Selznick’s jewel

Selznick’s jewel


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So today I talk about Joan Fontaine for the Joan Fontaine CENTENARY  BLOGATHON as I review born to be bad n other movies starring this lovely legend of the screen for my friends event as two of them host this BLOGATHON as my friend Crystal from good old days in Hollywood and my other friend Virginie from the wonderful world of cinema both host this wonderful BLOGATHON as it’s in honor of what would have been her 100th birthday. If you want to check out other posts from this BLOGATHON you can check them out at Virginie’s blog and Crystal’s blog as they both host it for her CENTENARY BLOGATHON. Let’s begin by kicking off her CENTENARY honors by paying tribute to Joan Fontaine with my movie reviews honoring her now.

Rebecca review

Rebecca is one of the finest psychological thrillers of its or any other time. Rebecca is an expertly crafted Gothic tale by Alfred Hitchcock that tells the story of a woman who’s constantly haunted by the presence & reputation of her husband’s first wife, Rebecca.  When she moves to his large country estate and finds herself constantly in clash with the housekeeper, Mrs. Danvers, who was extremely fond of Rebecca.

Alfred Hitchcock is a master crafting out thrillers as this Gothic thriller was Hitchcock’s frist foray into  Gothic horror with this movie really set the bars high for Hitchcock as he truly makes one hell of a thriller that is so captivating to watch form scene one to its ending.   Lawrence Olivier plays one amazing role as Maxim’ de Winter that is truly one amazing performance of an actor playing such a broken man in such a wonderful way. Joan Fontaine  plays an amazing role as the new wife of Maxim’ de Winter.  Joan Fontaine plays Mrs. de Winter. She plays one amazing performance that made her a legend for years to come. The acting of everyone else is outstanding as always.  Rebecca is not a typical Hitchcock film by any means as he crafts out a Gothic masterpiece.

The Ruth rating:

Suspicion review

Suspicion is a classic Hitchcock thriller from 1941 is another  thrilling mystery from the master of suspense. Hitchcock gave us some of the finest thrillers as this classic stands among them.  Cary Grant plays a dam fine role as he is truly delightful playing againist type in this role.  Joan Fontaine plays one wonderful role that is one of her finest performances but not as Rebecca yet she still is truly amazing in this role.

Suspicion contains a few Hitchcock motifs: crashing waves, a person teetering on the edge of a very great height, someone who happens to be desperately in love. Joan Fontaine is outfitted in excellent outfits that truly are outstanding as always that i really adore. Suspicion is one of the most watchable of his lesser known classics as its truly another wonderful thriller you should see.

The Ruth rating:

 

Jane Eyre review

Charlotte Bronte’s novel, Jane Eyre is by far one of the great classics of all time as this classic version may be one of the finest versions of this tale on the screen. German Expressionism meets old English Gothic which Under Robert Stevenson’s direction Fontaine/Welles seem to capture the essence of two abused outsiders resisting their attraction for one another, trying to adhere to convention of society. It’s probably one of the best classics in its score alone as Bernard Herrmann’s  haunting score may be one of the finest of the golden age.  Orson Welles plays a great role as Rochester.

Joan Fontaine as the adult Jane is very good as she gives another outstanding power house performance. This classic movie has very outstanding acting with many outstanding actors in its cast with some some excellent casting, including Agnes Moorehead as Jane’s mean-spirited aunt, the icy Henry Daniell as Brocklehurst, and a young Elizabeth Taylor as Jane’s school friend Helen. The entire cast of cast of actors all give out wonderful performances that all stand out among the classics of golden age.

The look of the film is perhaps the most memorable component of all. This seems to be an unusual production for Fox Studios, who at that time were producing mainly film noir and contemporary-themed subject matter. JANE EYRE invokes incredible atmosphere that may be simply some of best of the golden age. I wonder if David Lean was influenced by this film in his decision to make his famous Dickens production GREAT EXPECTATIONS, later followed by OLIVER TWIST as this truly is one outstanding classic that i simply say you should see today.

The Ruth rating:

Letter from an Unknown Woman review

Letter from an Unknown Woman truly is a very heartbreaking love story. Max Ophuls was an exceptionally good director, best recalled for “Le Ronde”, “The Earings of Madame D”, “Lola Montez and this wonderful film. He could capture the charm of the Europe of the 19th Century but he was realistic enough to admit two things: the social system was hardly fair with its layers of classes and their appointed rankings, and love was glorious, but ephemeral. It is hard to select his best movie.

Letter from an Unknown Woman may be my favorite among his movies as i truly adore love stories this one really sets the bar high for that type of tale. It is the intoxicatingly bittersweet tale of the obsessive love a young girl (Joan Fontaine) develops for a roguish pianist (Louis Jordan) that love goes through their life. Joan Fontaine plays this role with such range and depth to her craft and skill come through the role that this role may be her finest hour on the screen. Louis Jordan gives out such a great performance that is truly wonderful that may be his best hour on the screen. This movie is a wonderful melodrama about lost love and admitting that when the right love comes, we can only be so naive and captivated by the beauty of it as this movie is a true classic with such wonderful acting and direction that truly is one of best melodramas ever put to the screen.

The Ruth rating:

born to be bad review

Born to be Bad’is a great melodrama from 1950 directed by Nicholas Ray. It is Generally considered to be a lesser Nicholas Ray yet i found this one to be one outstanding  work by him. Joan Fontaine is lovably despicable Christabel as she plays a manipulative young lady who goes out of her way to make all things in life go her way disregarding the effects that has on anyone else’s well being in the process as what she wants she gets. Robert Ryan plays a wonderful role that share many one wonderful one liners. He is truly giving us an amazing performance. Zachary Scott is very good in this movie. Joan Leslie gives out a good performance.

What is truly Fascinating to watch Joan play against type as Christabel as the actresses natural sweetness here contextualized as pure ruthless artifice as she smarms her way to the top it really is one of the stand outs of this movie. 

Joan Fontaine really makes the show as she plays this ruthless dame that you believe no one else is born to be this bad like her.  Ray’s cinematic language to convey tones which the code forbids is again at play in this movie in many ways. Its truly a wonderful classic with such a wonderful cast and direction but its the performance of Joan Fontaine  that steals the show as she is truly born to be bad. Born to be bad truly may be one fine classic movie that stands among the best of golden age that you should see.

The Ruth rating:

Joan Fontaine: one of a kind legend(parts of info form tcm.com)

The younger sister of actress Olivia de Havilland, Joan Fontaine is known for her exceptionally poised performances in Hollywood films of the 1940s and 1950s as she managed to always make each performance better than last performance. “Born to Be Bad may be her finest hour as she plays a role against type that may make it truly stand out as no one is born to be bad like our Joan Fontaine. Fontaine excelled at numerous hobbies and pursuits in her private life. She studied cooking at the Cordon Bleu School, earned her pilot’s license, was an expert golfer and fisherman, and won a championship as a member of a hot air ballooning team. In 1978, she published her autobiography, titled No Bed of Roses which detailed the infamous de Havilland blood feud that had lasted their entire lives. She was truly an outstanding legend that excelled at many things in her life as she truly remains one of our finest legends ever on the screen. I hope you enjoyed my tribute to her today for The Joan Fontaine CENTENARY BLOGATHON.

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baby driver:classic connections

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So today I talk about baby driver in a rare modern day review and look upon its many references to the past of movies.I adore so many classic movies as baby driver stands among classic heist movies all time as its truly a wonderful movie that is gonna be a lasting classic for the ages.  

baby driver:classic connections

How The Umbrellas of Cherbourg connects to baby driver?the musical beats(beat one)

The Umbrellas of Cherbourg is truly a musical in every sense of the word as every frame of the movie is a musical as every line of dialogue is sung as that seems very novel its a very stylish movie invention for its time as filmed in lovely color of the 1950’s and 1960’s. The actors are not singers as they do seem more real and grounded as There is none of the showboating of the big Hollywood musicals of the era as they speak it like you would every day each lyric of the movie. The Umbrellas of Cherbourg is fully of beautiful melodies and musical lines but there is no delineation between separate songs. Instead it is one continuous musical experience as Demy and composer Michel LeGrand sat at a piano writing the screenplay out page by page as each line has written notes added to the line. In an interview, LeGrand admitted to struggling through the process as a key a bit of inspiration when they translated the natural timbre of the spoken line for a scene, keeping the same rhythmic melody. It’s a classic tale about young love, loss, and the path that life leads you down which can take you off that love. It’s a classic tale as old as time itself. You loved baby driver you will adore this movie so much.

How Larceny, Inc connects to baby driver?Its a heist comedy classic with mobsters(Beat two)

A gangster comedy starring Edward G. Robinson’s as its playing on his image of a gangster as it’s a spoof of the 1930’s gangster comedies. The humor marries physical gags to some cute word play which makes it even more fun to watch it. It all sparkles due to the talents of an all-star cast of character actors that give us such wonderful acting as they all shine in their roles as they bring to life this collection of fast talking con-artists. This is a truly fun classic gem that you will adore if you love baby driver.

How does gun crazy connect to baby driver?well its a classic crime movie.  (Beat Three)

Peggy Cummins is The epitome of the bad dame as she truly gives us something truly special as she is perfectly cast in the role as this British legend really shines in gun crazy. John Dall truly is amazing in his role. It’s one interesting pairing as both truly embody a perfect pairing in acting. This movie has many great things such as its wonderful cinematography and its wonderful camera work as it feels just as wonderful and up there with many great noir classics. It’s truly a gem you should watch today if you loved baby driver.

How does  Criss cross connect to baby driver?well its a classic crime movie.  (Beat Four)

This is a vividly emotional heist thriller that the betrayals of the heart rarely feel this raw and real as its scarring and the sexual tension is off the charts. We sympathize with Burt Lancaster falling hard for Yvonne DeCarlo as we can get why he loves her so much and unable move on without her as she is a conflicted femme fatale. Noir is at its best when making it painfully clear that there is no future for the doomed couples in these films as this classic shows us the best of noir you will enjoy it anytime even if you loved baby driver.

How does How to Steal a Million connect to baby driver?well its a romantic heist comedy(Beat Five)

Directed by William Wyler, How to Steal a Million presents a terrific opportunity to watch Peter O’Toole and Audrey Hepburn spar in a romantic heist comedy that sparkles with their wit off each other as its truly fun movie with a very wonderful acting by everyone in its cast. In the climactic heist sequence, Wyler has a lot of fun. How to Steal a Million truly may be one very funny movie that sparkles that you should see today if even loved baby driver.

How does the ladykillers connect to baby driver?well its a crime comedy classic. (Beat Six)

The Ladykillers is a brilliant crime comedy from the 50s. The ladykillers, a band of criminals, all with distinct appearances and personalities, and an old lady make this movie much more fun as each truly has a wit and charm unlike anything else with such wonderful acting by everyone. You will adore this movie if you love baby driver.

How does The Asphalt Jungle (1950) connect to baby driver?its a crime drama. (Beat seven)

A John Huston film disguised as a heist film when its true strength is its character driven plot with such very good dramatic moments with good acting. It’s a very fun classic movie that instantly you will adore if you love baby driver.

How does The Lavender Hill Mob (1951) connect to baby driver? It’s a crime caper(Beat eight)

An Ealing crime comedy that sparkles with such wonderful acting and charm that is Eighty minutes of cinematic perfection as it’s so very wonderfully acted with such good wit and charm it’s a classic you will adore if you love baby driver.

How does the driver connect to baby driver? Well it is a classic heist movie.(Beat nine)

This is a classic car chase movie with similarities between this and Nicolas Winding-Refn’s Drive shine through in the depiction of their central characters. Both place men of few words as the central figure it’s very low on talk yet very much a very fun car chase flim that you will adore if you love baby driver.

How does Le Samourai (1967) connect to baby driver? It’s a classic Mystery/Crime film. (Beat Ten)

Jean-Pierre Melville’s Le Samourai is the cinematic embodiment of cool. This film is unlike any Hollywood action treatment of a hitman in that it every single movement is treated like a precious gemstone. Alain Delon plays a double crossed assassin who stays one step ahead of the law in what becomes a very smart cat and mouse plot. Melville’s exact direction is a joy to behold, never wasting a line of dialogue nor a single frame. This is film-making at its leanest, trimming off any hint of excess with such fine acting makes this a gem you will simply adore if you love baby driver.

How does True romance connect to baby driver? It is a classic love story(Beat eleven)

True Romance is one of those few movies with everything you need in a movie: Action, romance, drama and brilliant acting that is a throwback to the old ‘lovers on the run’ formula yet it is so good and wonderful with such rich wit and charm that you will simply adore it if you loved baby driver.

How does The French connection connect to baby driver? It is a classic heist movie(Beat twelve)

The French Connection is an excellent movie in every way. Gene Hackman stars in this wonderful movie. The French Connection is an intense character-study that you if you adore baby driver you will love this wonderful movie.

How does baby driver connect to Rififi? It is a crime film. (Beat thirteen)

Rififi is a terrific heist movie, and one from which subsequent heist films have drawn ever since its debut upon the screen. The  famous 20-minute silent jewel heist sequence of this flim is simply marvelous to watch unfold on the screen. If you are serious about heist films or film noir this is an absolute must see as its truly a marvelous flim by Jules Dassin that you will love so much if you love baby driver.

Baby driver review(Beat fourteen:last note as  would be the ending of story)

Baby Driver is the best mix-tape ever assembled for a movie. It’s simply a marvelous movie that simply is one of best movies of the year. Edgar Wright would have never fit the 70s new wave: he belongs at Warner’s in the 30s. Baby Driver colors inside the lines. Baby driver is a stark contrast to many movies now from other recent Hollywood films praised being different enough. He wants the image on screen to matter more than the cultural conversation that occurs afterwards.

The film stars Ansel Elgort as the titular character whom truly shines in this marvelous role that shines with very emotion driven acting as he barely speaks as he feels like buster kreaton in a modern sense but so good here. Jon Hamm, Jamie Foxx, Kevin Spacey, and Eiza González did their parts well and portrayed convincing mentally unstable killers that have such wonderful wit to them all as the actors played well off of each other, especially in scenes involving comedy where they nailed the punch-lines each time.

Many of the heist films of recent years have been rather disappointing when it comes to both story and technical achievement this movie is simply marvelous as it comes. The casting in Baby Driver was absolutely divine.

I cannot think of one character or actor who was misplaced or a weak link within the film as they give such wonderful performances. Writer-Director Edgar Wright delivers the sharpest dialogue and story of his illustrious career as he simply brings home his best film ever here which is a tall order coming from this amazing talented director crafting out such amazing and clever heist scenes with wonderful acting and a wonderful screenplay with wonderful direction and acting makes this movie a must see for anyone that loves classic movies.

The Ruth Rating:

 

a sit down with noir classics

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The collective sigh of relief heaved on V-J Day ought to have inspired Hollywood to release a flood of “happily ever after” films. But some victors didn’t feel too good about their spoils. They’d seen too much by then. Too much warfare, too much poverty, too much greed, all in the service of rapacious progress. A bundle of unfinished business lingered from the Depression and nagging questions about ingrained venality, mean human nature, and the way unchecked urban growth threw society dangerously out of whack. Writers and directors responded by delivering gritty, bitter dramas that slapped our romantic illusions in the face and put the boot to the throat of the smug bourgeoisie. Still, plenty of us took it and liked it. Thus noir and those dangerous dame came into being. I am gonna talk about many great noir classics that remain timeless

Murder, My Sweet (1944) review

This 1944 adaptation Based on the novel Farewell, My Lovely by Raymond Chandler, Edward Dmytryk’s film adaptation Murder, My Sweet is one of the essential works in the genre of film noir. The film stars one of Chandler’s most famous characters: private detective Philip Marlowe (Dick Powell) has been arrested and explains his story to the police in a flashback. Dick Powell plays Philip Marlowe in such a way that brings out all the raw charm of this hardboiled dick as he played it lightly but really charming making this role shine.

Anne Shirley plays an amazing role in farewell my lovely as she plays her last screen role we see her at her best as her acting is top notch. Murder, My Sweet is one of those very night owl noir classics. The flim  is atmospheric and looks great with wonderful direction and cinematography with very wonderful acting makes murder my sweet stand among classics as its truly one classic noir classic you should see today.

There was Siodmax’ “The Killers” in 1946! There was Huston’s “The Asphalt Jungle” in 1950 and in between was RKO’s OUT OF THE PAST in 1947. Together these three films represent the very best film noirs that ever was to come out of Hollywood or ever would again.

Kathie Moffat is the greatest of all femmes fatales, because she’s the least caricatured. She’s not a scheming black widow, just a totally selfish, cowardly woman who feels no remorse for anything she does, and who happens to be beautiful and alluring enough that we can believe any man, even a smart and tough one, would fall for her. Jeff and Kathie’s romance is genuinely rhapsodic, nothing like the usual mating of temptress and chump; they’re both so sexy and smart and wised-up, always getting the joke together. The disillusionment wouldn’t be so compelling if the illusion weren’t so lovely. When Kathie shoots Jeff’s partner, Mitchum—in a reaction shot lasting all of two seconds shows Jeff realizing, and instantaneously coming to terms with, the fact that the best thing that ever happened to him is also the worst thing that ever happened to him. He looks simultaneously shocked to the core, and as though he’d expected it all along. Performances are superb throughout. Here the dozy eyed Mitchum – in his first starring role – solidifies his playing of the private eye. But he also shows he could cut a wholly acceptable romantic lead helped along by his mellifluous and soft voiced atmospheric narration. One scene in particular is very effective where he is waiting for her on the beach at night and when she arrives Mitchum’s voice is heard gently on the soundtrack ….”Then she’d come along…..just like school was out and everything else was just a stone by the sea”. The wonderful Jane Greer is the quintessential femme fatale. Her gentle saintly beauty belying her treacherous, underhanded and calculating evil. And a young Kirk Douglas – here just feeling his way in movies – is fine as the courtly but odious villain. Adding greatly to the whole thing is the marvellous score by RKO resident composer Roy Webb which features a memorable and lingering main cue that becomes a tender love theme for the love scenes and is transformed into an exciting big band jazz number for the black nightclub sequence.OUT OF THE PAST is the archetypal film noir! An outstanding document of what Hollywood could achieve in their golden past as its cast is just wonderful,great story,wonderful direction,everything is top grade in every way,it’s a classic that you should watch anytime

The Maltese Falcon Review 

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In this noir classic, detective Sam Spade (Humphrey Bogart) gets more than he bargained for when he takes a case brought to him by a beautiful but secretive woman (Mary Astor). As soon as Miss Wonderly shows up, trouble follows as Sam’s partner is murdered and Sam is accosted by a man (Peter Lorre) demanding he locate a valuable statuette. Sam, entangled in a dangerous web of crime and intrigue, soon realizes he must find the one thing they all seem to want: the bejeweled Maltese falcon.(goggle plot)

The Maltese Falcon’ is the granddaddy of the modern detective movie as its the debut of John Huston as a flim director along with it made Humphrey Bogart a star as its based upon a Dashiell Hammett’s novel as this movie is a groundbreaking crime drama.

Samuel Spade played by Humphrey Bogart is what we call the classic detective of noir as he truly crafts out a wonderful role as he brought to life on the screen a new type of hardboiled detective who was destined to become the template for a whole succession of others who would appear in numerous films noirs particularly in the 1940s and 1950s.Peter Lorre’s Joel Cairo was a resolute picture of classic villainy as truly nails home such a wonderfully crafted out role. He plays the role with such a cool charm and wit that brings to life a Dashiell Hammett character in a way that really does bring out such a collective charm as he does such a wonderful role. Mary Astor truly is wonderful in her role as Brigid O’Shaughnessy is a striking picture of feminine deceit and betrayal. She is a confirmed liar whom can be just as deadly as she is beautiful as she can make love to Bogart’s character one mine then almost kill him the next. Her performance is surely one of the screens finest ever crafted as she really brings home this complex dame to the screen.

The screenplay by John Huston wonderfully crafts out a wonderful screenplay as its one of the finest noir classics all time. The plot of this movie takes the novel of the same name to screen with impressively written dialog and dark humor that is delivers wonderful acting of this sharp screenplay. The direction of this movie is wonderful for a debut of a director with wonderful cinematography. The The film’s high contrast B&W lighting renders an effective noir look and feel that would be copied for ages to come. This the prime directive classic that set the bar for noir to come.

The characters are complex. The acting is just wonderful. The screenplay brings novel to screen with perfection. The direction truly is outstanding. The cinematography is wonderful. The dialogue is wonderfully crafted out for each scene. This is a classic that takes a classic novel bringing it to screen with such charm that it makes it one of the finest book to movies ever crafted out on the screen. This is a classic movie that you should watch today.

I Wake Up Screaming review 

Victor Mature, Betty Grable, and Carole Landis had all been in movies together in various combinations, but I WAKE UP SCREAMING (IWUS) was the first film noir all three of them starred in. Maybe that’s why This movie feels so fresh and different. The movie starts out more like my fair lady then most noirs it feels like a change for noirs.  Betty Grable in her frist dramatic role which is one great role for her to play as she really gives such an amazing performance as an actress in this movie. Carol Landis is truly amazing in this movie in her outstanding role. Victor Mature gives us one great performance as an actor. This noir classic is early in the noir cycle as it uses many ideas of shadow and light to great effect. This movie will keep surprising you with many twists and turns. The supporting cast which includes Allyn Joslyn and Alan Mowbray among many others all give us such wond

Fallen angel review

Otto Preminger directs this noir classic. Fallen angel is another gem form this wonderful noir director which ended up on cropping room floor by critics at the time. It’s quite sad as . Alice Faye gives us her finest role on the screen.  Dana Andrews, with all his unique ambiguity and minimalism, turns in one of his finest performances ever; just a hint of his outstanding performance. Charles Bickford is superb in his role. It’s such a joy as this movie has a excellent cast and cinematography as this movie is a treat to watch from start to finish. It’s simply a gem you should see today.

Born to kill review

Born To Kill is truly a work of art in movies. Its simply one of those wonderful noir classics that one should watch today. There are so many elements that make this film memorable form  Lawrence Tierney as Sam, the amoral killer is one of the few truly scary villains as he truly is one of the worst villains ever on the screen.  Claire Trevor is a subtitle actress giving us another amazing performance as Helen a woman trapped in what she can’t have and a desire for Sam,its truly one amazing performance as another ruthless dame. Elisha Cook, Jr is truly wonderful in his role. Born to kill is a gem one should watch today.

The Postman Always Rings Twice review

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Lana Turner and John Garfield generate sparks in this excellent crime thriller that is one of my favorite classic noir gems all time. I did not expect any noir classic to be along the lines of any other noir classic all time. The original book published in 1934 by James M. Cain (author of “Double Indemnity”) was a gritty unsentimental story of a low-class drifter and bum, Frank, who is taken in by a German immigrant, Nick, who owns a roadside café and his beautiful wife, Cora, who turns out to be much darker on the inside than the facade of her pure white skin. Cora, we learn, is dissatisfied with her life married to this older immigrant and the drifter becomes her catalyst to change her situation. This book really lightly works the book into a noir classic.

 Lana Turner plays Cora Smith, a restless young waitress married to a much-older man who runs the roadside diner as she is restless and not in love in ages to him as she meets a younger man that sparks her interest. She plays quite a wonderful role in this movie as she truly shines as Cora Smith as she truly shines in the role.  She plays out this role to a level of craft that she delivers one of her truly finest roles all time. 

John Garfield plays out one of his finest roles on the screen. as Frank Chambers, a drifter who turns up at the diner and is captivated by Cora. This is his finest hour of acting on the screen.

Cecil Kellaway is great as Cora’s naive husband Nick, whose main concern is the diner. He truly nails home a fine home as this naive husband in The post always rings ring. It’s his level of craft and skill as an actor that he delivers one truly fine performance. Hume Cronyn nails home a fine performance as Arthur Keats. Leon Ames as Kyle Sackett giving out a fine performance. Everyone gives such fine performances in this movie even the supporting cast of talents delivering home some of the finest acting on the screen. 

The movie works very well under its own terms, particularly because of the outstanding chemistry between the leads John Garfield and Lana Turner. This plays up the unrealized sexuality. Lana Turner is quite the femme fatale. It’s her way of playing Cora which really lights up the screen. 

Tay Garnett’s Direction and craft really crafts out this noir classic that is really light noir compared to many other noirs but he crafts out such a wonderfully crafted gem of A movie. A screenplay by Harry Ruskin and Niven Busch which really touches upon the  novel by James M. Cain which they craft out this movie. This movie is considered a big breakthrough for censorship.

Costume designer irene lentz was tasked with fulfilling the director’s vision, created a series of simple yet effective costumes as such she crafts out such great costumes. These outfits work perfectly to make Lana Turner turn heads and catch you by storm. Cinematography by Sidney Wagner is really wonderful as ever. It’s such effective tones in the movie that brings the screenplay and direction and acting to life on the screen. 

Adapted from a novel by James M. Cain (who also wrote Double Indemnity and Mildred Pierce), Postman is often heralded as a breakthrough in the battle against screen censorship. MGM secured the rights to the novel in 1934. Lana Turner and John Garfield and Cecil Kellaway and others in the cast all shine together to bring to life this wonderful movie to the screen with such great direction and Cinematography and Costume design. The Postman Always Rings Twice ring is a noir gem that you can watch anytime and love greatly it is surely a treat to watch this gem of a movie. So watch this outstanding classic today.

Today i talked about many diffrent noir classics that remain timeless that you should see today. Noir is one of the best to watch as always. You should watch these noir classics and many others that are considered the best. I hope you enjoyed this talk today on noirs classics.

 

Deception

Deception Review

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bette-blogathon-5Today I talk about Bette Davis my favorite legend of all time and favorite actress all time as she remains the queen of acting in my eyes.I review Deception in honor of her upcoming birthday and the THE SECOND ANNUAL BETTE DAVIS BLOGATHON hosted by my dear friend Crystal Kalyana Pacey whom hosts this wonderful event and also runs the site in the good days of classic Hollywood.  I thank her kindly for hosting this wonderful event giving me a chance to review this wonderful classic gem in honor of the greatest legend of all time in my eyes.

p3069_p_v8_aaDeception review

Irving Rapper’s Deception reunited the three stars of Now Voyager together in this noir classic gem as they all shine together equally in this movie.  Deception”was based on a play which opens up this classic story in an unexpected way.  Bette Davis  plays Christine Radcliffe  whom believes that her fiance was killed on the battlefield when he returns, they decide to marry, but are threatened by a wealthy, egotistical composer the piano teacher started dating on the rebound after she became convinced her love.(.imdb plot bits mixed into it)  Bette davis really shines in this role as she plays  Christine Radcliffe like a tight glove as she is fast talking with the passion in her heart for the man she loves. She gives us one of her fine performances that truly shows how amazing this woman can be to melt into a caracter as you feel each mood is truly raw and real. Its a truly amazing performance by her.  Claude Rains plays the egotistical composer who is afraid to lose his own creation in a very remarkable performance. Paul Henried gives an amazing performance as karel the European cellist madly in love with Christine who thought he lost his love forever as he plays it so very well. Its a well acted classic with very great performance by its cast. Irving Rapper’s direction is very good and gives us a very good classic. Ernest Haller’s cinematography enhances all we see on the screen as each performance and shot is captured so greatly by one of the greatest of the era. Erich Wolfgang Korngold’s music is probably the film’s chief asset and it probably sounded superb over the monophonic sound systems when this film was released as this soundtrack is one of the finest of its time. Deception is end of an era for Bette Davis of her Warner Brothers films as she would later return in all about eve. Deception is a classic that everyone should see today as its truly a classic gem that shows Bette Davis at her finest hour whom would later return in all about eve to give one of her finest hours on the screen. You simply should watch this classic gem today

The ruth rating:

The Damned Don’t Cry!

Today I talk about Joan Crawford in a review of the damned don’t cry whom went  Form silent movie legend to camp queen. Joan Crawford and her astonishing 45-year film career is the stuff of a Gatsby-esque legend of survival and reinvention. Simultaneously glorious, tragic, tawdry, and hype-filled, her story is the very embodiment of the real version of the American Dream. She is without a doubt one of the legends of the silver screen. so to review this classic movie today that may be one of her best movies all time.

The Damned Don’t Cry! review

Joan Crawford scores again in the role of weary housewife living at the edge of the Texas oil fields. When her young son is killed in a bicycle accident, she leaves her laborer husband Roy (Richard Egan) for the big city. In this Warner bros noir classic Joan Crawford shines in her role that is one of her movies under their banner.

The Damned Don’t Cry” is directed by Vincent Sherman whom crafts out a noir that is a tale of ambition, murder and betrayal in which Joan Crawford plays the the role of an ambitious woman from the working class that finds social ascension in the men’s world using her glamour and different lovers. The dammed dont cry is  based upon the story of  the mysterious Virginia Hill that belonged to the upper-class and her lover Bugsy Segall whom was one of the most infamous gangsters of the 1940’s.

This noir classic was very intelligently written and deserves more attention as one of the better Film Noir classics with Vincent Sherman directing and crafting out a very amazing noir classic that tells such a very layered story of life’s twists and turns with such rich and sappy  dialog and betrayals instantly turn this noir classic into a must see for any lover of noir.

Joan Crawford gives us a very amazing character that truly is a rich and complex woman that feels layered and deep with many scars and personal goals of her own. Joan Crawford delivers one of her best roles on the screen in my eyes as you see her not play this role sappy but very raw and deep with many sharp lines of dialog in her performance as one of her finest on the screen. David Brian and Kent Smith both give us such fine acting that makes them feel right at home with the tough Joan. Morris Ankrum truly gives us one amazing performance as the father of her. It’s really such wonderful acting by everyone.

This is a slick, fast-moving noir with a strong cast that gives out remarkable acting and a very wonderful direction by  Vincent Sherman and will keep the viewer involved and thrill you throughout this classic noir gem.

The ruth rating:

Kurosawa noir

Kurosawa noir

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2014-10-08

Today I talk about Akira Kurosawa again in my third follow up article to my throne of blood review. Akira Kurosawa directed 30 films in a career spanning 57 years. In the third part of this collective series of tributes about Akira Kurosawa I talk about the noir classics of Akira Kurosawa. so to end my tribute series to this master by talking these wonderful classics.

Drunken Angel reviewdrunk-angel

The chaotic worlds of the Japanese Mafia (Yakuza) and an alcoholic doctor collide in this film noir classic from Akira Kurosawa. Gangster Toshiro Mifune visits doctor Takashi Shimura, after an unfortunate incident with a bullet. The doctor, who despises the Yakuza, discovers the young man is suffering from tuberculosis, a disease symbolic of what is happening to the doctor and the community he serves. Facing his own anger and fear, the doctor aligns himself with the gangster’s world.(goggle plot)

Drunken Angel is one of the most important of Kurosawa’s films for several reasons. It was the first film that Kurosawa had complete control over the movie form start to finish. Toshiro Mifune starts his work with Kurosawa here as he gives us such a powerful performance as Doctor Takashi Shimura whom has do work for the Yakuza whom he hates. Drunken Angel is essentially a lament for the state of post-war Japanese society It’s a very wonderful noir classic that does really deal with the darker end of Japanese society its mob world along with such powerful acting by the cast and a wonderful direction by Kurosawa it is a really a moving and gripping noir classic you should see today.

The Ruth Rating:five bette's

high and low reviewp41474_p_v8_aa

High and Low was adapted from the American novel King’s Ransom by Ed McBain. Kurosawa takes this classic tale reworks to Japan. It is an outstanding detective film. The film is a fascinating portrait of ’60’s Japan. Kurosawa makes it into a meditation on honor and decency how one’s traits can take you to heaven or hell. Toshirô Mifune plays one of his most outstanding performances all time. The wonderful acting by everyone in the cast really makes this movie something truly that works on so many levels. High And Low particularly stands out from the others of his many works as its truly a wonderful drama with such wonderfully shot camera work. High And Low is truly an outstanding classic.

The Ruth Rating:five bette's

The bad sleep well review

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In this loose adaptation of “Hamlet,” illegitimate son Kôichi Nishi (Toshirô Mifune) climbs to a high position within a Japanese corporation and marries the crippled daughter (Kyôko Kagawa) of company vice president Iwabuchi (Masayuki Mori). At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi’s father. It is then that Nishi unleashes his plan to avenge his father’s death.(goggle plot)

Seven Sumarai and Rashomon are wonderful Kurasawa flicks too few people know of his other outstanding works. One of the best examples of this is this movie. The Bad Sleep Well is extremely well-written and acted by everyone in the cast. The bad sleep well is the forgotten gem of the master as its truly a gem with wonderful rich acting and direction and camera work. It’s a masterpiece that you should see today.

The Ruth Rating:five bette's

Stray Dog review

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Stray Dog is a 1949 Japanese police procedural film noir directed by Akira Kurosawa and starring Toshiro Mifune and Takashi Shimura. The film is considered a precursor to the contemporary police procedural and buddy cop film genres. (goggle info)

STRAY DOG stands as one of Akira Kurosawa’s masterpieces. Noteworthy for two reasons the rich American noir style with such rich b&w atmosphere that really feels at home in American noir enhanced with a touch of Italian neo-realism. It also stars a young Toshiro Mifune whom gives out such a fine performance. The acting of everyone is outstanding with wonderful direction and a wonderful story makes this a true classic noir gem. The meeting of American noir with Japan culture really does work great in this classic. Stray Dog is a masterpiece of noir that truly stands among the classics of the genre that one should see today.

The Ruth Rating:five bette's

 I hope you enjoyed my three tribute articles honoring Akira Kurosawa. He remains one of the finest directors that ever graced the screen. So thanks for joining again for another article honoring this master. He truly remains one of my favorite directors of movies. I truly adore the works of Akira Kurosawa. Thanks for joining in honoring this master.

Cinematography of the third man

Cinematography of the third man

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31-days

TODAY i talk about The Cinematography of the third man with an in-depth review that breaks down this classic gem for 31 Days of Oscar Blogathon as today for the crafts part of 31 Days of Oscar Blogathon as Its Oscars talk time again. Today as part of 31 Days of Oscar Blogathon which is hosted by Once Upon a Screen,Outspoken and Freckled and Paula’s Cinema Club. Thanks to the wonderful hosts for today’s event and check out others form this event.

The Third Man (1949) Opening shots. 

Similar to other international noir genres, British film noir hardly fits the rigid categorical definition of noir based on Hollywood films. It does, however, contain many of the conventions and traits of Hollywood film noir such as a focus on the underworld of society, base emotions, and melodramatic events that portray an unjust and often cruel world. Carol Reed’s The Third Man (1949) may be stand among the greatest movies ever made and it does rank almost among top British films ever made.

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The third man follows  an idealistic American writer of Westerns as he arrives in the corrupted, disparaged city of post-WWII Vienna, Austria, which has been divvied into four sections: French, Russian, British, and American.  Holly Martins (Joseph Cotten) is an innocent, in some ways a clod, as he blindly follows a mystery, however dangerous, until its ultimate conclusion at the end. 

The third man has many key layers that it shares with american noir that may be a common thread of both ends of the great pond as its use of shadows and lighting really does also play a huge role into the movie.  A focus on the underworld of society of  Vienna, Austria. The base emotions, and melodramatic events that portray an unjust and often cruel world of post war  Vienna, Austria which is divided after the second world war into four zones French, Russian, British, and American.  Plot:Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime.

The third man is probably the greatest British thriller of the postwar by director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna which is far removed from the image of the rollicking erotic’s of Ernst Lubitsch or the wistful elegance and melancholy beauty of Max Ophüls. This Vienna is a movie milieu that really is vastly different form Curtiz’s Casablanca or Sternberg’s Morocco as it is unlike them, it is primarily the real Vienna, It is the real raw streets of the rubble and look of the bleak city after the second world war. The third man is shot by Reed and cameraman Robert Krasker in such a striking style which captures the city of Vienna. The camera work of Robert Krasker shot the movie in off-angle compositions and wide-angle lens distortions along that really does give some shots that really does feel striking to see unfold on the screen.

As you see in this scene above you see One of the many great Dutch-angled shots in The Third Man (1949) as truly it is giving you an oddball look at the city in a striking style.These striking camera shots really work to capture the raw city. The macabre landscape with the outstanding camerawork captures the city with  Anton Karas’ legendary zither score as the tale unwinds on the screen.

Two symbolic settings of the movie is a Ferris wheel towering above the city, and the shadowy chaos of the sewers. Holly comes face to face with the supreme evil, the supreme betrayal: both Harry’s and his own. The two settings play key part into that ultimate end. This is one element of the third man that vastly does tell you about how the raw core of the depths that harry faces into what some call his trip down a rabbit hole. Its two settings tell the viewer this idea as key part of its shots. This what the symbolic settings tell us all about the journey of the movie to its end.

Which ends as Anna walks down road as he looks upon her as farewell to her as he knows she is still in love with a killer and he must follow her down into that place as her love is misplaced and misguided. It’s her way as she must find her back to the light. The symbolic nature of the ending and the movie really does bring to light the nature of what we feel as descend into our chaotic worlds often.

Don’t be so gloomy. After all it’s not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? The cuckoo clock. So long Holly.

 

Harry Lime: Nobody thinks in terms of human beings. Governments don’t. Why should we? They talk about the people and the proletariat, I talk about the suckers and the mugs – it’s the same thing. They have their five-year plans, so have I.
Martins: You used to believe in God. Harry Lime: Oh, I still do believe in God, old man. I believe in God and Mercy and all that. But the dead are happier dead. They don’t miss much here, poor devils.

Both these great quotes by Orson Welles really address the nature of our world in a collective darkness about how we think about governments in truth and how we believe in a god. It’s a collective reflection that really does feel at home in the third man as the city of Vienna afterwards of world war II. As quoted often noir is a reflection of how America and the world felt afterward of the second world war. So we see this collective expressions of its scenes and many quotes in this wonderful gem of a movie.

Joseph Cotten was not  carol Reed’s first choice for Martins; the director preferred Cary Grant, or even Jimmy Stewart but he ended up with Joseph Cotten. Joseph Cotten really gives us one fine performance as we see him really play wonderfully as he gives Martins the necessary dumfounded ignorance toward Vienna the role requires to really give us a caracter that is taking into this wild trip down a rabbit hole. He truly nails home this performance.

Orson Welles plays the elusive Harry Lime whom is one of the best villains ever put to the screen even for his limited time on screen as he plays one very convincing villain. Orson Welles was considered to be overshadowing the production of the third man. He kinda does even overshadow the director in many ways as many more recall him then carol reed. Its truly one amazing performance.

Alida Valli gives us a very convincing performance as Anna Schmidt. Its her very subtitle performance as the girlfriend. She really has a very key role into comforting holly Martin but she ends up in the twisted web herself as she has many secrets hidden away about herself. She wonderfully plays the role in a very wonderful performance that really nails home another outstanding role for this movie.

Trevor Howard wonderfully plays the role of Maj. Calloway. He leads down the chase as we see him and the other cops chasing down holly martin in one of the most infamous scenes of the movie.  We truly see him give such an amazing performance in this wonderfully crafted role.

Bernard Lee as Sgt. Paine really gives us one wonderfully outstanding role as we see him really play this role wonderfully as this wonderful actor of range gives us such a good role on the screen. Everyone else in the cast gives us such outstanding role even the smaller and lesser role as each give us such raw depth to their performances making them really all work to bring to life this world  on the screen. 

Carol Reed and his Academy Award-winning cinematographer, Robert Kraske devised an outstanding cinematography. It shows a world out of joint in chaos that creates unforgettable visual style.   fantastic oblique angles. Wide-angle lenses distort faces and locations. And the bizarre lighting makes the city into an expressionist nightmare. During a stakeout for Lime, a little balloon man wanders onto the scene, and his shadow is a monster as he towers over others as we really believe he is towering and overshadowing everyone. Vienna in “The Third Man is unforgettable as they come as its striking and contrasted form the lovely image we normally see of cities in movies.  This is a striking and wonderfully crafted movie form reel one to its end.

Carol Reed’s tight direction really does come to life with Academy Award-winning cinematographer, Robert Kraske as both of them craft out such a layered expressionist nightmare with such wonderful writing by Graham Greene with each cast member bringing home the lines of the screenplay in its depth and raw and giving more to each performance. We have a very wonderful performance by orison Welles whom overshadows the cast in light. We have a wonderfully rich acting job by Joseph Cotten whom gives us one amazing performance. We have a wonderful roles by Alida Valli and Bernard Lee and Trevor Howard each of whom give us first class acting. Its acting as directed by the wonderfully pitch director carol reed really brings out such rich and complex roles for the cast as we see them all nailing home such wonderful performances with wonderful music by Anton Karas as who can forget the theme of the third man. Its truly an artwork of direction and craft by carol reed.

Of the many movies this one most completely embodies the romance of going to the movies. I saw first form a Blu-ray copy at home as it really captured me truly form the first moment of the movie to its end.  It told a story of existential loss and betrayal. It was weary and knowing, and its glorious style was an act of defiance against the corrupt world it pictured. The Third Man remains one of the finest movies ever crafted to the screen form its wonderful direction to its very wonderful screenplay to its rich and striking  cinematography to its wonderful acting. It’s truly a milestone of movies that hails among the best movies ever made for the screen. It ranks among top British films all time and among the best lists of movies by many lovers of movies worldwide. This is one outstanding classic you should see today.

The Ruth rating:five bette's

Dark Passage

So today I am honoring Agnes Moorehead, the renowned character actress, who is best remembered for her role as Endora for THE AGNES MOOREHEAD BLOGATHON hosted by my dear friend  Crystal form IN THE GOOD OLD DAYS OF CLASSIC HOLLYWOOD. Thanks to her for hosting this wonderful BLOGATHON.  I would suggest you check out other posts for this BLOGATHON. So today I review dark passage for AGNES MOOREHEAD’s birthday. 

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Dark passage review

Bogart plays a man convicted of murdering his wife who escapes from prison in order to prove his innocence. Bogart finds that his features are too well known, and is forced to seek some illicit backroom plastic surgery. The entire pre-knife part of the film is shot from a Bogart’s-eye-view, with us seeing the fugitive for the first time as he starts to recuperate from the operation in the apartment of a sympathetic young artist (played by Bacall) for whom he soon finds affection. But what he’s really after is revenge.(story off web)

Dark Passage offers a different take on the San Francisco noir genre as its lead is hardly seen in its first half of the movie. Delmer Daves, adapting the David Goodis novel has created something seldom seen in this type of films, in which, the hero’s presence is required at all times.

The film has a great look to it as it captures a view of the San Francisco of the 1940s in ways that hadn’t been seen before on the screen. It’s a stark difference form many noir classics. This film hooks you from the start with its book like opening that truly feels like it is out of a noir book of that era.

Sidney Hickox’s stylish cinematography is one of the best assets of the film as it truly captures the city by the bay in such a magical way. The mood is set by the swing music of the time as Frank Waxman’s score as its truly a jazzy soundtrack that feels right at home as its great swing music that does truly sound so wonderful. This is one fine soundtrack.

Humphrey Bogart dominates the movie in his truly wonderful role that was Oscar worthy as he truly isn’t seen until hour in movie it is a wonderful as it speaks volumes about how the actor and director speak out this wonderful performance. m. Ms. Bacall’s radiant beauty dominates every scene she is in. This actress had such a style that no matter what she is doing, she pulls our attention to her as she truly gives one wonderful performance. Agnes Moorehead makes a phenomenal appearance as the evil Madge Rapf as truly she gives one wonderful performance. Her last scene with Mr. Bogart stands as one of the best moments in a film noir of the era. This is one of a kind in noir as its truly a movie that is a very special classic that is one of the finest noir classics ever made.

The Ruth rating:five bette's

A very happy birthday to Agnes Moorehead. I loved to talk about one of her fine roles on screen. So i am wishing her a very happy birthday.

Vertigo:A tale of obsession

Vertigo:A tale of obsession                                  https://www.facebook.com/Wolffianclassicmoviesdigestvertigo-alfred-hitchcock-865414_1024_768Alfred Hitchcock’s VERTIGO is a movie that a film which functions on multiple levels simultaneously. One of the many movies that Hitchcock did in his lifetime was vertigo. It was not considered much of a masterpiece at the time. Vertigo is often considered Hitchcock’s most personal and emotional and complex of his movies. It is a tale of obsession that is Hitchcock’s best movie to my eyes.

The opening shot of vertigo has a woman’s lips then an eye as it’s a close up of a human eye as its A spinning hypnotic shape emerges from the eye with hypnotic music tells people they are about to be transported into another world. Scottie(James Stewart) is chasing down someone on a rooftop as it results in death of a policeman which leads to his retirement form the police force. detective John “Scottie” Ferguson retires. Scottie tries to conquer his fear, but his friend and ex-fiancée Midge Wood says that another severe emotional shock may be the only cure as he is trying to overcome his fear of vertigo form his last time as a detective. Its starts off this classic movie of obsession Scottie is asked to follow Madeleine(Kim Novak). This starts off the classic tale of vertigo.

Vertigo is a tale of two halves. It starts out as a ghost story as Once the prologue has introduced us to Ferguson’s fear of heights we start to enter into a dreamlike begining as we have Scottie tailing down Madeleine whom is convinced she is a reincarnation of Carlotta Valdes her grandmother. He follows her to a florist then to the the Mission San Francisco de Asís and the grave of Carlotta Valdes, and to an art museum where she gazes at the Portrait of Carlotta. He watches her enter the McKittrick Hotel, but on investigation she does not seem to be there as she is staring into space as she seems out of it. She truly does seem like she is in a daze. The next day we learn that it is believed she is possessed by Carlotta Valdes whom tragically committed suicide.

She is saved by Scottie at far point. It’s when they kiss at his apartment then the next day we see him and her hang out falling to her death. It then begins a tale of obsession as the film shifts into darker territory. As Scottie really does seem obsessed with her as he is visiting spots she visited as one day he meets he One day, he notices a woman who reminds him of Madeleine, despite her different appearance.

Scottie follows her and she identifies herself as Judy Barton, from Salina, Kansas. A flashback reveals her as Madeleine Elster as part of a murder plot. Gavin had deliberately taken advantage of Scottie’s acrophobia to substitute his wife’s freshly killed body in the apparent “suicide jump”. But Judy rips up the letter and continues the charade, because she loves Scottie. Scottie remains obsessed with Madeleine often having her dress as Madeleine to change clothes to please Scottie and his obsession. Hoping they find happiness together. She then wears the necklace as he insists she recreates the events at the mission as she is pushed off to her death again in a repeat of events. Its a tale of obsession that has nods to Dante’s inferno and feverish dreams take control with many different notions of color being played upon in its feverish dreamlike manner. It is a tale of obsession with an spine tingling ending. It’s a wonderful journey that Hitchcock and its crew took us upon in this classic gem.

Vertigo is a magnificent form the opening credits to its ending. Saul Bass’s title prepares us brilliantly for the movie which is about to unfold upon us. Bernard Herrmann’s musical score as the music is probably more important here than in most films, let alone most Hitchcock films. Because for most of the first half of the film and a great deal of the second half, it is without dialogue. In fact Kim Novak does not have a spoken line until about 48 minutes into the little more than 2 hour feature. She’s under James Stewart’s surveillance and the whole story of his growing obsession with her is told through his facial expressions and through Bernard Herrmann’s music. Bernard Herrmann’s score perfectly captures each mood of the movie as it elements of each part of this movie is captured wonderfully by Bernard Herman’s score if u turn off voice channel and watch it silent you will be amazed at how much it tells the story alone. The scene where the music helps with the flashes of green to reveal a girl of the past truly captures such a moment that reveals a truth. The musical score of Bernard Herrmann may be among his finest ever crafted.

The Cinematography by Robert Burks is one of the finest ever crafted to film as it captures San Francisco as it richly captures the city in such richness and depth. There is color filters that does many tricks such the changing of colors on many scenes in a feverish way is part of this movie. Its richly deep and dreamlike cinematography which richly captures the city in all its glory and beauty as the city by the bay never looked more lovely then it’s being shot in this movie. The famous zooming-in, dollying-out technique and an animated dream sequence. The dazzling imagery could be seen as prefiguring the influence of psychedelia a decade later, although really it is perhaps only the logical extension of the German Expressionist style. It’s only really an updated version of the superimposing of images and casting of shadows in films by Fritz Lang and FW Murnau and many noir classics before this movie coming into a modern feel. or this reason Hitchcock could be called one of the truest heirs of the German Expressionist movement, and not just for the psychological angle. It’s one of the best psychological thrillers ever crafted out on screen.

Jimmy Stewart gives a terrific performance in the role of Scottie a man recognizing his own limits, suffering by his acrophobia as When he is given the chance to pursue this enigmatic woman it give his life a new meaning. It’s such wonderful role that really does nail home an an accurate portrait of an annoyed human being searching for the unattainable. He is a pragmatic man dealing with events in the light of his intuition. I would say this performance is such a fine performance by such a wonderful actor. Kim Novak is so delicate as Madeleine as she gives us a fine perfomance as the defining Hitchcock blonde. This is truly a wonderful performance. The acting is top notch by everyone in the cast as they give such fine performances.

The direction by Hitchcock is truly a wonder. He crafted out one of the finest thrillers all time with such a tale that has so many layers and depths to it. It is Hitchcock’s finest directed and crafted out movie as he truly made this one of his most personal ever crafted out for screen with wonderful actors to match his wonderful direction. This to me is hitch’s finest movie he ever directed on the screen.

Jimmy Stewart plays the biggest anti-hero of his career and Kim Novak whose stunning beauty and exceptional personalities shine through this dark film. Barbara Bel Geddes provides great support as well. Everything about this film truly is marvelous form its cinematography, the story, the depth,acting,music all coming together to make this wonderfully crafted out marvel of a movie that stands among the best movies of all time. Vertigo is a masterpiece.

The Ruth Rating:five bette's

 

The Maltese Falcon

The Maltese Falcon Review 

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In this noir classic, detective Sam Spade (Humphrey Bogart) gets more than he bargained for when he takes a case brought to him by a beautiful but secretive woman (Mary Astor). As soon as Miss Wonderly shows up, trouble follows as Sam’s partner is murdered and Sam is accosted by a man (Peter Lorre) demanding he locate a valuable statuette. Sam, entangled in a dangerous web of crime and intrigue, soon realizes he must find the one thing they all seem to want: the bejeweled Maltese falcon.(goggle plot)

The Maltese Falcon’ is the granddaddy of the modern detective movie as its the debut of John Huston as a flim director along with it made Humphrey Bogart a star as its based upon a Dashiell Hammett’s novel as this movie is a groundbreaking crime drama.

Samuel Spade played by Humphrey Bogart is what we call the classic detective of noir as he truly crafts out a wonderful role as he brought to life on the screen a new type of hardboiled detective who was destined to become the template for a whole succession of others who would appear in numerous films noirs particularly in the 1940s and 1950s.Peter Lorre’s Joel Cairo was a resolute picture of classic villainy as truly nails home such a wonderfully crafted out role. He plays the role with such a cool charm and wit that brings to life a Dashiell Hammett character in a way that really does bring out such a collective charm as he does such a wonderful role. Mary Astor truly is wonderful in her role as Brigid O’Shaughnessy is a striking picture of feminine deceit and betrayal. She is a confirmed liar whom can be just as deadly as she is beautiful as she can make love to Bogart’s character one mine then almost kill him the next. Her performance is surely one of the screens finest ever crafted as she really brings home this complex dame to the screen.

The screenplay by John Huston wonderfully crafts out a wonderful screenplay as its one of the finest noir classics all time. The plot of this movie takes the novel of the same name to screen with impressively written dialog and dark humor that is delivers wonderful acting of this sharp screenplay. The direction of this movie is wonderful for a debut of a director with wonderful cinematography. The The film’s high contrast B&W lighting renders an effective noir look and feel that would be copied for ages to come. This the prime directive classic that set the bar for noir to come.

The characters are complex. The acting is just wonderful. The screenplay brings novel to screen with perfection. The direction truly is outstanding. The cinematography is wonderful. The dialogue is wonderfully crafted out for each scene. This is a classic that takes a classic novel bringing it to screen with such charm that it makes it one of the finest book to movies ever crafted out on the screen. This is a classic movie that you should watch today.

The Ruth Rating:five bette's