Tag Archives: noir

Deception

Deception Review

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bette-blogathon-5Today I talk about Bette Davis my favorite legend of all time and favorite actress all time as she remains the queen of acting in my eyes.I review Deception in honor of her upcoming birthday and the THE SECOND ANNUAL BETTE DAVIS BLOGATHON hosted by my dear friend Crystal Kalyana Pacey whom hosts this wonderful event and also runs the site in the good days of classic Hollywood.  I thank her kindly for hosting this wonderful event giving me a chance to review this wonderful classic gem in honor of the greatest legend of all time in my eyes.

p3069_p_v8_aaDeception review

Irving Rapper’s Deception reunited the three stars of Now Voyager together in this noir classic gem as they all shine together equally in this movie.  Deception”was based on a play which opens up this classic story in an unexpected way.  Bette Davis  plays Christine Radcliffe  whom believes that her fiance was killed on the battlefield when he returns, they decide to marry, but are threatened by a wealthy, egotistical composer the piano teacher started dating on the rebound after she became convinced her love.(.imdb plot bits mixed into it)  Bette davis really shines in this role as she plays  Christine Radcliffe like a tight glove as she is fast talking with the passion in her heart for the man she loves. She gives us one of her fine performances that truly shows how amazing this woman can be to melt into a caracter as you feel each mood is truly raw and real. Its a truly amazing performance by her.  Claude Rains plays the egotistical composer who is afraid to lose his own creation in a very remarkable performance. Paul Henried gives an amazing performance as karel the European cellist madly in love with Christine who thought he lost his love forever as he plays it so very well. Its a well acted classic with very great performance by its cast. Irving Rapper’s direction is very good and gives us a very good classic. Ernest Haller’s cinematography enhances all we see on the screen as each performance and shot is captured so greatly by one of the greatest of the era. Erich Wolfgang Korngold’s music is probably the film’s chief asset and it probably sounded superb over the monophonic sound systems when this film was released as this soundtrack is one of the finest of its time. Deception is end of an era for Bette Davis of her Warner Brothers films as she would later return in all about eve. Deception is a classic that everyone should see today as its truly a classic gem that shows Bette Davis at her finest hour whom would later return in all about eve to give one of her finest hours on the screen. You simply should watch this classic gem today

The ruth rating:

The Damned Don’t Cry!

Today I talk about Joan Crawford in a review of the damned don’t cry whom went  Form silent movie legend to camp queen. Joan Crawford and her astonishing 45-year film career is the stuff of a Gatsby-esque legend of survival and reinvention. Simultaneously glorious, tragic, tawdry, and hype-filled, her story is the very embodiment of the real version of the American Dream. She is without a doubt one of the legends of the silver screen. so to review this classic movie today that may be one of her best movies all time.

The Damned Don’t Cry! review

Joan Crawford scores again in the role of weary housewife living at the edge of the Texas oil fields. When her young son is killed in a bicycle accident, she leaves her laborer husband Roy (Richard Egan) for the big city. In this Warner bros noir classic Joan Crawford shines in her role that is one of her movies under their banner.

The Damned Don’t Cry” is directed by Vincent Sherman whom crafts out a noir that is a tale of ambition, murder and betrayal in which Joan Crawford plays the the role of an ambitious woman from the working class that finds social ascension in the men’s world using her glamour and different lovers. The dammed dont cry is  based upon the story of  the mysterious Virginia Hill that belonged to the upper-class and her lover Bugsy Segall whom was one of the most infamous gangsters of the 1940’s.

This noir classic was very intelligently written and deserves more attention as one of the better Film Noir classics with Vincent Sherman directing and crafting out a very amazing noir classic that tells such a very layered story of life’s twists and turns with such rich and sappy  dialog and betrayals instantly turn this noir classic into a must see for any lover of noir.

Joan Crawford gives us a very amazing character that truly is a rich and complex woman that feels layered and deep with many scars and personal goals of her own. Joan Crawford delivers one of her best roles on the screen in my eyes as you see her not play this role sappy but very raw and deep with many sharp lines of dialog in her performance as one of her finest on the screen. David Brian and Kent Smith both give us such fine acting that makes them feel right at home with the tough Joan. Morris Ankrum truly gives us one amazing performance as the father of her. It’s really such wonderful acting by everyone.

This is a slick, fast-moving noir with a strong cast that gives out remarkable acting and a very wonderful direction by  Vincent Sherman and will keep the viewer involved and thrill you throughout this classic noir gem.

The ruth rating:

Kurosawa noir

Kurosawa noir

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2014-10-08

Today I talk about Akira Kurosawa again in my third follow up article to my throne of blood review. Akira Kurosawa directed 30 films in a career spanning 57 years. In the third part of this collective series of tributes about Akira Kurosawa I talk about the noir classics of Akira Kurosawa. so to end my tribute series to this master by talking these wonderful classics.

Drunken Angel reviewdrunk-angel

The chaotic worlds of the Japanese Mafia (Yakuza) and an alcoholic doctor collide in this film noir classic from Akira Kurosawa. Gangster Toshiro Mifune visits doctor Takashi Shimura, after an unfortunate incident with a bullet. The doctor, who despises the Yakuza, discovers the young man is suffering from tuberculosis, a disease symbolic of what is happening to the doctor and the community he serves. Facing his own anger and fear, the doctor aligns himself with the gangster’s world.(goggle plot)

Drunken Angel is one of the most important of Kurosawa’s films for several reasons. It was the first film that Kurosawa had complete control over the movie form start to finish. Toshiro Mifune starts his work with Kurosawa here as he gives us such a powerful performance as Doctor Takashi Shimura whom has do work for the Yakuza whom he hates. Drunken Angel is essentially a lament for the state of post-war Japanese society It’s a very wonderful noir classic that does really deal with the darker end of Japanese society its mob world along with such powerful acting by the cast and a wonderful direction by Kurosawa it is a really a moving and gripping noir classic you should see today.

The Ruth Rating:five bette's

high and low reviewp41474_p_v8_aa

High and Low was adapted from the American novel King’s Ransom by Ed McBain. Kurosawa takes this classic tale reworks to Japan. It is an outstanding detective film. The film is a fascinating portrait of ’60’s Japan. Kurosawa makes it into a meditation on honor and decency how one’s traits can take you to heaven or hell. Toshirô Mifune plays one of his most outstanding performances all time. The wonderful acting by everyone in the cast really makes this movie something truly that works on so many levels. High And Low particularly stands out from the others of his many works as its truly a wonderful drama with such wonderfully shot camera work. High And Low is truly an outstanding classic.

The Ruth Rating:five bette's

The bad sleep well review

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In this loose adaptation of “Hamlet,” illegitimate son Kôichi Nishi (Toshirô Mifune) climbs to a high position within a Japanese corporation and marries the crippled daughter (Kyôko Kagawa) of company vice president Iwabuchi (Masayuki Mori). At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi’s father. It is then that Nishi unleashes his plan to avenge his father’s death.(goggle plot)

Seven Sumarai and Rashomon are wonderful Kurasawa flicks too few people know of his other outstanding works. One of the best examples of this is this movie. The Bad Sleep Well is extremely well-written and acted by everyone in the cast. The bad sleep well is the forgotten gem of the master as its truly a gem with wonderful rich acting and direction and camera work. It’s a masterpiece that you should see today.

The Ruth Rating:five bette's

Stray Dog review

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Stray Dog is a 1949 Japanese police procedural film noir directed by Akira Kurosawa and starring Toshiro Mifune and Takashi Shimura. The film is considered a precursor to the contemporary police procedural and buddy cop film genres. (goggle info)

STRAY DOG stands as one of Akira Kurosawa’s masterpieces. Noteworthy for two reasons the rich American noir style with such rich b&w atmosphere that really feels at home in American noir enhanced with a touch of Italian neo-realism. It also stars a young Toshiro Mifune whom gives out such a fine performance. The acting of everyone is outstanding with wonderful direction and a wonderful story makes this a true classic noir gem. The meeting of American noir with Japan culture really does work great in this classic. Stray Dog is a masterpiece of noir that truly stands among the classics of the genre that one should see today.

The Ruth Rating:five bette's

 I hope you enjoyed my three tribute articles honoring Akira Kurosawa. He remains one of the finest directors that ever graced the screen. So thanks for joining again for another article honoring this master. He truly remains one of my favorite directors of movies. I truly adore the works of Akira Kurosawa. Thanks for joining in honoring this master.

Cinematography of the third man

Cinematography of the third man

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31-days

TODAY i talk about The Cinematography of the third man with an in-depth review that breaks down this classic gem for 31 Days of Oscar Blogathon as today for the crafts part of 31 Days of Oscar Blogathon as Its Oscars talk time again. Today as part of 31 Days of Oscar Blogathon which is hosted by Once Upon a Screen,Outspoken and Freckled and Paula’s Cinema Club. Thanks to the wonderful hosts for today’s event and check out others form this event.

The Third Man (1949) Opening shots. 

Similar to other international noir genres, British film noir hardly fits the rigid categorical definition of noir based on Hollywood films. It does, however, contain many of the conventions and traits of Hollywood film noir such as a focus on the underworld of society, base emotions, and melodramatic events that portray an unjust and often cruel world. Carol Reed’s The Third Man (1949) may be stand among the greatest movies ever made and it does rank almost among top British films ever made.

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The third man follows  an idealistic American writer of Westerns as he arrives in the corrupted, disparaged city of post-WWII Vienna, Austria, which has been divvied into four sections: French, Russian, British, and American.  Holly Martins (Joseph Cotten) is an innocent, in some ways a clod, as he blindly follows a mystery, however dangerous, until its ultimate conclusion at the end. 

The third man has many key layers that it shares with american noir that may be a common thread of both ends of the great pond as its use of shadows and lighting really does also play a huge role into the movie.  A focus on the underworld of society of  Vienna, Austria. The base emotions, and melodramatic events that portray an unjust and often cruel world of post war  Vienna, Austria which is divided after the second world war into four zones French, Russian, British, and American.  Plot:Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime.

The third man is probably the greatest British thriller of the postwar by director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna which is far removed from the image of the rollicking erotic’s of Ernst Lubitsch or the wistful elegance and melancholy beauty of Max Ophüls. This Vienna is a movie milieu that really is vastly different form Curtiz’s Casablanca or Sternberg’s Morocco as it is unlike them, it is primarily the real Vienna, It is the real raw streets of the rubble and look of the bleak city after the second world war. The third man is shot by Reed and cameraman Robert Krasker in such a striking style which captures the city of Vienna. The camera work of Robert Krasker shot the movie in off-angle compositions and wide-angle lens distortions along that really does give some shots that really does feel striking to see unfold on the screen.

As you see in this scene above you see One of the many great Dutch-angled shots in The Third Man (1949) as truly it is giving you an oddball look at the city in a striking style.These striking camera shots really work to capture the raw city. The macabre landscape with the outstanding camerawork captures the city with  Anton Karas’ legendary zither score as the tale unwinds on the screen.

Two symbolic settings of the movie is a Ferris wheel towering above the city, and the shadowy chaos of the sewers. Holly comes face to face with the supreme evil, the supreme betrayal: both Harry’s and his own. The two settings play key part into that ultimate end. This is one element of the third man that vastly does tell you about how the raw core of the depths that harry faces into what some call his trip down a rabbit hole. Its two settings tell the viewer this idea as key part of its shots. This what the symbolic settings tell us all about the journey of the movie to its end.

Which ends as Anna walks down road as he looks upon her as farewell to her as he knows she is still in love with a killer and he must follow her down into that place as her love is misplaced and misguided. It’s her way as she must find her back to the light. The symbolic nature of the ending and the movie really does bring to light the nature of what we feel as descend into our chaotic worlds often.

Don’t be so gloomy. After all it’s not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? The cuckoo clock. So long Holly.

 

Harry Lime: Nobody thinks in terms of human beings. Governments don’t. Why should we? They talk about the people and the proletariat, I talk about the suckers and the mugs – it’s the same thing. They have their five-year plans, so have I.
Martins: You used to believe in God. Harry Lime: Oh, I still do believe in God, old man. I believe in God and Mercy and all that. But the dead are happier dead. They don’t miss much here, poor devils.

Both these great quotes by Orson Welles really address the nature of our world in a collective darkness about how we think about governments in truth and how we believe in a god. It’s a collective reflection that really does feel at home in the third man as the city of Vienna afterwards of world war II. As quoted often noir is a reflection of how America and the world felt afterward of the second world war. So we see this collective expressions of its scenes and many quotes in this wonderful gem of a movie.

Joseph Cotten was not  carol Reed’s first choice for Martins; the director preferred Cary Grant, or even Jimmy Stewart but he ended up with Joseph Cotten. Joseph Cotten really gives us one fine performance as we see him really play wonderfully as he gives Martins the necessary dumfounded ignorance toward Vienna the role requires to really give us a caracter that is taking into this wild trip down a rabbit hole. He truly nails home this performance.

Orson Welles plays the elusive Harry Lime whom is one of the best villains ever put to the screen even for his limited time on screen as he plays one very convincing villain. Orson Welles was considered to be overshadowing the production of the third man. He kinda does even overshadow the director in many ways as many more recall him then carol reed. Its truly one amazing performance.

Alida Valli gives us a very convincing performance as Anna Schmidt. Its her very subtitle performance as the girlfriend. She really has a very key role into comforting holly Martin but she ends up in the twisted web herself as she has many secrets hidden away about herself. She wonderfully plays the role in a very wonderful performance that really nails home another outstanding role for this movie.

Trevor Howard wonderfully plays the role of Maj. Calloway. He leads down the chase as we see him and the other cops chasing down holly martin in one of the most infamous scenes of the movie.  We truly see him give such an amazing performance in this wonderfully crafted role.

Bernard Lee as Sgt. Paine really gives us one wonderfully outstanding role as we see him really play this role wonderfully as this wonderful actor of range gives us such a good role on the screen. Everyone else in the cast gives us such outstanding role even the smaller and lesser role as each give us such raw depth to their performances making them really all work to bring to life this world  on the screen. 

Carol Reed and his Academy Award-winning cinematographer, Robert Kraske devised an outstanding cinematography. It shows a world out of joint in chaos that creates unforgettable visual style.   fantastic oblique angles. Wide-angle lenses distort faces and locations. And the bizarre lighting makes the city into an expressionist nightmare. During a stakeout for Lime, a little balloon man wanders onto the scene, and his shadow is a monster as he towers over others as we really believe he is towering and overshadowing everyone. Vienna in “The Third Man is unforgettable as they come as its striking and contrasted form the lovely image we normally see of cities in movies.  This is a striking and wonderfully crafted movie form reel one to its end.

Carol Reed’s tight direction really does come to life with Academy Award-winning cinematographer, Robert Kraske as both of them craft out such a layered expressionist nightmare with such wonderful writing by Graham Greene with each cast member bringing home the lines of the screenplay in its depth and raw and giving more to each performance. We have a very wonderful performance by orison Welles whom overshadows the cast in light. We have a wonderfully rich acting job by Joseph Cotten whom gives us one amazing performance. We have a wonderful roles by Alida Valli and Bernard Lee and Trevor Howard each of whom give us first class acting. Its acting as directed by the wonderfully pitch director carol reed really brings out such rich and complex roles for the cast as we see them all nailing home such wonderful performances with wonderful music by Anton Karas as who can forget the theme of the third man. Its truly an artwork of direction and craft by carol reed.

Of the many movies this one most completely embodies the romance of going to the movies. I saw first form a Blu-ray copy at home as it really captured me truly form the first moment of the movie to its end.  It told a story of existential loss and betrayal. It was weary and knowing, and its glorious style was an act of defiance against the corrupt world it pictured. The Third Man remains one of the finest movies ever crafted to the screen form its wonderful direction to its very wonderful screenplay to its rich and striking  cinematography to its wonderful acting. It’s truly a milestone of movies that hails among the best movies ever made for the screen. It ranks among top British films all time and among the best lists of movies by many lovers of movies worldwide. This is one outstanding classic you should see today.

The Ruth rating:five bette's

Dark Passage

So today I am honoring Agnes Moorehead, the renowned character actress, who is best remembered for her role as Endora for THE AGNES MOOREHEAD BLOGATHON hosted by my dear friend  Crystal form IN THE GOOD OLD DAYS OF CLASSIC HOLLYWOOD. Thanks to her for hosting this wonderful BLOGATHON.  I would suggest you check out other posts for this BLOGATHON. So today I review dark passage for AGNES MOOREHEAD’s birthday. 

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Dark passage review

Bogart plays a man convicted of murdering his wife who escapes from prison in order to prove his innocence. Bogart finds that his features are too well known, and is forced to seek some illicit backroom plastic surgery. The entire pre-knife part of the film is shot from a Bogart’s-eye-view, with us seeing the fugitive for the first time as he starts to recuperate from the operation in the apartment of a sympathetic young artist (played by Bacall) for whom he soon finds affection. But what he’s really after is revenge.(story off web)

Dark Passage offers a different take on the San Francisco noir genre as its lead is hardly seen in its first half of the movie. Delmer Daves, adapting the David Goodis novel has created something seldom seen in this type of films, in which, the hero’s presence is required at all times.

The film has a great look to it as it captures a view of the San Francisco of the 1940s in ways that hadn’t been seen before on the screen. It’s a stark difference form many noir classics. This film hooks you from the start with its book like opening that truly feels like it is out of a noir book of that era.

Sidney Hickox’s stylish cinematography is one of the best assets of the film as it truly captures the city by the bay in such a magical way. The mood is set by the swing music of the time as Frank Waxman’s score as its truly a jazzy soundtrack that feels right at home as its great swing music that does truly sound so wonderful. This is one fine soundtrack.

Humphrey Bogart dominates the movie in his truly wonderful role that was Oscar worthy as he truly isn’t seen until hour in movie it is a wonderful as it speaks volumes about how the actor and director speak out this wonderful performance. m. Ms. Bacall’s radiant beauty dominates every scene she is in. This actress had such a style that no matter what she is doing, she pulls our attention to her as she truly gives one wonderful performance. Agnes Moorehead makes a phenomenal appearance as the evil Madge Rapf as truly she gives one wonderful performance. Her last scene with Mr. Bogart stands as one of the best moments in a film noir of the era. This is one of a kind in noir as its truly a movie that is a very special classic that is one of the finest noir classics ever made.

The Ruth rating:five bette's

A very happy birthday to Agnes Moorehead. I loved to talk about one of her fine roles on screen. So i am wishing her a very happy birthday.

Vertigo:A tale of obsession

Vertigo:A tale of obsession                                  https://www.facebook.com/Wolffianclassicmoviesdigestvertigo-alfred-hitchcock-865414_1024_768Alfred Hitchcock’s VERTIGO is a movie that a film which functions on multiple levels simultaneously. One of the many movies that Hitchcock did in his lifetime was vertigo. It was not considered much of a masterpiece at the time. Vertigo is often considered Hitchcock’s most personal and emotional and complex of his movies. It is a tale of obsession that is Hitchcock’s best movie to my eyes.

The opening shot of vertigo has a woman’s lips then an eye as it’s a close up of a human eye as its A spinning hypnotic shape emerges from the eye with hypnotic music tells people they are about to be transported into another world. Scottie(James Stewart) is chasing down someone on a rooftop as it results in death of a policeman which leads to his retirement form the police force. detective John “Scottie” Ferguson retires. Scottie tries to conquer his fear, but his friend and ex-fiancée Midge Wood says that another severe emotional shock may be the only cure as he is trying to overcome his fear of vertigo form his last time as a detective. Its starts off this classic movie of obsession Scottie is asked to follow Madeleine(Kim Novak). This starts off the classic tale of vertigo.

Vertigo is a tale of two halves. It starts out as a ghost story as Once the prologue has introduced us to Ferguson’s fear of heights we start to enter into a dreamlike begining as we have Scottie tailing down Madeleine whom is convinced she is a reincarnation of Carlotta Valdes her grandmother. He follows her to a florist then to the the Mission San Francisco de Asís and the grave of Carlotta Valdes, and to an art museum where she gazes at the Portrait of Carlotta. He watches her enter the McKittrick Hotel, but on investigation she does not seem to be there as she is staring into space as she seems out of it. She truly does seem like she is in a daze. The next day we learn that it is believed she is possessed by Carlotta Valdes whom tragically committed suicide.

She is saved by Scottie at far point. It’s when they kiss at his apartment then the next day we see him and her hang out falling to her death. It then begins a tale of obsession as the film shifts into darker territory. As Scottie really does seem obsessed with her as he is visiting spots she visited as one day he meets he One day, he notices a woman who reminds him of Madeleine, despite her different appearance.

Scottie follows her and she identifies herself as Judy Barton, from Salina, Kansas. A flashback reveals her as Madeleine Elster as part of a murder plot. Gavin had deliberately taken advantage of Scottie’s acrophobia to substitute his wife’s freshly killed body in the apparent “suicide jump”. But Judy rips up the letter and continues the charade, because she loves Scottie. Scottie remains obsessed with Madeleine often having her dress as Madeleine to change clothes to please Scottie and his obsession. Hoping they find happiness together. She then wears the necklace as he insists she recreates the events at the mission as she is pushed off to her death again in a repeat of events. Its a tale of obsession that has nods to Dante’s inferno and feverish dreams take control with many different notions of color being played upon in its feverish dreamlike manner. It is a tale of obsession with an spine tingling ending. It’s a wonderful journey that Hitchcock and its crew took us upon in this classic gem.

Vertigo is a magnificent form the opening credits to its ending. Saul Bass’s title prepares us brilliantly for the movie which is about to unfold upon us. Bernard Herrmann’s musical score as the music is probably more important here than in most films, let alone most Hitchcock films. Because for most of the first half of the film and a great deal of the second half, it is without dialogue. In fact Kim Novak does not have a spoken line until about 48 minutes into the little more than 2 hour feature. She’s under James Stewart’s surveillance and the whole story of his growing obsession with her is told through his facial expressions and through Bernard Herrmann’s music. Bernard Herrmann’s score perfectly captures each mood of the movie as it elements of each part of this movie is captured wonderfully by Bernard Herman’s score if u turn off voice channel and watch it silent you will be amazed at how much it tells the story alone. The scene where the music helps with the flashes of green to reveal a girl of the past truly captures such a moment that reveals a truth. The musical score of Bernard Herrmann may be among his finest ever crafted.

The Cinematography by Robert Burks is one of the finest ever crafted to film as it captures San Francisco as it richly captures the city in such richness and depth. There is color filters that does many tricks such the changing of colors on many scenes in a feverish way is part of this movie. Its richly deep and dreamlike cinematography which richly captures the city in all its glory and beauty as the city by the bay never looked more lovely then it’s being shot in this movie. The famous zooming-in, dollying-out technique and an animated dream sequence. The dazzling imagery could be seen as prefiguring the influence of psychedelia a decade later, although really it is perhaps only the logical extension of the German Expressionist style. It’s only really an updated version of the superimposing of images and casting of shadows in films by Fritz Lang and FW Murnau and many noir classics before this movie coming into a modern feel. or this reason Hitchcock could be called one of the truest heirs of the German Expressionist movement, and not just for the psychological angle. It’s one of the best psychological thrillers ever crafted out on screen.

Jimmy Stewart gives a terrific performance in the role of Scottie a man recognizing his own limits, suffering by his acrophobia as When he is given the chance to pursue this enigmatic woman it give his life a new meaning. It’s such wonderful role that really does nail home an an accurate portrait of an annoyed human being searching for the unattainable. He is a pragmatic man dealing with events in the light of his intuition. I would say this performance is such a fine performance by such a wonderful actor. Kim Novak is so delicate as Madeleine as she gives us a fine perfomance as the defining Hitchcock blonde. This is truly a wonderful performance. The acting is top notch by everyone in the cast as they give such fine performances.

The direction by Hitchcock is truly a wonder. He crafted out one of the finest thrillers all time with such a tale that has so many layers and depths to it. It is Hitchcock’s finest directed and crafted out movie as he truly made this one of his most personal ever crafted out for screen with wonderful actors to match his wonderful direction. This to me is hitch’s finest movie he ever directed on the screen.

Jimmy Stewart plays the biggest anti-hero of his career and Kim Novak whose stunning beauty and exceptional personalities shine through this dark film. Barbara Bel Geddes provides great support as well. Everything about this film truly is marvelous form its cinematography, the story, the depth,acting,music all coming together to make this wonderfully crafted out marvel of a movie that stands among the best movies of all time. Vertigo is a masterpiece.

The Ruth Rating:five bette's

 

The Maltese Falcon

The Maltese Falcon Review 

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In this noir classic, detective Sam Spade (Humphrey Bogart) gets more than he bargained for when he takes a case brought to him by a beautiful but secretive woman (Mary Astor). As soon as Miss Wonderly shows up, trouble follows as Sam’s partner is murdered and Sam is accosted by a man (Peter Lorre) demanding he locate a valuable statuette. Sam, entangled in a dangerous web of crime and intrigue, soon realizes he must find the one thing they all seem to want: the bejeweled Maltese falcon.(goggle plot)

The Maltese Falcon’ is the granddaddy of the modern detective movie as its the debut of John Huston as a flim director along with it made Humphrey Bogart a star as its based upon a Dashiell Hammett’s novel as this movie is a groundbreaking crime drama.

Samuel Spade played by Humphrey Bogart is what we call the classic detective of noir as he truly crafts out a wonderful role as he brought to life on the screen a new type of hardboiled detective who was destined to become the template for a whole succession of others who would appear in numerous films noirs particularly in the 1940s and 1950s.Peter Lorre’s Joel Cairo was a resolute picture of classic villainy as truly nails home such a wonderfully crafted out role. He plays the role with such a cool charm and wit that brings to life a Dashiell Hammett character in a way that really does bring out such a collective charm as he does such a wonderful role. Mary Astor truly is wonderful in her role as Brigid O’Shaughnessy is a striking picture of feminine deceit and betrayal. She is a confirmed liar whom can be just as deadly as she is beautiful as she can make love to Bogart’s character one mine then almost kill him the next. Her performance is surely one of the screens finest ever crafted as she really brings home this complex dame to the screen.

The screenplay by John Huston wonderfully crafts out a wonderful screenplay as its one of the finest noir classics all time. The plot of this movie takes the novel of the same name to screen with impressively written dialog and dark humor that is delivers wonderful acting of this sharp screenplay. The direction of this movie is wonderful for a debut of a director with wonderful cinematography. The The film’s high contrast B&W lighting renders an effective noir look and feel that would be copied for ages to come. This the prime directive classic that set the bar for noir to come.

The characters are complex. The acting is just wonderful. The screenplay brings novel to screen with perfection. The direction truly is outstanding. The cinematography is wonderful. The dialogue is wonderfully crafted out for each scene. This is a classic that takes a classic novel bringing it to screen with such charm that it makes it one of the finest book to movies ever crafted out on the screen. This is a classic movie that you should watch today.

The Ruth Rating:five bette's