The Damned Don’t Cry!

Today I talk about Joan Crawford in a review of the damned don’t cry whom went  Form silent movie legend to camp queen. Joan Crawford and her astonishing 45-year film career is the stuff of a Gatsby-esque legend of survival and reinvention. Simultaneously glorious, tragic, tawdry, and hype-filled, her story is the very embodiment of the real version of the American Dream. She is without a doubt one of the legends of the silver screen. so to review this classic movie today that may be one of her best movies all time.

The Damned Don’t Cry! review

Joan Crawford scores again in the role of weary housewife living at the edge of the Texas oil fields. When her young son is killed in a bicycle accident, she leaves her laborer husband Roy (Richard Egan) for the big city. In this Warner bros noir classic Joan Crawford shines in her role that is one of her movies under their banner.

The Damned Don’t Cry” is directed by Vincent Sherman whom crafts out a noir that is a tale of ambition, murder and betrayal in which Joan Crawford plays the the role of an ambitious woman from the working class that finds social ascension in the men’s world using her glamour and different lovers. The dammed dont cry is  based upon the story of  the mysterious Virginia Hill that belonged to the upper-class and her lover Bugsy Segall whom was one of the most infamous gangsters of the 1940’s.

This noir classic was very intelligently written and deserves more attention as one of the better Film Noir classics with Vincent Sherman directing and crafting out a very amazing noir classic that tells such a very layered story of life’s twists and turns with such rich and sappy  dialog and betrayals instantly turn this noir classic into a must see for any lover of noir.

Joan Crawford gives us a very amazing character that truly is a rich and complex woman that feels layered and deep with many scars and personal goals of her own. Joan Crawford delivers one of her best roles on the screen in my eyes as you see her not play this role sappy but very raw and deep with many sharp lines of dialog in her performance as one of her finest on the screen. David Brian and Kent Smith both give us such fine acting that makes them feel right at home with the tough Joan. Morris Ankrum truly gives us one amazing performance as the father of her. It’s really such wonderful acting by everyone.

This is a slick, fast-moving noir with a strong cast that gives out remarkable acting and a very wonderful direction by  Vincent Sherman and will keep the viewer involved and thrill you throughout this classic noir gem.

The ruth rating:

Kurosawa noir

Kurosawa noir

https://www.facebook.com/Wolffianclassicmoviesdigest

2014-10-08

Today I talk about Akira Kurosawa again in my third follow up article to my throne of blood review. Akira Kurosawa directed 30 films in a career spanning 57 years. In the third part of this collective series of tributes about Akira Kurosawa I talk about the noir classics of Akira Kurosawa. so to end my tribute series to this master by talking these wonderful classics.

Drunken Angel reviewdrunk-angel

The chaotic worlds of the Japanese Mafia (Yakuza) and an alcoholic doctor collide in this film noir classic from Akira Kurosawa. Gangster Toshiro Mifune visits doctor Takashi Shimura, after an unfortunate incident with a bullet. The doctor, who despises the Yakuza, discovers the young man is suffering from tuberculosis, a disease symbolic of what is happening to the doctor and the community he serves. Facing his own anger and fear, the doctor aligns himself with the gangster’s world.(goggle plot)

Drunken Angel is one of the most important of Kurosawa’s films for several reasons. It was the first film that Kurosawa had complete control over the movie form start to finish. Toshiro Mifune starts his work with Kurosawa here as he gives us such a powerful performance as Doctor Takashi Shimura whom has do work for the Yakuza whom he hates. Drunken Angel is essentially a lament for the state of post-war Japanese society It’s a very wonderful noir classic that does really deal with the darker end of Japanese society its mob world along with such powerful acting by the cast and a wonderful direction by Kurosawa it is a really a moving and gripping noir classic you should see today.

The Ruth Rating:five bette's

high and low reviewp41474_p_v8_aa

High and Low was adapted from the American novel King’s Ransom by Ed McBain. Kurosawa takes this classic tale reworks to Japan. It is an outstanding detective film. The film is a fascinating portrait of ’60’s Japan. Kurosawa makes it into a meditation on honor and decency how one’s traits can take you to heaven or hell. Toshirô Mifune plays one of his most outstanding performances all time. The wonderful acting by everyone in the cast really makes this movie something truly that works on so many levels. High And Low particularly stands out from the others of his many works as its truly a wonderful drama with such wonderfully shot camera work. High And Low is truly an outstanding classic.

The Ruth Rating:five bette's

The bad sleep well review

the-bad-sleep-well-md-web

In this loose adaptation of “Hamlet,” illegitimate son Kôichi Nishi (Toshirô Mifune) climbs to a high position within a Japanese corporation and marries the crippled daughter (Kyôko Kagawa) of company vice president Iwabuchi (Masayuki Mori). At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi’s father. It is then that Nishi unleashes his plan to avenge his father’s death.(goggle plot)

Seven Sumarai and Rashomon are wonderful Kurasawa flicks too few people know of his other outstanding works. One of the best examples of this is this movie. The Bad Sleep Well is extremely well-written and acted by everyone in the cast. The bad sleep well is the forgotten gem of the master as its truly a gem with wonderful rich acting and direction and camera work. It’s a masterpiece that you should see today.

The Ruth Rating:five bette's

Stray Dog review

p55280_d_v8_aa

Stray Dog is a 1949 Japanese police procedural film noir directed by Akira Kurosawa and starring Toshiro Mifune and Takashi Shimura. The film is considered a precursor to the contemporary police procedural and buddy cop film genres. (goggle info)

STRAY DOG stands as one of Akira Kurosawa’s masterpieces. Noteworthy for two reasons the rich American noir style with such rich b&w atmosphere that really feels at home in American noir enhanced with a touch of Italian neo-realism. It also stars a young Toshiro Mifune whom gives out such a fine performance. The acting of everyone is outstanding with wonderful direction and a wonderful story makes this a true classic noir gem. The meeting of American noir with Japan culture really does work great in this classic. Stray Dog is a masterpiece of noir that truly stands among the classics of the genre that one should see today.

The Ruth Rating:five bette's

 I hope you enjoyed my three tribute articles honoring Akira Kurosawa. He remains one of the finest directors that ever graced the screen. So thanks for joining again for another article honoring this master. He truly remains one of my favorite directors of movies. I truly adore the works of Akira Kurosawa. Thanks for joining in honoring this master.

Akira Kurosawa cinematic artist

Akira Kurosawa cinematic artist

https://www.facebook.com/Wolffianclassicmoviesdigest

akira-kurosawa-main-image

Today I talk about Akira Kurosawa again in my second follow up artcle to my throne of blood review. Akira Kurosawa directed 30 films in a career spanning 57 yet many know so much about his wonderful character driven movies in the second part of my three part tribute string to the wonderful Akira Kurosawa as I will explore his noir classics in my last part of this tribute string of articles. So today I talk about the wonderful dramas by Akira Kurosawa so i talk these classics today.

No Regrets for Our Youth review 

p55802_d_v8_aa

No Regrets for Our Youth shows the great Japanese director delving into an area not usually attributed with his body of work: empathizing with a female protagonist. Its rarely in  Akira Kurosawa’s work do we see this female lead drive the tale.

No Regrets for Our Youth stars one of Japan’s most famous actresses and favorite of the director Yasujiro Ozu, Setsuko Hara. Hara plays the lead role of Yukie, the daughter of a Kyoto University professor who was relieved of his job.

Yasujiro Ozu’s really would come into her own in Yasujiro Ozu’s home drama classics as she truly plays one Akira Kurosawa’s passionate, reluctant heroine in this 1946 anti-war melodrama. It’s her amazing acting that drives the movie forward as you truly do see the future greatness to come from her. She channels home this character. Yasujiro Ozu gives us among her finest of performances in this role. The other performances are very good but not the level of Yasujiro Ozu whom truly nails a fine role. It’s a wonderful classic that truly is one of the fine early films by Akira Kurosawa.

The Ruth rating:five bette's

One Wonderful Sunday review

p67427_d_v8_aa

Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen. They manage to have many small adventures, especially because Masako’s optimism and belief in dreams is able to lift Yuzo from his realistic despair.

Yuzo (Isao Numasaki) and his fiancée Masako (Chieko Nakakita) spend their Sunday afternoon together. Both ends up trying hard have fun in the city of Tokyo with very little yen. The simpleness of this movie’s story really hides it richness that feels very much Capra like in a way Its the wonderful acting of both Isao Numasaki and Chieko Nakakita both giving such wonderful performances. One Wonderful Sunday is a beautiful slice of life that is richly one of the finest of Akira Kurosawa’s early works.

The Ruth rating:five bette's

The Idiot review

20318

One of Kurosawa’s least-seen films is The Idiot. It may be one of his most overlooked movies among his many movies. Toshiro Mifune is brilliantly cast in this movie. This movie is not often mentioned when discussing Kurosawa’s work, The Idiot demonstrates Kurosawa’s cinematic skill arguably better than many of his well-known works. It’s likely the fine acting by Toshiro Mifune and Kinji Kameda that brings home this movie. This richly deep and layered movie is so glossily overlooked even by its collective studio at time as was cut heavy which is a shame. Kurosawa’s masterfully crafts out a wonderful movie with such wonderful acting by its cast that makes it another masterpiece of his many classics.

The Ruth rating:five bette's

I hope you enjoyed this string of reviews honoring Akira Kurosawa i will continue on in the last part about the noir classics of Akira Kurosawa. So until next time always love the magic of the movies.

Cinematography of the third man

Cinematography of the third man

https://www.facebook.com/Wolffianclassicmoviesdigest

31-days

TODAY i talk about The Cinematography of the third man with an in-depth review that breaks down this classic gem for 31 Days of Oscar Blogathon as today for the crafts part of 31 Days of Oscar Blogathon as Its Oscars talk time again. Today as part of 31 Days of Oscar Blogathon which is hosted by Once Upon a Screen,Outspoken and Freckled and Paula’s Cinema Club. Thanks to the wonderful hosts for today’s event and check out others form this event.

The Third Man (1949) Opening shots. 

Similar to other international noir genres, British film noir hardly fits the rigid categorical definition of noir based on Hollywood films. It does, however, contain many of the conventions and traits of Hollywood film noir such as a focus on the underworld of society, base emotions, and melodramatic events that portray an unjust and often cruel world. Carol Reed’s The Third Man (1949) may be stand among the greatest movies ever made and it does rank almost among top British films ever made.

third_man_ver8_xlg

The third man follows  an idealistic American writer of Westerns as he arrives in the corrupted, disparaged city of post-WWII Vienna, Austria, which has been divvied into four sections: French, Russian, British, and American.  Holly Martins (Joseph Cotten) is an innocent, in some ways a clod, as he blindly follows a mystery, however dangerous, until its ultimate conclusion at the end. 

The third man has many key layers that it shares with american noir that may be a common thread of both ends of the great pond as its use of shadows and lighting really does also play a huge role into the movie.  A focus on the underworld of society of  Vienna, Austria. The base emotions, and melodramatic events that portray an unjust and often cruel world of post war  Vienna, Austria which is divided after the second world war into four zones French, Russian, British, and American.  Plot:Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime.

The third man is probably the greatest British thriller of the postwar by director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna which is far removed from the image of the rollicking erotic’s of Ernst Lubitsch or the wistful elegance and melancholy beauty of Max Ophüls. This Vienna is a movie milieu that really is vastly different form Curtiz’s Casablanca or Sternberg’s Morocco as it is unlike them, it is primarily the real Vienna, It is the real raw streets of the rubble and look of the bleak city after the second world war. The third man is shot by Reed and cameraman Robert Krasker in such a striking style which captures the city of Vienna. The camera work of Robert Krasker shot the movie in off-angle compositions and wide-angle lens distortions along that really does give some shots that really does feel striking to see unfold on the screen.

As you see in this scene above you see One of the many great Dutch-angled shots in The Third Man (1949) as truly it is giving you an oddball look at the city in a striking style.These striking camera shots really work to capture the raw city. The macabre landscape with the outstanding camerawork captures the city with  Anton Karas’ legendary zither score as the tale unwinds on the screen.

Two symbolic settings of the movie is a Ferris wheel towering above the city, and the shadowy chaos of the sewers. Holly comes face to face with the supreme evil, the supreme betrayal: both Harry’s and his own. The two settings play key part into that ultimate end. This is one element of the third man that vastly does tell you about how the raw core of the depths that harry faces into what some call his trip down a rabbit hole. Its two settings tell the viewer this idea as key part of its shots. This what the symbolic settings tell us all about the journey of the movie to its end.

Which ends as Anna walks down road as he looks upon her as farewell to her as he knows she is still in love with a killer and he must follow her down into that place as her love is misplaced and misguided. It’s her way as she must find her back to the light. The symbolic nature of the ending and the movie really does bring to light the nature of what we feel as descend into our chaotic worlds often.

Don’t be so gloomy. After all it’s not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? The cuckoo clock. So long Holly.

 

Harry Lime: Nobody thinks in terms of human beings. Governments don’t. Why should we? They talk about the people and the proletariat, I talk about the suckers and the mugs – it’s the same thing. They have their five-year plans, so have I.
Martins: You used to believe in God. Harry Lime: Oh, I still do believe in God, old man. I believe in God and Mercy and all that. But the dead are happier dead. They don’t miss much here, poor devils.

Both these great quotes by Orson Welles really address the nature of our world in a collective darkness about how we think about governments in truth and how we believe in a god. It’s a collective reflection that really does feel at home in the third man as the city of Vienna afterwards of world war II. As quoted often noir is a reflection of how America and the world felt afterward of the second world war. So we see this collective expressions of its scenes and many quotes in this wonderful gem of a movie.

Joseph Cotten was not  carol Reed’s first choice for Martins; the director preferred Cary Grant, or even Jimmy Stewart but he ended up with Joseph Cotten. Joseph Cotten really gives us one fine performance as we see him really play wonderfully as he gives Martins the necessary dumfounded ignorance toward Vienna the role requires to really give us a caracter that is taking into this wild trip down a rabbit hole. He truly nails home this performance.

Orson Welles plays the elusive Harry Lime whom is one of the best villains ever put to the screen even for his limited time on screen as he plays one very convincing villain. Orson Welles was considered to be overshadowing the production of the third man. He kinda does even overshadow the director in many ways as many more recall him then carol reed. Its truly one amazing performance.

Alida Valli gives us a very convincing performance as Anna Schmidt. Its her very subtitle performance as the girlfriend. She really has a very key role into comforting holly Martin but she ends up in the twisted web herself as she has many secrets hidden away about herself. She wonderfully plays the role in a very wonderful performance that really nails home another outstanding role for this movie.

Trevor Howard wonderfully plays the role of Maj. Calloway. He leads down the chase as we see him and the other cops chasing down holly martin in one of the most infamous scenes of the movie.  We truly see him give such an amazing performance in this wonderfully crafted role.

Bernard Lee as Sgt. Paine really gives us one wonderfully outstanding role as we see him really play this role wonderfully as this wonderful actor of range gives us such a good role on the screen. Everyone else in the cast gives us such outstanding role even the smaller and lesser role as each give us such raw depth to their performances making them really all work to bring to life this world  on the screen. 

Carol Reed and his Academy Award-winning cinematographer, Robert Kraske devised an outstanding cinematography. It shows a world out of joint in chaos that creates unforgettable visual style.   fantastic oblique angles. Wide-angle lenses distort faces and locations. And the bizarre lighting makes the city into an expressionist nightmare. During a stakeout for Lime, a little balloon man wanders onto the scene, and his shadow is a monster as he towers over others as we really believe he is towering and overshadowing everyone. Vienna in “The Third Man is unforgettable as they come as its striking and contrasted form the lovely image we normally see of cities in movies.  This is a striking and wonderfully crafted movie form reel one to its end.

Carol Reed’s tight direction really does come to life with Academy Award-winning cinematographer, Robert Kraske as both of them craft out such a layered expressionist nightmare with such wonderful writing by Graham Greene with each cast member bringing home the lines of the screenplay in its depth and raw and giving more to each performance. We have a very wonderful performance by orison Welles whom overshadows the cast in light. We have a wonderfully rich acting job by Joseph Cotten whom gives us one amazing performance. We have a wonderful roles by Alida Valli and Bernard Lee and Trevor Howard each of whom give us first class acting. Its acting as directed by the wonderfully pitch director carol reed really brings out such rich and complex roles for the cast as we see them all nailing home such wonderful performances with wonderful music by Anton Karas as who can forget the theme of the third man. Its truly an artwork of direction and craft by carol reed.

Of the many movies this one most completely embodies the romance of going to the movies. I saw first form a Blu-ray copy at home as it really captured me truly form the first moment of the movie to its end.  It told a story of existential loss and betrayal. It was weary and knowing, and its glorious style was an act of defiance against the corrupt world it pictured. The Third Man remains one of the finest movies ever crafted to the screen form its wonderful direction to its very wonderful screenplay to its rich and striking  cinematography to its wonderful acting. It’s truly a milestone of movies that hails among the best movies ever made for the screen. It ranks among top British films all time and among the best lists of movies by many lovers of movies worldwide. This is one outstanding classic you should see today.

The Ruth rating:five bette's

Throne of Blood:Shakespeare Transposed

Throne of Blood:Shakespeare Transposed

p7817_p_v8_aa

https://www.facebook.com/Wolffianclassicmoviesdigest

TODAY i talk about throne of blood. It is a true classic among movies. A vivid, visceral Macbeth adaptation, Throne of Blood, directed by Akira Kurosawa, sets Shakespeare’s definitive tale of ambition and duplicity in a ghostly, fog-enshrouded landscape in feudal Japan.  So today i review this classic masterpice as i start my themed string of reviews honoring Akira Kurosawa.  so to begin this this review.

General Washizu (Toshiro Mifune) and General Miki (Minoru Chiaki) return home after defending Lord Tsuzuki (Takamaru Sasaki) kingdom and Spiderweb Castle from the invading forces.  When they encounter a spirit in the forest (Chieko Naniwa), they learn that Washizu will be lord of Spiderweb castle and Miki’s son will eventually rule Spiderweb Castle.  The prediction creates chaos when Washizu and his wife Asaji (Isuzu Yamada) decide to speed up the prophecy by slaying Lord Tsuzuki and setting off a chain of events that could doom them forever.

Throne of Blood review

Throne of Blood (1957) is described Akira Kurosawa’s adaptation of Macbeth which this is not untrue. The film is more than direct cinematic translation of a literary text. Kurosawa’s movie is a brilliant synthesis of diverse cultural, aesthetic, and historical sources, only one skein of which derives from Shakespeare. The film’s towering achievement lies in the way Kurosawa seamlessly integrates these and gives them superlative formal expression. Akira Kurosawa’s often loved to draw upon western ideas and stories and traits of many movies from western cultures in his movies. Noh shows up everywhere in Throne of Blood, making the project a real fusion of cinema and theater and showing just how cinematic theater can be in the hands of a great filmmaker. What is noh? It is a Traditional Japanese theatrical form among one of the oldest extant theatrical forms in the world. Noh—its name derived from nō, meaning “talent. Kurosawa can mix elements form many cultures to use his great talents to act out this story in play-like manner. Kurosawa intuited and explored was with the century of civil war in medieval Japan. Following the Onin War, which lasted from 1467 to 1477 is drawn upon in this movie.

Noh performing style, with its blend of dance, song, poetry, and mime, is antithetical to the realism and naturalism that invests acting in the West. It counters the meaning of Shakespeare’s famous lines in act 3, scene 2 of Hamlet about the actor holding the mirror up to nature. Performances in noh has an actor move in a way that aims that paradoxical way as when an actor moves in a powerful way. They must stamp their foot. Noh performance is a striking blend of stillness and agitation, a mixture of different gestures and tones. It is used in acting throughout the film. It is carried over even into the cinematic design of entire sequences. Way she moves in some scenes is the way an actor moves in noh as they move in and out of the scene. Noh has a trait of using musical introductions into acts it’s the play upon musical cues that intros into the acts of this movie. The acting is quite moving here with such wonderful performances along with a marvelous score and direction with such Powerful symbolism and nature is an actor too.

The acting of this movie is one of the most powerful elements as they are such powerful actors in their own right as they act out the movie. Toshirô Mifune plays an amazing role as Taketoki Washizu as even though he is told to play it down.Being Toshirô Mifune his charm just pours trough it. It’s truly a wonder of an actor to watch play out each scene on screen.

Isuzu Yamada as Lady Asaji Washizu is truly marvelous as she truly plays up the movie to a cue. She was a very long lasting actress in the medium as she been playing in roles since the 1930’s period at this point. She is truly a marvelous actress. Portrayal of Lady Asaji by her is something of a marvelous wonder. She plays it calm and almost indifferent in her cruelty as she has a smile when many things happen. She is a marvelous actress with such range to her performance.

Takashi Shimura as Noriyasu Odagura is marvelous. He is a very wonderful character actor. He was a wonderful actor of Japan for many years playing many wonderful characters. He is able to melt into them so easy. He truly is giving such a wonderful performance. It acting of everyone is just wonderful as they all really make the movie click wonderfully.

This is usually not the case with Akira Kurosawa, but Throne of Blood reflects more of a formalistic style of direction. Akira Kurosawa crafts out with mixing of many elements such a marvelous picture that may play differently than many of his movies of this period. It has many long takes and many other marvelous shots that captures such a wonderful Cinematography which is done by the marvelous Asakazu Nakai whom captures any element so perfectly on camera. The musical score by Masaru Satô is a delightful. It has so many other amazing elements that all come together to craft out such wonderful epic movie.  Kurosawa has fashioned another samurai masterpiece.

The Ruth rating:five bette's

The Devil and Miss Jones

The Devil and Miss Jones

mv5bmdm0mwyzzmmtmjy3nc00mwnlltg1mwytmmflnjawyje3yznlxkeyxkfqcgdeqxvymjuxode0mdy-_v1_-1

https://www.facebook.com/Wolffianclassicmoviesdigest

TODAY i talk about The Devil and Miss Jones. It is the screwball comedy classic that frankly stands among the classics. It stars one of my favorite actresses of the golden age Jean Arthur whom frank Capra called the gem of the screen.  It is a requested review by a friend on facebook named Mike Dirienzo. So thanks so much to him for this wonderful choice. so to begin this this review.

The Devil and Miss Jones review

J.P. Merrick (Charles Coburn) is a very rich and very grumpy department store owner. When his employees decide to start unionizing, hoping to get higher pay and better conditions in the workplace, he decides to take action to stop them. Determined to find and take down the union organizers, J.P. takes a job in his own store as a shoe salesman under the name of “Mr. Higgins.”  but soon finds their grievances are genuine through Miss Jones, Merrick’s co-worker and O’Brien’s girlfriend. Eventually, Merrick leads the fight for decent rights and also finds a girl of his own. (plot form goggle)

Sam Wood (Goodbye, Mr. Chips) directs 1941’s The Devil and Miss Jones, a romantic dramedy written by Norman Krasna (Indiscreet). Charles Coburn- jean Arthur-Robert Cummings and Spring Byington stars in this comedy classic with one of my favorite intros of any classic movie, The image of a good jean contrasted to the image of Charles Coburn as the devil is just such a delight to see.

Jean Arthur really shines wonderfully in her role. She makes the role as much driven by her very strong witty charming acting and her dramatic acting. She truly does give us among her finest of hours. It may be next to Mr. Smith Goes to Washington as one of her finest roles i ever seen her play on the screen.

Charles Coburn truly shines in his role. He starred alongside jean in a few movies each of them he always matches her greatly as he feels perfectly cast in each role. He is truly a wonderful actor that always feels so charming to watch on the screen. Robert Cummings may be very much the perfect Joe as he truly makes its feel very much like the every-man in the movie. He truly is wonderful in his respective role.

=

Spring Byington plays a truly wonderful role. Charles Coburn stands out. His character makes the greatest personal journey from disgruntled and closed-minded to happy and loving and willing to compromise as we see by end of the movie.  Jean Arthur is also a stand-out. She lights up the screen with her natural charm and bright personality.

The subplot of union’s organization drama drives the plot forward. It’s the sharp wit and charm of its cast that brings out the magic of this wonderful gem which in part is Sam Wood’s inspired direction that brings home the magic of this special comedy classic.This comedy has a moral depth to it that is a rarity in the genre of comedy.  Jean is truly the queen of dramedy. Frank Capra was right she was jewel indeed for all ages.  It is a must see for any one that loves a good screwball comedy or a movie lover as this movie will always delight you anytime you see it.

The Ruth rating:five bette's

Vivien Leigh and Laurence Olivier second annual Blogathon is here

Vivien Leigh and Laurence Olivier second annual Blogathon is here

https://www.facebook.com/Wolffianclassicmoviesdigest

14281350_1446062665408844_143645620_n

14256349_1446062902075487_1472933810_n 14218567_1446063002075477_1851074679_n

These banners below was created by the wonderful world of cinema. I would love to thank Virginie Pronovost form that blog so much for making them. She is one is one my close friends. I would say check out her wonderful blog if you can. I am very grateful for everyone that is taking part in honoring Vivien Leigh for her birthday.

14269566_1446063085408802_974072712_n

14256802_1446062748742169_289326239_n 

14193694_1446062808742163_264840786_n

Old Hollywood Films:Anna Karenina (1948)

The Wonderful World of Cinema:Vivien Leigh as Scarlett O’Hara: Movie History’s Most Iconic Character

La-exloxer 

Vivien Leigh was a petite classically trained legend of the silver screen.  She remains best-known for her two most successful screen roles as American Southern belles as i have been enchanted by her charms since I saw Vivien Leigh in gone with the wind. Her film career spanned 30 years yet she only starred in 19 films but each role showed us a different facet of her talent that talent earned her two academy award Her life with one of the greatest actors of the stage and screen made her the center of attention for millions. She had repeated illnesses in her lifetime. She still remains unknown to us even today. She said every role she played was a part of her real personality. Vivien Leigh was all of these elements and much more as she was such a wonderful actress of the stage and screen. So to honor her on her birthday with a Blogathon honoring both Vivien Leigh and Laurence Olivier for her birthday starting now. Check out posts of others taking part. So thankful everyone taking in the second annual event. So happy birthday to Vivien Leigh.