical.  Movies are memories of a lifetime we must keep them alive as silent movies are often overlooked by movie lovers as they forget about these golden classics. Its a shame as many of these movies are wonderful tales that tell diffrent takes on the classic stories and many orginal ideas that shine brightly. Movie magic does not need to talk to be magical as silents are golden in this month’s theme.  So i begin with a delightful look upon a new twist on the classic  Cinderella story.

Ella Cinders review

Cinderella is one of those stories that often is retold on the screen to many different takes on the classic tale. Cinderella has been performed set in hundreds of times and places as this version takes us on the Hollywood dream of the tale. Poor Ella Cinders is much abused by her evil step-mother and step-sisters. When she wins a local beauty contest she jumps at the chance to get out of her dead-end life and go to Hollywood to be a star.
ELLA CINDERS (First National, 1926) a John McCormick production, directed by Alfred E. Green is a star vehicle for Colleen Moore, a popular silent screen flapper of the 1920s in one of her more notable comedies of her career that has become forgotten through the passage of time. It’s a Hollywood story taken from both comic strip character and Cinderella fairy tale, and reminiscent to Mabel Normand performance in THE EXTRA GIRL (1923).  Ella Cinders is based on a comic strip (or, as the main title has it, “comedy strip”) of the same name that started appearing only the year before the film version was made.

Colleen Moore is brilliant as Ella, funny, warm, beautiful, vivacious. The scene when she finds she has won the contest will move you to tears. Colleen Moore’s performance as Ella Cinders is truly what makes this movie click as Coleen makes the movie a riot with her comedic talent that really seems to match with many other great comedy legends.  Colleen Moore was the real revelation of the picture for me as she carries the story with her delightful charm. This movie mocks Hollywood as its ironic it mocks as it’s basically the Hollywood dream tale it is spoofing.
This silent classic has Terrific trick photography with the delightful Colleen Moore’s performance and Harry Langdon, and even director Alfred E. Green making an appearance with the  comedic charms of Colleen Moore make this silent movie classic a delightful comedy classic you can enjoy anytime.

The Ruth Rating: